Entertainment
King Promise wins Artiste of the Year at GMA-USA
The much anticipated music awards in America came off last Saturday, August 17,at the Grand Resort Hotel in the United States of America.
The night which was fullof energetic performances featured Ghanaian sensations like Diana Hamilton, Ofori Amponsah, Praye (Choirmaster) Kofi Nti, Nana NYC and host of other US-based Ghanaian artistes.
King Promise on the night was crowned Artiste of the Year while Stonebwoy went home with Dancehall Artiste of the Year.
Below are the list of winners for GMA-USA AT 5
GHANA CATEGORIES
Artiste of the Year (GH) – King Promise
Dancehall Artiste of the Year (GH) – Stonebwoy
Gospel Artiste of the Year (GH) – Diana Hamilton
Gospel Song of the Year (GH) – Aseda Naacee
Highlife Song of the Year (GH) – Kwaku Ananse Amerado
Rapper of the Year (GH) – Strongman
New Artiste of the Year (GH) – King Paluta
Collaboration of the Year (GH) – The Band Fra ft Nana Yaw Ofori-Atta-You Dey feel the vibe
Highlife Artiste of the year (GH) – Kofi Kinaata
Songwriter of the year (GH) – Naacee
Hiplife and Hip Hop of the year (GH) – King Paluta
Most Popular Song of the year (GH) – Terminator by King Promise
*USA CATEGORIES*
Emerging Artiste of the year (USA) – Akostik
New Artiste of the year (USA) – Juicee
Most Popular Artiste of the year (USA) – Nana NYC
Gospel Song of the Year (USA) – Pen and Jeff I am Grateful
Gospel Artiste of the Year (USA) – Mz Nana
Best International Act – Samuel Sey
Hiplife and Hip-Hop Song of the year – C Burn – Logoligi
Afro Pop – Afro Beat Artiste of the Year (USA) – Ama Karin
Hiplife – Hip Pop Artiste of the Year (USA) – FNF
Artistes of the Year for The Past 5 Years (USA) – Millicent Yankey
Concert of the Year (USA) – Herty Corgie
Best Collaboration of the Year (USA) – Bazil Lakai
Female Artiste of the year (USA) – Cee Music
Male Artiste of the year (USA) – Nee Ose Adeleke
Highlife Artiste of the Year (USA) – Mr Musik Mensah
Highlife Song of the Year (USA) – Ade3f3 Kwakye – Give Me Chance – Ma me kwan
Music Video of the Year (USA) – Alice KD – Kwana Abue
Best D.J of the Year (USA) – DJ TECH
Producer Sound Engineer of the Year (USA) – Jamin Beats
Best Rapper of the Year (USA) – K Rocks
Afro Pop – Afro Beats Song of the Year (USA) Jay Baba – Money
Female Vocalist of the year – Dr Ama Kutin
Male Vocalist of the year – Ed Agyapong
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
