Entertainment
I’m Disappointed In Some Popular Artistes – Kwesi Ernest
It was a lit December last year with a record number of events, and while patrons had a swell time at most of these events, not everyone was impressed with what went on, especially the performances of some artistes.
One of such persons is artiste manager Kwesi Ernest who said he was disappointed in some artistes whose performances he witnessed during the festivities.
According to him, he attended most of the events and he was not impressed with some of the artistes who he had expected to shake the stage.
“I saw Fameye at almost all the events and I never liked any of his performances. Fameye has great songs out there and I expected more from him but anytime he came on stage, it is either he was going off key or his voice was fluctuating. I cannot tell whether he was tired but it was bad for him as a musician.
“I was also disappointed in Sista Afia when she joined Sarkodie on stage at this year’s Rapperholic, her voice and her total performance were off,” he told Graphic Showbiz recently.
Kwesi Ernest explained that it is about time musicians put more into their craft. “We want to have a feel of the musician more than the music we just hear on the radio. They need to hire choreographers and work on their stagecraft.
“We need a full package and not miming over a CD on such big platforms. It looks like musicians in Ghana take the audience for granted and just do anything for them which should not be so,” he stated.
To him, an artiste could not have very good songs and be flopping on stage. “No event organiser will be willing to book you for their event if they see you flopping on stage. You need to justify why you are charging so much and the audience has to benefit from paying so much to come and watch you,” he said.
Explaining more, Kwesi Ernest said only a few artistes seemed to have invested in their craft and the situation was not good for a growing industry such as ours.
“There are professionals whose job is to coach the artiste to be a good performer on any given stage at any given time. I also say that none of my artistes will ever flop on stage because I work on them. I get the best people to guide them to become great performers,” he said.
Source: Graphic Showbiz
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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