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Ghanaians outside don’t attend our shows, but book in advance to see Nigerian artistes perform – Fameye

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Fameye has shed light on a pressing issue faced by Ghanaian artistes when they manage to perform outside the country.

Fameye during his appearance on the Day Show pointed out that Ghanaians residing outside of the country often do not attend their fellow countrymen’s shows with the same fervour and anticipation that Nigerian artists’ performances generate.

“Since I blew up in 2019, I played shows in UK and America, I have gone with other people I have gone with and it didn’t pick for us. Even it would work for us , the Ghanaians have to be the majority there and even that, they are shy to tag along,” he revealed.

He also acknowledged that the presence of a majority Ghanaian audience is essential for a successful show, but even when the conditions were favourable, Ghanaians abroad appeared hesitant to embrace their own artists with the same enthusiasm as foreign ones.

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“Why do you think Ghanaians keep cancelling their shows, they don’t come. When Wizkid has a show, people seek permission from work four months prior to the show, they won’t do that for any Ghanaian artist. King Promise has been performing internationally for a long time now but Ghanaians have a problem,” he further opined.

The “Nothing I Get” crooner also highlighted the change in dynamics between Ghanaian and Nigerian artistes.

He recalled that in the past, Nigerian artistes used to seek collaborations with Ghanaian artistes to tap into their influence.

However, the tables have turned, and Ghanaian artistes now have to make the effort to feature Nigerian artists, as they feel that collaborations with Ghanaian artistes might not yield the desired exposure for them.

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“Because our people, all of a sudden, it looks like it’s an intentional thing cos it was not lie that before, that was why the Nigerians used to feature us again but right now it is us chasing them to feature them because they don’t feel like they will get the mileage they want,” he hammered.

His comments follow the unexpected cancellations of concerts by two Ghanaian music powerhouses, Sarkodie and Gyakie, in the UK and parts of Europe, which sparked curiosity and raised questions among fans in July 2023.

The lack of official statements from the artistes fueled speculation and curiosity regarding the underlying causes.

However, it was Alordia, a respected music and event organizer based in the UK, who recently revealed the true reason behind these cancellations.

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According to Alordia Promotions, low ticket sales were the driving factor behind the decision to cancel the concerts.

Fameye also went on to reveal his desire to build his fanbase locally and internationally before attempting a tour or performance.

“Right now if you call me to come to perform at Afronation Portugal I won’t go, I don’t have the people there. I want to work well so when I go, I can match up to the audience,” he said.

His submission, albeit surprising, underlined the challenges Ghanaian artistes face in gaining international recognition and airplay.

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“I have to be prepared and I feel like I am not prepared because some so-called international artistes are unable to make the numbers when they travel out to perform,” he added.
Credit:Citinewsroom

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MUSIGA responds to criticisms from public

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Yaw Sarpong

THE president of the Musicians Union of Ghana (MUSIGA) Mr Bessa Simon has described criticism against a donation made to the family of the legendary Yaw Sarpong as misleading and a means to tarnish their image.

According to him, GH¢500 donated to the family during one week observance wasn’t the final funeral contribution but a symbolic amount to help with refreshment during the one week observance.

• Yaw Sarpong

He told the Spectator Agoro that the Union will make a formal donation at the funeral to the icon in the gospel industry.

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“Giving an amount at one week is a common practice and shouldn’t overshadow Yaw Sarpongs legacy” he added

Meanwhile others praised MUSIGA for showing solidarity, others condemned the amount, describing it as inadequate and disrespectful to the legacy of the veteran singer.

Yaw Sarpong, born in Accra, emerged as one of Ghana’s most influential gospel musicians and a defining voice in contemporary Christian music across West Africa.

Rising from humble beginnings and shaped by the political and social turbulence of post-independence Ghana, he transformed gospel music with a distinctive blend of spiritual depth, lyrical clarity, and disciplined musical arrangement.

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By Linda Abrefi Wadie

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Ghana’s Youngest GWR holder Ace-Liam to headline 69th Indece Celebration in China

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Liam Nana Sam Ankrah

Ace-Liam Nana Sam Ankrah, Ghana’s celebrated child prodigy and youngest achiever ever recorded in the Guinness World Records’ 70-year history is set to captivate audiences at the upcoming Ghana Independence Day celebrations in Beijing, China.

The Ghana Embassy in the People’s Republic of China will host series of events culminating on March 6, 2026, to mark Ghana’s 69th Independence Anniversary, with Ace Liam’s artwork prominently featured.

As part of the Embassy’s cultural initiatives, an art exhibition will showcase creative works by top Ghanaian artists including Ace Liam and renowned artist Ibrahim Mahama.

The exhibition aims to celebrate Ghana’s vibrant cultural heritage and foster closer cultural ties between Ghana and China.

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At just 3 years old, Ace-Liam has earned acclaim for his innovative artistic talents. His participation in the Independence Day events highlights the role of young Ghanaian artists in promoting the country’s rich culture on a global stage.

Ambassador Kojo Bonsu, during a press soiree held on February 5, 2026, emphasised Ghana’s commitment to deepening its relationship with China through cultural exchange and economic collaboration.

The planned events will also include a business forum and a fashion show by Nineteen57, blending traditional and modern Ghanaian styles.

This will be Ace-Liam’s second international art exhibition after his debut in Barbados at the GUBA Awards.

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In 2025, he received an award at the UK Parliament House of Commons as a Global Child Prodigy in Arts. He was also awarded the Kid Creator of the Year at the Creators Awards Ghana 2025.

In a related development, Ace-Liam Ankrah has been recognised as a Young Achiever in the Guinness World Records Book 2026 edition, becoming the youngest achiever in the organisation’s 70-year history.

Featured in the special anniversary edition marking seven decades of global excellence, Ace-Liam joins a distinguished group of record holders and global icons such as Simone Biles, Usain Bolt, and Dolly Parton. His achievements have made a lasting impact worldwide, capturing international attention through the extraordinary power of early childhood creativity.

This latest recognition by Guinness World Records marks a defining milestone not only for Ace-Liam, but also for Ghana and the African creative community. It highlights the importance of nurturing creativity from an early age and demonstrates the extraordinary possibilities that emerge when talent is supported and allowed to flourish.

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Reacting to this news, Ace-Liam’s Mother/Manager Chantelle Kuukua Eghan remarked, ‘Ace-Liam being featured in the 2026 Guinness World Records Book as a Young Achiever is a dream come true. I feel blessed and super excited to be his mother. This is not just a win for him, but a win for all kids in the world.’’

Ace-Liam’s artistic journey began at just six months old when his mother, Ghanaian visual artist Chantelle Kuukua, laid out a canvas and paints to keep him engaged while she worked on a commissioned piece.

What began as a simple moment of curiosity quickly revealed something remarkable. Within minutes, he created his first artwork, later titled The Crawl, a vibrant expression that marked the beginning of an exceptional creative path.

Edem Mensah –Tsotorme

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