Entertainment
Mr. Beautiful says he sells coconuts to survive hardship in Ghana
Actor Clement Bonney, popularly known as Mr Beautiful, says he has resorted to selling coconuts and sugarcanes to survive Ghana’s harsh economy.
The actor who has never hidden his support and love for the opposition National Democratic Congress (NDC) and its flagbearer, John Dramani Mahama told Cape Coast-based Property FM that the collapse of the Ghanaian movie industry has contributed to his current woes.
“The collapse of the movie industry has brought extreme hardships on some of us who are actively engaged in such a venture. In order to survive the hardships in Ghana due to the collapse of the movie industry, I now sell sugarcane and coconut.”
“The coconut that I sell is the one that is grown in my hometown in Central Region which is Abura Dunkwa,” he said.
His acting career may have been wrecked by his public support for former President Mahama and the National Democratic Congress (NDC) in the 2012 and 2016 elections, but Mr Beautiful told Graphic Showbiz in an interview in 2020 that his economic challenges are not enough reasons for him to reject the party.
“I am ever ready to battle with my sweat and blood for Mahama. This is not about Mr Beautiful and his love for Mahama, but now it is glaring that Mahama and the NDC administration performed better for the arts than the NPP has done in the last four years.
“I won’t just make empty claims but support my argument with facts, and those who think otherwise can come and challenge me. The NPP can never compare themselves to the NDC when it comes to their work for the creative arts sector,” he told Graphic Showbiz at the time.
Source: graphic.com.gh
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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