Entertainment
Dance legends honoured at maiden Ghana Dance Industry Awards

It was a top-of-the-world dance experience at the Aviation Social Centre on Saturday, January 30, 2021, when the dance legends, Adjetey Sowah, Akosua Agyapong, Reggie Rockstone, Terry Bright Ofosu, among 20 other dance personalities and other institutions were honoured at the maiden edition of the Ghana Dance Industry Awards (GHADI Awards).
According to the Chief Executive Officer (CEO) of Dancetera, Robert Klah, “the purpose of the awards is to honour the dance icons and stakeholders who have contributed to the development of dance over the years.”
He said, that subsequent editions of the award scheme, “in addition to honouring other dance icons and industry stakeholders, will feature competitive categories to ensure the recognition of the best dance artistes and celebration of excellence every year.”
Honourees were picked from the various sectors of the dance industry, celebrating them for works done, and expressing appreciation to Dancers & DanceSport Association of Ghana (DDASPAG), Rhythms Africa, Multimix Mediafor supporting the maiden edition.
These persons were awarded for their contributions to the following: James Parker of Apex Ballroom Dance for over 14 years of ballroom dance development and the inclusion of highlife dance; Lumo Bortei-Doku for dedicating two decades of his life to Afro-Latin dance in Ghana and operating Dancation International sessions; Ricci Boateng for operating Salsa in the Garden City, Kumasi and recently, Kizalsa in Accra, spanning 12 years of impact, as well as the salsa duo performers Luumva Laryea & Beatrice Danquah for representing Ghana at several international festivals.
Heroz Dance Crew, 4Bent Dance Crew, High Spirit Dance Crew, and Kyses (all-female) Studios, were also honoured in the street for projecting street dance culture over the last decade.
The praise dance category had Worship in Motion and Divinity Blazers recognised for promoting urban gospel dance and inspiring many talents to dance in the church.
Furthermore, the National Dance Company, Ghana Dance Ensemble, and the Dance Department of the School of Performing Arts (UG-Legon), were duly acknowledged for their roles in theatre dance.
Malta Guinness was also recognised for their investments in street dance development; Shekoross for over a decade of organising free annual street dance shows; Hon. Dzifa Gomashie for supporting dance over the years at the highest office ever.
For those whose works promoted Ghana dance beyond borders, Fuse ODG was acknowledged for his global promotion of Azonto Dance,Incredible Zigi for creating dance steps such as ‘Pilolo’ & ‘Kupe’ which were performed by global stars, Ezuntey Flex for promoting Azonto Dance through his ‘I am Azonto’ dance project, DWP Academy for rising to become the most influential dance academy in Ghana with branches in the USA and Asia.
To acknowledge the importance of DanceSport, medals were presented to winners of the various dance competitions held; Battle in the Ring Competition from season one to four.
The night came alive with numerous performances from the best talents Ghana has to offer. The programme was graced by Mark Okraku Mantey, President of the Creative Arts Council, Nana Fredua-Agyeman Ofori-Atta, acting Board Chair of the National Theatre, Nii Tete Yartey, former Artistic Director of the National Dance Company and son of the legendary Professor F. Nii Yartey of blessed memory, Head of Dance Department of the School of Performing Arts, Mr. S. Kuwor, Vivian of Vivie’s Dance Factory, Petra Peterson of Salsa Ghana, and other industry stakeholders from the various dance communities as well as the media.
Entertainment
Kwaisey Pee honours promise, donates GHC50,000 to Korle-Bu Paediatric Oncology Unit

Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
Entertainment
A Legacy of Devotion: Jerry Amoah to be honoured by Ghana Music Awards-USA

In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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