Entertainment
MAXZY WRITES: BLACKO’S BLACK CHOICE (BBC)

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The Ghanaian musician Black Sherif reportedly left his manager in February 2022 to ink what some dubbed the “worst contract ever” with Empire Distribution.
The Headlines went on painting the young artist as an ingrate, a sellout, and in other derogatory terms. Some believed that young Sherif has ‘signed his life away’ and that was an unthinkable contract any artiste would sign.
Young Blacko’s choice sparked unexpected media discussions in which entertainment pundits and industry leaders expressed their thoughts on the deal and its ramifications.
One that caught my attention during my research is the one from our own grandpapa;“Black Sherif’s deal with Empire is the worst deal ever” – Reggie Rockstone on HitzFM.
In the article, Reggie made it clear that those were the words of his late good friend DJ Rab before his demise.
Controversial entertainment pundit, Arnold Asamoah-Baidoo also described Blacko’s action as “frowned upon” in the music industry. He assert that it was unfair for Blacko to double-cross his local manager.
The discussion continued, various viewpoints were expressed, and numerous tales were shared on social media. Twitter ‘bud dozers’ resumed their usual roasting, and some of the tweets, clearly confirmed the name tag of Twitter being a ‘no mercy zone’. It was rather unfortunate that the majority were influencers and industry players.
“Somebody from Konongo ghetto how he go fii read contract! Ah Black Sherif paa.. 15k for 15years?? Kwasia line sei” – @Archipalago on Twitter
“Black Sherif has been making bad decisions since his rise to fame. First, it was a bad deal with Empire, now it’s an investor suing him for breaking a contract. Now, I understand why he said: “Of course I f*cked up, who never f*cked up hands in the air. Career in the mud!” – @BongoIdeas
The above are just a few tweets I picked from the troll.
I felt that this ordeal was too harsh for the young blood who was just trying to survive in a reneging industry. This would be hard for a young talent who has no strong backbone to persist.
I suppose I’m correct when I say that this is not the first instance of a rising star experiencing a test of fate in the game, particularly in Ghana. We all remember the time when Kuami Eugene and Kidi were labeled as fledgling writers. We saw entertainment writers such as AmeyawDebrah tweeting indirectly at Richie Mensah to find new song-writer for both artists. Not forgetting the countless criticism of Kuami Eugene’s dressing and even how he talks.
I assume you remember Young Bull, Yaw Tog, the 2021 ‘Sori’ hitmaker and high school sensation. In his prime, Young Bull also experienced this incident. Others include Wendy Shay, the late Ebony, and many others.
These assaults have the potential of influencing the growth and progress of these talents. It only takes talent with a strong backbone like Richie and Lynx entertainment did for Kidi and Kuami Eugene or just as Empire was for Black Sherif to survive and be very successful in this game.
A year has passed since Blacko signed the distribution deal with the US-based Empire Distribution. Since then, the superstar has jumped from one major stage to another, dominating international charts, racking up massive streaming figures, knocking significant international collaborations, and most recently, making an appearance on American rapper J. Cole’s Dreamville soundtrack for the Creed 3 film.
Since Blacko signed this, a very great milestone has been reached. In addition to introducing Young Blacko to the globe, this deal has greatly increased the visibility of Ghana and African music in general.
“Of course I f*ck up, who never f*ck up hands in the air” – Blacko said this in the intensity of the hullabaloo. Today, are we still asserting that Blacko’s decision was a mistake?
Maxzy known officially as Maxwell Bonnah is a columnist, artist, songwriter, cinematographer, entertainment enthusiast, and a graduate of the Ghana Institute of Journalism (GIJ).
Entertainment
Medikal urges Ghanaian musicians to prioritise financial security

Ghanaian rapper Medikal has advised musicians to focus on building financial security rather than relying mainly on awards, shows and public recognition.
According to him, the difficult situations some senior musicians face after years in the industry should serve as a lesson to younger artistes.
Medikal made the comments on TikTok while sharing his thoughts on an interview involving veteran Ghanaian musician DJ Barosky, whom he claimed is currently homeless in the United Kingdom.
He expressed surprise at the situation, noting that he grew up listening to and admiring some of the senior musicians who influenced his generation.
“Bro, right now, social media, I know if you tell which one be real or what be fake,” Medikal stated, questioning the reality of what people see online.
He argued that musicians should make money and put proper financial plans in place while they are active in the industry.
“If you be artist for this country, you for make money, collect money, put certain things in place,” he said.
Medikal stressed that awards and performances were important but should not replace financial planning.
He encouraged artistes to be careful with their relationships and to understand that the entertainment industry is largely driven by money.
According to him, even friendships can change when a person’s financial circumstances change.
He therefore urged musicians not to become discouraged by financial losses but to remain focused on creating wealth.
“Make money. If you lose money, still collect money,” he advised.
Medikal said the experiences of older artistes should encourage current musicians to take their finances seriously and prepare for life beyond their peak years in the entertainment industry.
By: Jacob Aggrey
Entertainment
Miss Tourism Ghana princesses dazzle patrons at Regional Costume & Talent Night show

It was a night of colour, culture and creativity as Miss Tourism Ghana successfully held its Regional Costume & Talent Night in Accra.
The event drew fashion lovers, culture enthusiasts, and proud supporters who came out to witness Ghana’s beauty queens represent their regions on one grand stage.
From the moment guests stepped in, the atmosphere was electric, ushering,
Okra, Zabe, Gina, Akpe, Sela, Afia,Asher and Ajua into the auditorium to mesmerize patrons.
The blistering night, commenced with a breathtaking regional costumes rocked by contestants that told stories of Ghana’s traditions from, african print, kente, smock, batakari, beads and other indigenous fabrics.
Each outfit with beautiful local accessories to match was paired with confidence, poise, and pride.
The night then shifted gears into the talent segment. The audience was treated to powerful performances traditional dance, spoken word, fashion, singing, and drama all centered on promoting Ghana’s tourism and heritage.
The judges were stunned with the various displays and passed favorable commentaries encouraging the contestants to keep giving their all.
Patrons left with unforgettable moments, and the contestants delivered to their expectations.
Organisers of Miss Tourism Ghana congratulated all the amazing participants who took part and urged them to forged ahead strongly before the grand final.
They also, encouraged families and friends to keep their favourite in the competition through their campaigns and votes.
The search for Ghana’s next tourism ambassador is officially on, and the competition is getting tighter with each stage.
Beyond the glamour, Miss Tourism Ghana continues to use the platform to market Ghana’s tourist sites, culture and hospitality to the world.
The Regional Costume & Talent Night served as both entertainment and education, reminding Ghanaians of the beauty in our diversity.
By Edem Mensah-Tsotorme




