Entertainment
MAXZY WRITES: BLACKO’S BLACK CHOICE (BBC)

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The Ghanaian musician Black Sherif reportedly left his manager in February 2022 to ink what some dubbed the “worst contract ever” with Empire Distribution.
The Headlines went on painting the young artist as an ingrate, a sellout, and in other derogatory terms. Some believed that young Sherif has ‘signed his life away’ and that was an unthinkable contract any artiste would sign.
Young Blacko’s choice sparked unexpected media discussions in which entertainment pundits and industry leaders expressed their thoughts on the deal and its ramifications.
One that caught my attention during my research is the one from our own grandpapa;“Black Sherif’s deal with Empire is the worst deal ever” – Reggie Rockstone on HitzFM.
In the article, Reggie made it clear that those were the words of his late good friend DJ Rab before his demise.
Controversial entertainment pundit, Arnold Asamoah-Baidoo also described Blacko’s action as “frowned upon” in the music industry. He assert that it was unfair for Blacko to double-cross his local manager.
The discussion continued, various viewpoints were expressed, and numerous tales were shared on social media. Twitter ‘bud dozers’ resumed their usual roasting, and some of the tweets, clearly confirmed the name tag of Twitter being a ‘no mercy zone’. It was rather unfortunate that the majority were influencers and industry players.
“Somebody from Konongo ghetto how he go fii read contract! Ah Black Sherif paa.. 15k for 15years?? Kwasia line sei” – @Archipalago on Twitter
“Black Sherif has been making bad decisions since his rise to fame. First, it was a bad deal with Empire, now it’s an investor suing him for breaking a contract. Now, I understand why he said: “Of course I f*cked up, who never f*cked up hands in the air. Career in the mud!” – @BongoIdeas
The above are just a few tweets I picked from the troll.
I felt that this ordeal was too harsh for the young blood who was just trying to survive in a reneging industry. This would be hard for a young talent who has no strong backbone to persist.
I suppose I’m correct when I say that this is not the first instance of a rising star experiencing a test of fate in the game, particularly in Ghana. We all remember the time when Kuami Eugene and Kidi were labeled as fledgling writers. We saw entertainment writers such as AmeyawDebrah tweeting indirectly at Richie Mensah to find new song-writer for both artists. Not forgetting the countless criticism of Kuami Eugene’s dressing and even how he talks.
I assume you remember Young Bull, Yaw Tog, the 2021 ‘Sori’ hitmaker and high school sensation. In his prime, Young Bull also experienced this incident. Others include Wendy Shay, the late Ebony, and many others.
These assaults have the potential of influencing the growth and progress of these talents. It only takes talent with a strong backbone like Richie and Lynx entertainment did for Kidi and Kuami Eugene or just as Empire was for Black Sherif to survive and be very successful in this game.
A year has passed since Blacko signed the distribution deal with the US-based Empire Distribution. Since then, the superstar has jumped from one major stage to another, dominating international charts, racking up massive streaming figures, knocking significant international collaborations, and most recently, making an appearance on American rapper J. Cole’s Dreamville soundtrack for the Creed 3 film.
Since Blacko signed this, a very great milestone has been reached. In addition to introducing Young Blacko to the globe, this deal has greatly increased the visibility of Ghana and African music in general.
“Of course I f*ck up, who never f*ck up hands in the air” – Blacko said this in the intensity of the hullabaloo. Today, are we still asserting that Blacko’s decision was a mistake?
Maxzy known officially as Maxwell Bonnah is a columnist, artist, songwriter, cinematographer, entertainment enthusiast, and a graduate of the Ghana Institute of Journalism (GIJ).
Entertainment
All set for Ghana Comedy Awards 2026
Ghana’s comedy industry would take centre stage today, when the sixth edition of the Ghana Comedy Awards is held at the College of Physicians and Surgeons in Ridge, Accra.
The event, which has become the country’s premier platform for recognising excellence in comedy since it rebranded from the Comedy and Poetry Awards, would celebrate comedians whose performances and contributions stood out between January 1 and December 31, 2025. 


This year’s ceremony would begin with a red-carpet session at 7:00 p.m., followed by the main awards event at 8:30 p.m.
Organisers have promised an evening of entertainment featuring some of Ghana’s foremost comedy talents, including Lekzy, Jeneral Ntatia, Kojo PJay, Oh Joo, Alo Wess, Ranzy Ray and Jerry Ashinyo.
Musical performances are also expected to complement the comedy acts.
Media personality Kwame Dadzie would play host for the event, which is expected to attract comedians, entertainers and fans from across the country.
Tickets for the awards are selling at GH¢200 for the silver package and GH¢300 for Gold.
The organisers have also urged the public to support their favourite nominees by voting before polls close at 6:00 a.m. on Saturday, August 1. Voting can be done by dialling 71333*009# and entering the nominee’s code.
Beyond honouring outstanding performers, the Ghana Comedy Awards seeks to celebrate the growth of Ghana’s comedy industry and the talents who continue to entertain audiences nationwide. -GNA
Entertainment
Ghanaian film ‘Eco Reach We All’ secures world premiere at 79th Locarno Film Festival

After years of development, funding, and creative grit, Ghanaian feature film “Ego Reach We All” has earned an official nomination to make its world premiere at the 79th Locarno Film Festival in Switzerland this month.
Formerly titled Vagabonds, the 105-minute drama was written and directed by Amartei Armar and produced by Yemoh Ike.
It marks one of the biggest international breakthroughs for Ghanaian cinema in recent years.
The film was shot entirely in Ghana with a Ghanaian cast and crew, grounding it in authentic local culture.
Post-production was completed in France, a collaboration that Director Amartei Armar says reflects the film’s spirit, “A Ghanaian story told with the world.”
The journey began in 2018 when the short film version won at the Montreal World Film Festival, an Oscar-qualifying event.
From there, ‘Ego Reach We All’ grew into a full-length feature backed by some of the most respected names in global film development: Winner – Cannes Focus CoPro, Recipient – Red Sea Development Fund, Honoree – Red Sea Souk Award and Backed by – Red Sea Productions Fund.
Industry watchers have called it one of the most promising African film projects to emerge in the last decade.
Beyond awards, the project was shaped in top international labs.
Armar was selected for the Heyazah Screening Lab in Doha, Qatar, to refine the film’s narrative.
Producer, Yemoh Ike joined the prestigious, 2023 EAVE Producers Programme under a CNC scholarship, with training sessions in Luxembourg, Austria, and the Netherlands.
Most recently, the film was chosen for the 2025 Atlas Workshop in Marrakesh, Morocco, cementing its place in global cinema circles.
Casts include, Idrissu Tontie, Dorothy Adobea Tandoh, Emmanuel Wilberforce, Barbara Yong Jin, Emmanuel Owusu Ofori, O’Bryan Kwame Enyan, Gabriel Narh Addo, Nelly Bilson, and Kwame Brenya.
For the team, Locarno is not just a festival slot. It’s validation that Ghanaian stories, told by Ghanaians, can compete on the world’s most respected stages.
“Principal photography was done entirely by Ghanaian creatives,” the producers noted.
By Edem Mensah-Tsotorme




