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Ghanaian celebrities we’ve lost in 2020 (so far)

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Even though death is inevitable, the passing of show business stars this year rocked everyone.

Here are seven (7) Ghanaian celebrities we have lost in 2020 so far.

1. Kofi B

The highlife musician passed away on February 2, 2020. The “MMobrowa” hitmaker suffered a heart attack prior to his performance at a concert in Cape Coast and was pronounced dead on arrival after being rushed to a hospital. He had been battling health issues over the past year, according to his family.

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2. Bernard Nyarko

The popular Kumawood actor died on May 2, 2020. The actor famously known on set as ‘Bishop Bernard Nyarko’ died while seeking medical attention at the Korle-Bu Teaching Hospital in Accra.

3. Victoria Fosua

The Kumawood actress, who appeared recently in a COVID-19 campaign video by Kumawood stars, died on May 16, 2020. Popularly known as Nana Yaa, she died in a motor accident at Nsuatere off the Berekum-Sunyani road. Senior brother of the actress told Adom FM that the 43-year-old actress was knocked down by a Hyundai taxi while she was riding her motorbike.

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4. Evangelist Emmanuel Kwaku Apraku

Evangelist Emmanuel Kwaku Apraku, popularly known as ‘Apraku My Daughter’, died on May 20, 2020. Confirming the news, media personality Kofi Adomah said he had received a call from family members who broke the news to him. He said that he and his team were on their way to interact with the man, after numerous failed attempts to get to him, when the unfortunate news reached them. The cause of death is, however, unknown.

5. Kwadwo Wiafe

The radio presenter and master of ceremonies (MC) died on June 4, 2020. He died at the Nyaho Medical Centre in Accra after a short illness. His demise was confirmed by Akwesi Aboakye on Neat FM’s morning show.

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6. Miliky MiCool

The veteran actress passed away on June 10, 2020. Legally known as Beatrice Chinery, brother of the “Kejetia” star actress told Peace FM that she passed away at the Korle Bu Teaching Hospital. He said the 53-year-old actress died of complications from high blood pressure. Miliky MiCool is survived by two children.

7. Nana TuffourThe veteran highlife performer died on June 15. The “Odo Kakra, Sika Kakra” hitmaker, 66, died at home in the early hours of Monday after a short illness and his body has been deposited at the Komfo Anokye Teaching Hospital Mortuary, according to his family.

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National Theatre hosts Funworld on Sunday

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The National Theatre is set to host Fundworld, a dynamic entertainment and educational program, on Sunday, February 15, 2026, at 1:00 pm.

The event celebrates World Radio Day and International Day of Friendship, themes that resonate with international celebrations.

The event aims to unearth many talents in young people, aligning with the theatre’s mandate to nurture children’s talents and prepare them for future opportunities.

Funworld is one of the National Theatre’s flagship programmes for basic schools, enabling pupils to create their own performances and present them on stage.

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It’s a platform for schools to showcase their talents. Past editions have thrilled a lot of children with edutainment including poetry recital, dance choreography, rap music, drama performances, and this February edition promises to be more exciting and dramatic.

The Funworld programme takes place on every 3rd Sunday of February, March, May, June, and October.

The National Theatre invites schools, parents, and educators to participate in Funworld, a vibrant celebration of Ghanaian culture and creativity.

The event takes place at the National Theatre Main Auditorium, and tickets are priced at GHc 10.00.

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The National Theatre also has a flurry of programmes in its first quarter, including ‘Wednesday Theatre’ on the last Wednesday of every month and ‘Thursday Movie’ on the last Thursday of every month.

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Mavis Payne Releases ADEAKYE: A Song Born of Calling, Not Convenience

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Gospel minister Mavis Payne has released a spirit-filled worship song of thanksgiving to God dubbed ADEAKYE.

With ADEAKYE, Mavis Payne tells her story of how merciful the Lord has been and encourages people to give thanks to God even for the little blessings.

Recorded live at Eden Experience 2025 and released on Friday, February 6, 2026, the song tells a story of her early discovery, consistent growth, and unshaken devotion.

She further describes the song as the sound of a woman who has walked with her gift, nurtured it, and ultimately offered it back to God.
According to Mavis Payne, music has never been a hobby but rather a calling, patiently unfolding since childhood.

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ADEAKYE, the first track on the live recording, is currently streaming on YouTube Mavis Payne Ministries. It is the latest expression of a journey that began long before studios, stages, or spotlights, she intimated.

Growing up, Mavis Payne discovered her gift at a remarkably young age. She recalls being promoted to Class Two after nursery when a simple lunchtime moment changed everything.

As she sang casually, she said her class teacher stopped to listen. Impressed, the teacher led her before other classes and asked her to sing again this time, for an audience. That moment of affirmation lit a fire that has never gone out.
With that early encouragement, music became inseparable from her identity.

However, she expressed gratitude to family and friends who rallied around her talent, offering support that helped shape both her confidence and discipline.

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Over the years, Mavis Payne sharpened her craft by backing several artistes and performing on notable platforms, including TV3’s Mentor, one of Ghana’s most influential music talent shows.

According to her, she has also worked with respected musicians such as Ackah Blay, experiences that broadened her musical range and professionalism.
Yet, despite these opportunities in the wider music industry, her focus has remained unwavering.

“My heart has always been to minister for God,” she says.
That focus has guided her path from Sunday school to the present day, shaping not just what she sings, but why she sings.

“ADEAKYE” emerges from this deep-rooted sense of purpose. The song is not merely a release; it is a continuation of a lifelong ministry one anchored in faith, gratitude, and obedience to God’s call.

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ADEAKYE is a worship programme Mavis Payne herself is nurturing an intentional space for encounter, intimacy, and authentic praise. The live recording preserves the rawness of the moment: the unfiltered worship, the communal spirit, and the sacred atmosphere that cannot be replicated in a studio.

She noted that it is her declaration of hope, renewal, and God’s faithfulness in every situation, emphasising once you witness a new day, rest assured at hope is not lost.

“I thank God for my life and the gift of ministering through singing to win souls for Christ. And to everyone supporting my ministry, may God make His face shine upon you favourably,” she remarked.

BY TIMES REPORTER

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