Profile
DSP Samuel Opoku, the man at the forefront of ‘The Youth and Crime Campaign’ of Ghana Prisons
DSP Samuel kofi Opoku interacting with the students
“The development of the youth must be very crucial to every country. It is the reason why every government must consider policies to protect them because they represent the future. They are the generation to take over from older ones.”
The above quote represents the view of a vibrant young man, Mr Samuel Kofi Opoku, a Deputy Superintendent of Prisons (DSP) of the Ghana Prisons Service (GPS).
DSP Opoku is stationed at the Service’s Headquarters at Cantonment and has become the face of the ‘The Youth and Crime Campaign,’ an initiative of the Ghana Prisons Service.
With his passion for youth development, DSP Opoku has welcomed this responsibility thrown at him by his superiors and is wholeheartedly committed to it.
The ‘The Youth and Crime Campaign,’ seeks to address the cause of the youth’s involvement in crime and also, contribute in reducing their involvement in crime.
It appeared defunct as it witnessed little or no activity but recent effort by the Service has breathed life into the campaign and seem to be transforming the lives of the youth in schools, churches and the GPS.
DSP Opoku’s association with the project started after joining the Service in January 2017. He was invited by a Charismatic Church at Kasoa in the Central region to have a talk with the members about the work of the GPS.
What was supposed to last for 30 minutes was stretched for over three hours.
After that, he felt the ignorance of the youth regarding some of the crimes around them and life in and after prison.
The outcome motivated him to accept the challenge of the campaign powered by the Public Relations Unit of the Service in 2022.
“We visit schools, churches and educate them about crimes, juvenile detention and the Juvenile Justice system in the country. Among the schools and churches visited were Labone Senior High School, Nugs Career Fairs, Rangoon Basic School, Kinbu Secondary School, Presbyterian Church Osu, and Mampong School for the Deaf.
Challenges
In all of these, language appear to be the biggest challenge faced by the campaign team because some of the groups or individuals encountered who were not conversant with the English language, had to be attended to differently in other languages.
“That notwithstanding, we are able to educate children about crime and its consequences on individuals whether young or old. That has gone a long way to reduce the child involvement in crime stories.”
It is the wish of DSP Opoku that they would be able to cover a lot of remote areas to benefit from the laudable initiative.
And in all of these, he hailed the impact of the Director General of the GPS, Mr. Isaac Kofi Egyiri, and Prisons Directorate for their immense support over the years for championing this course. And also Dr. Vladmir Antwi Danso for encouraging and supporting financially to the Prisons Service.
The campaign falls in line with the Ghana Prison Service’s mandate for reformation and integration into the society. This is done by taking inmates through various skills training at the classrooms at the various prison centres.
But one important thing the campaign has lacked is corporate support.
In his view, it was important for the corporate sector especially to support the campaign to reduce crime among the youngsters to create a crime-free environment for businesses to thrive.
Passion
Before joining the GPS, he had stints with Radio Windybay in Winneba in the Central Region as a student news anchor. He also worked as a talk show host and producer, Editor for the Profile newspaper, Reporter and Producer at Channel R, Correspondent for the Ghanaian Observer and Daily Guide newspapers.
He taught English language and Literature at the Aggrey Memorial Senior High School in Cape Coast, Mercy Islamic Senior High School and St. Dominic Senior High School in Kwahu- Pepease.
He later coached the female basketball team of the Aggrey Memorial Senior High School to win their first ever trophy at the 2013 edition of the Sprite Ball Competition.
Life
DSP Opoku started his primary school education at the Presec Staff School (Legon) and continued to Tema Senior High School where he studied General Arts.
He holds a Diploma in Journalism and a Bachelor of Arts in Communication (Public Relations) from the University of Media Arts and Communication (UNIMAC) formerly Ghana Institute of Journalism (GIJ).
He holds a Bachelor of Arts degree in English from the University of Education, Winneba, Certificate in Radio Broadcasting, Certificate in Advance Monitoring and Evaluation from the Ghana Institute of Management and Public Administration.
Work
He was enlisted into the Prison Service in January, 2017 as a Cadet Officer and commissioned as an Assistant Superintendent of Prisons (ASP) on March 23, 2018 after 18months of paramilitary training at the Prison Officers Training School in Accra.
He first worked at the Monitoring, Research and Evaluation office at the Prisons Headquarters but was transferred in February 2019 to the Commercial Unit at the Prisons Headquarters and in May 2020 to the Public Relations Unit at the Prisons Headquarters.
After a hard day’s work, DSP Opoku relaxes by listening to music, writing and playing basketball.
He is the last among three siblings to Mr. William Freeman Opoku and Madam Veronica Naana Essien from Akim- Oda in the Eastern region.
Advice
DSP Opoku advised the youth to stay focused to realize their dreams by taking their studies very serious to become responsible and productive citizens.
The Ghana Prisons Service as a key stakeholder of the Criminal Justice System of Ghana contributes to the maintenance of internal security by maintaining an efficient, humane, and safe reformatory penal system operated within the laws of Ghana.
The Service is committed to undertaking the safe custody, humane treatment, reformation, rehabilitation, and reintegration of inmates to make them responsible, productive, and law-abiding citizens to ensure public safety.
By Linda Abrefi Wadie
When the world’s eyes turn to the King’s Baton on its global journey, one of Ghana’s most profound artistic stories travels with it. It will be a story of creativity, culture, and national pride crafted by Albert Litela Obidiaba.
From the quiet town of Old Baika in the Oti Region, Albert’s journey as an artist has always been about telling stories. It is not just through words, but through symbols, textures, and meaning.
“From a young age, I was drawn to the power of art, knowing how colours and textures can capture not just emotion but culture and identity,” he recalls.
Today, his name has become synonymous with innovation rooted in traditional bridge between Ghana’s past and its global creative future.
Albert’s love for art was born from curiosity. Surrounded by the vibrancy of Ghanaian culture; the patterns of kente, the stories behind Adinkra symbols, and the textures of daily life, he began sketching and crafting early on.
“Simple things told deep stories,” he says. “That fascinated me.”
As he matured, his art evolved into a personal mission to preserve and reinterpret Ghana’s heritage for a modern audience. His style reflects a seamless blend of culture and contemporary design, each piece a narrative of unity, history, and pride.
“I see art as storytelling through form and symbolism, it should feel rooted in purpose yet speak to today’s world,” he explains.
When the call came to design Ghana’s version of the King’s Baton, Albert saw it as both a national duty and a creative calling.
Recommended by mentors like Mr Charles Osei Asibey, who trusted his talent and understanding of Ghanaian symbolism, he embraced the project wholeheartedly.
His vision was clear; to create a piece that would embody unity, pride, and the enduring spirit of Ghana.
Drawing from traditional motifs, he integrated textures inspired by kente weaving, representing hard work, continuity, and creativity. The golden tones symbolise strength and dignity, while the contours and natural motifs mirror Ghana’s landscapes and people.
“The King’s Baton had to tell our story of who we are, what we value, and how we see the world, it is more than art, it is identity in motion,” he said.
Every etch, every pattern carries meaning. From concept to completion, the entire process took three intense weeks which were filled with research, design sketches, consultation, and collaboration with skilled artisans.
“It was days and nights of work, but a lifetime of meaning,” he says with quiet pride.
Creating a design that represents all of Ghana’s diverse cultures was no small feat. Albert had to balance aesthetics, authenticity, and technology thereby using sustainable wood, carefully treated and certified, to reflect the nation’s commitment to nature and preservation.
“It wasn’t easy finding the right mix,” he admits. “But those challenges pushed me to think deeper. They made the final piece stronger — both artistically and symbolically.”
For Albert, Ghanaian culture is both muse and message. His works echo the values of unity, strength, persistence, and wisdom, drawn from Ghana’s traditions.
“Art preserves who we are and every line and symbol tells a story of belonging,” he said, and believes art is one of the most powerful tools for building national pride.
Designing the King’s Baton has been a defining moment in his creative journey and that it deepened his appreciation for cultural storytelling. “It taught me that creativity is also a form of service,” he said.
The experience has opened new professional doors, but more importantly, it gave him a renewed sense of purpose making him embrace a call to national duty.
“My soul will be glad even after my days on earth are over,” he said beaming with smiles.
Beyond the King’s Baton, Albert has worked on numerous projects celebrating Ghanaian identity through contemporary art and design. His ongoing works explore symbolism and heritage in new forms which includes blending materials, stories, and styles from across Ghana’s regions.
He is currently preparing projects that continue the conversation the baton began. They are about unity, creativity, and Africa’s evolving artistic voice.
To young artists aspiring to make their mark, Albert’s advice is for them to believe deeply in their craft and that the world is always looking for authenticity “which comes from knowing who you are and where you come from.”
On how he wants to be remembered, he said, “I want to be remembered as an artist who used creativity to celebrate culture and connect people. If my name is remembered as the one who designed Ghana’s version of the King’s Baton, that will be enough, because it means I carried Ghana in my hands, and shared her with the world.”
By Esinam Jemima Kuatsinu
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A ‘trotro’ bus heading to Nsawam was filled with the usual sounds from conversations, music, and sometimes a preacher delivering a message.
But when Margaret Odame Donkor rises to speak, she does not preach salvation or sell herbal remedies. Instead, she shares her journey as a breast cancer survivor, urging passengers to examine their breasts regularly, seek medical help early, and never lose hope.
Her pulpit is not a church, but the crowded minibuses of Ghana’s public transport system. Her message is not about repentance, but about survival.
She urges women to check their breasts regularly, encourages men to support their wives during health challenges, and reassures everyone listening that a cancer diagnosis is not the end of life.
For Margaret, creating awareness is more than a duty-it is a calling born out of personal pain, fear, and triumph.
Her words carried weight because they come from lived experience.
At age 48, Margaret has walked through the valley of fear and pain, battled stage three invasive carcinoma, and emerged not just a survivor but an advocate determined to educate others.
Cancer journey
Margaret’s encounter with breast cancer stretches back decades. At 22, she discovered a lump in her left breast. It was removed and declared benign. Relieved, she skipped regular checks and moved on. Then in 2021, the lump reappeared—this time spreading toward her armpit.
At a church screening in October 2022, doctors detected suspicious lymph nodes. Further tests confirmed her worst fear: stage three invasive carcinoma.
“It wasn’t easy,” she recalls softly. “But my faith in God kept me strong. My husband, children, family, friends, and colleagues formed an army behind me. Their prayers, visits, and encouragement gave me the courage to fight.”
“Be grateful every day because you never know what tomorrow may bring. No one has it all, but with love and support, you can endure,” she stated.
Her greatest fear remains recurrence and not living long enough to see her children graduate and become the people she dreams for them to be.
Before cancer disrupted her life, Margaret had found purpose in interpretation. In 2020, a friend spotted a Judicial Service vacancy and encouraged her to apply. After years of unsuccessful attempts at government jobs, she was reluctant, but she tried once more. This time, she succeeded and was posted to the Eastern Region, her home.
Today, she works at the Nsawam District Court, one of the busiest in the area. On a typical day, she arrives at 7:30am, prepares dockets, and confers with magistrates. She interprets proceedings in Twi, Ga, Hausa, and occasionally Ewe, ensuring that justice was accessible to all.
Her role is demanding. Cross-examinations require her to switch quickly between English and local dialects, while marriages often call for interpreting vows in couples’ preferred languages. Still, she thrives. “The registrars and magistrates I’ve worked with have been amazing. They make the environment very comfortable,” she stated.
Beyond the courtroom, Margaret is also an entrepreneur. In 2017, she founded Nubreed Décor, an events decoration business born from her childhood love for beautifying spaces. She recalls cutting paper decorations as a child and helping her cousin rent out chairs and decorate venues.
Balancing décor with court work was tough, and her health struggles after surgery made it even harder. Radiation left her with persistent rib pain, forcing her to slow down. “Now I hire more hands, which makes business expensive, but it helps me achieve my goals,” she explained.
Her biggest challenge as an entrepreneur remains finance. “The event industry is huge, but I have to work at my own pace and focus on my niche,” she admited.
Cancer changed how Margaret values people and relationships. She learned that those you least expect often become your strongest supporters. She urges families to stand by patients with prayers, encouragement, and financial support, reminding society that a cancer diagnosis is not the end of life.
Her advocacy extends beyond awareness talks. She dreams of establishing a counselling centre for young people and hopes Ghana will expand access to mammograms and radiotherapy centres. “Every patient deserves a chance at survival,” she said firmly.
She urged the youth to live peacefully and be their brother’s keeper, learn to be content and rely on God.
To women, she asserted that, “love yourselves and make breast checks routine while calling on Ghanaians to be open-minded, avoid being judgmental, and show love.
By Esinam Jemima Kuatsinu
