Entertainment
MAXZY WRITES: BLACKO’S BLACK CHOICE (BBC)

The Ghanaian musician Black Sherif reportedly left his manager in February 2022 to ink what some dubbed the “worst contract ever” with Empire Distribution.
The Headlines went on painting the young artist as an ingrate, a sellout, and in other derogatory terms. Some believed that young Sherif has ‘signed his life away’ and that was an unthinkable contract any artiste would sign.
Young Blacko’s choice sparked unexpected media discussions in which entertainment pundits and industry leaders expressed their thoughts on the deal and its ramifications.
One that caught my attention during my research is the one from our own grandpapa;“Black Sherif’s deal with Empire is the worst deal ever” – Reggie Rockstone on HitzFM.
In the article, Reggie made it clear that those were the words of his late good friend DJ Rab before his demise.
Controversial entertainment pundit, Arnold Asamoah-Baidoo also described Blacko’s action as “frowned upon” in the music industry. He assert that it was unfair for Blacko to double-cross his local manager.
The discussion continued, various viewpoints were expressed, and numerous tales were shared on social media. Twitter ‘bud dozers’ resumed their usual roasting, and some of the tweets, clearly confirmed the name tag of Twitter being a ‘no mercy zone’. It was rather unfortunate that the majority were influencers and industry players.
“Somebody from Konongo ghetto how he go fii read contract! Ah Black Sherif paa.. 15k for 15years?? Kwasia line sei” – @Archipalago on Twitter
“Black Sherif has been making bad decisions since his rise to fame. First, it was a bad deal with Empire, now it’s an investor suing him for breaking a contract. Now, I understand why he said: “Of course I f*cked up, who never f*cked up hands in the air. Career in the mud!” – @BongoIdeas
The above are just a few tweets I picked from the troll.
I felt that this ordeal was too harsh for the young blood who was just trying to survive in a reneging industry. This would be hard for a young talent who has no strong backbone to persist.
I suppose I’m correct when I say that this is not the first instance of a rising star experiencing a test of fate in the game, particularly in Ghana. We all remember the time when Kuami Eugene and Kidi were labeled as fledgling writers. We saw entertainment writers such as AmeyawDebrah tweeting indirectly at Richie Mensah to find new song-writer for both artists. Not forgetting the countless criticism of Kuami Eugene’s dressing and even how he talks.
I assume you remember Young Bull, Yaw Tog, the 2021 ‘Sori’ hitmaker and high school sensation. In his prime, Young Bull also experienced this incident. Others include Wendy Shay, the late Ebony, and many others.
These assaults have the potential of influencing the growth and progress of these talents. It only takes talent with a strong backbone like Richie and Lynx entertainment did for Kidi and Kuami Eugene or just as Empire was for Black Sherif to survive and be very successful in this game.
A year has passed since Blacko signed the distribution deal with the US-based Empire Distribution. Since then, the superstar has jumped from one major stage to another, dominating international charts, racking up massive streaming figures, knocking significant international collaborations, and most recently, making an appearance on American rapper J. Cole’s Dreamville soundtrack for the Creed 3 film.
Since Blacko signed this, a very great milestone has been reached. In addition to introducing Young Blacko to the globe, this deal has greatly increased the visibility of Ghana and African music in general.
“Of course I f*ck up, who never f*ck up hands in the air” – Blacko said this in the intensity of the hullabaloo. Today, are we still asserting that Blacko’s decision was a mistake?
Maxzy known officially as Maxwell Bonnah is a columnist, artist, songwriter, cinematographer, entertainment enthusiast, and a graduate of the Ghana Institute of Journalism (GIJ).
Entertainment
‘Artivism’ at TGMA27: Okyeame Kwame uses gold-themed Red Carpet look to wage war against galamsey

Renowned musician and “Rap Dacta” Okyeame Kwame transformed the 2026 Telecel Ghana Music Awards (TGMA) red carpet into a platform for environmental activism, making a bold visual statement against the devastating effects of illegal mining, affectionately called galamsey.
Arriving in a striking ensemble, the artiste was draped in gold colours from head to toe, complete with a matching gold-plated sword.
However, the glamour carried a somber message. Flanked by two bodybuilders who performed as figures suffering from the physical and environmental “cancers” of illegal mining, Okyeame Kwame’s appearance served as a stark contrast between the beauty of Ghana’s gold and the destruction caused by its extraction.
Speaking to host Giovanni Caleb, the musician explained that his “glittering” look was a deliberate irony intended to spark a national conversation.
“I wanted to look like gold to remind Ghanaians that while gold glitters, galamsey destroys our rivers, our rocks, our air, and our nature,” Okyeame Kwame stated.
He further emphasised that the fight against environmental degradation transcends partisan lines.
“If we glitter like this once every year and forget that it is not the responsibility of the NPP or NDC, but the collective responsibility of all Ghanaians to stop this galamsey cancer, then we have failed,” he added.
Long recognized as an ‘Artivist,’ Okyeame Kwame has a storied history of using his public platform to champion social and environmental causes.
The 2026 TGMA, while a night of musical celebration, was momentarily refocused by the Rap Dacta’s plea for the protection of Ghana’s natural heritage, proving once again that art remains one of the most powerful tools for social change.
Okyeame Kwame is currently out with new single dubbed, “Clap,” a song encouraging communal support and celebration of others’ successes.
By Edem Mensah-Tsotorme
Entertainment
TGMA 2026: Who rules Ghana music tonight as AOTY?

The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry.
It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.
The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.







On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.
Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time.
Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.
A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.
Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.
If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.
Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.
Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.
By Edem Mensah-Tsotorme
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