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Celestine is creative- Patmens

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The Chief Executive Officer (CEO) of Patmens Clothing, Ms Patience Mensah, has described gospel artiste, Celestine Donkor  as versatile.

This is because “she sketches her own design on paper to help me understand what she wants and how she wants her dress to be made.”

“She always comes up with  an idea of how she wants her outfit to be”

Ms Mensah said Celestine was introduced to her by a friend, Linda, from Insaaniyya Secondary School at Bodwoase in the Central Region.

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She explained that making clothes for Celestine had opened up a lot of opportunities for her adding that “She gives me regular mentions and tags on social media platforms.”

When asked why she always left materials at Celestine’s back and side of her outfit, Patmens explained that because of  the gospel artiste’s body size, she preferred to cover her back and other parts to avoid showcasing her body.

The evergreen gospel artiste, Celestine Donkor has described her stylist as very talented because “she is the only designer who makes my clothes the way I want it”. Because has worked with a lot of artistes  she prefers Patmens’s handy works to other designers having dealt with her for the past four years.

By Linda Abrefi Wadie

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Ghanaians rock Fugu in style

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THE Fugu smock has gained acceptance in Ghana and other parts of the world. The outfit worn in multiple cultures is a popular choice for national events and cultural celebrations in Ghana.

The Minister of Tourism, Culture and Creative Arts, Madam Abla Dzifa Gomashie, has announced that every Wednesday be observed as Fugu day. This initiative was inspired by a photo of President John Dramani Mahama wearing a Fugu (traditional northern Ghanaian smock) during a state visit to Zambia.

Some Zambian social media users jokingly referred to the garment as ‘blouse’. Since then, individuals and corporate organisations have embraced the initiative, wearing the traditional outfit that symbolises strength, courage, and leadership.

By Linda Abrefi Wadie

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Threads of power, The Vice President of Ghana

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IN the grand halls of Ghana’s political stage, Vice President Jane Naana Opoku Agyemang has redefined what it means to dress for leadership.

Her fashion is not mere adornment, it is a deliberate statement of heritage, authority, and modern elegance.

At her swearing-in ceremony, she captivated the nation in an outfit designed by Ghanaian fashion icon Joyce Ababio. The ensemble was more than fabric; it was a tapestry of creativity, national pride, and symbolism.

By choosing a local designer, she underscored her commitment to Ghanaian artistry and the power of Made-in-Ghana fashion.

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Her style identity blends regal African prints with tailored sophistication — flowing Kente-inspired gowns, structured jackets, and carefully chosen accessories to create a balance between authority and femininity.

Each outfit speaks a language of cultural pride, reminding the world that leadership can be both powerful and beautifully Ghanaian.

For young women watching, her fashion is aspirational. It says you can lead with intellect and grace, and you can wear your culture proudly.

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