Entertainment
Global Goals Arts Festival 2024 to launch with Special Symposium in New Britain, Connecticut
The City of New Britain, Connecticut, will be playing host to a special partnership led by BIDEC INC and the Premium Talent Management Group in collaboration with the Greater New Britain Chamber of Commerce, the New Britain Arts Council, Connecticut Central University, the District of New Britain, and many more, is excited to announce the Grand Launching Ceremony and Symposium of the Global Goals Arts Festival.
This highly anticipated event will take place at the Trinity on Main from September 12 to 14, 2024 as a Side Event to the upcoming United Nations General Assembly.
The Global Goals Arts Festival aims to celebrate and promote the United Nations’ Sustainable Development Goals (SDGs) through diverse artistic expressions.
The festival will serve as a crucial platform for fostering cultural ties, sharing artistic expressions, and covering significant stories that resonate with our global audience.
The Organising Committee and BIDEC Inc.’s proven track record in successfully executing similar events ensures that this festival will be both impactful and memorable.
“The Global Goals Arts Festival is crucial for fostering cultural ties, sharing artistic expressions, and covering significant stories that resonate with our audience,” said Collin Osborn, the Organizing Lead for the Festival.
He added “Our aim is to create a platform for cultural exchange and community engagement, celebrating the power of the arts in promoting the United Nations’ Sustainable Development Goals.”
A member of the Board of Directors of the Greater New Britain Chamber of Commerce and member of the Organising Committee, Eric Williams during a press engagement in New Britain, stated that the Festival is a great opportunity for cultural exchange between America and its partners such as Africa, Europe, Asia and the Caribbean.
He further stated that this would serve as an opportunity develop the tourism and hospitality industries of Connecticut.
The Chairman of the New Britain Arts Council and the Lead for the E Games Program of the Central Connecticut University stated that, the University will be leading the charge in working with the E Games Organisation of the City to ensure the young one and students have additional fund and educational components attached to the main event as a means to groom the youth.
The involvement of BIDEC INC and PTMG will significantly enhance the festival’s ability to reach and inspire a broad audience, especially from Europe, the Caribbean and Africa. Their participation is expected to contribute to the cultural and economic enrichment of New Britain, Connecticut, and extend its impact to the rest of the world.
The Grand Launch and Symposium is expected to have attendance from dignitaries attending the UN General Assembly in New York, Government representatives, artists, cultural groups, business owners, the academia, City Officials and industry groups.
There will be special appearances and performances from artists and groups from Ghana, Senegal, Mauritania, South Africa, Eswatini, Benin, Italy, and the Bahamas etc.
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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