Entertainment
Ghanaian UK Gospel Musician, Edward Amponsah releases “None Like You”
UK- based Ghanaian gospel musician, Edward Amponsah, is out once again with another soul-lifting worship tune titled ‘None Like You’.
The song which was recently released was produced by Tobass Adolphus.
In an Exclusive Interview with The Spectator he shared that the song birthed out through her wife in a time of worship.
“During the lockdown Covid-19 period in UK, the Lord dropped this song to my wife and I while in deep worship”, he said.
The song, “None Like You” is a soul-lifting and powerful worship piece which exalts the name of God and assures the world that our God is still in control in this pandemic.
It is laced with amazing lyricsinspired from the scriptures; Malachi 3:6, Numbers 23:19, Hebrews 13:8 and Jeremiah 10:6.
When asked about his opinion on how the recent COVID-19 has affected the gospel music fraternity, he stated, “Covid19 has unveiled other aspects of the gospel music which is very positive. We have seen virtual concerts taking place successfully in this season”.
“This season has taught gospel ministers that crowd should not be the motivator to worship and praise God, although ministering to a crowd is fantastic”.
The Worship leader of Global Harvest Ministries (UK) has four singles to his credit currently, which are ‘Thank you Lord, Jesus You Have been so good, God Alone and now, None Like You’.
The song is currently on YouTube and it is enjoying airplay on various musical online platforms.
By Sampson Kofi Annin Agyekum.
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
