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Breaking News: Daddy Lumba is dead – Family announces

Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.

His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.

“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.

Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.

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He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.

“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.

The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.

The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.

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Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.

Entertainment

Sonnie Badu’s hard-core Jamaican praise out to thrill

• Dr Sonnie Badu
• Dr Sonnie Badu

 Pan-African gospel icon, Sonnie Badu has released his latest track, ‘Jamaican Medley’ a bold and energetic praise song infused with the vibrant spirit of Jamaican gospel.

Recorded live at RockHill Church in Atlanta, the song blends power­ful lyrics, rhythmic island beats, and soul-stirring visuals that elec­trify both the live audience and viewers online.

From the very first note, Jamai­can Medley delivers a fresh wave of worship, rooted in Caribbean sound but anchored in deep spiri­tual conviction.

The song is a heartfelt plea for divine protection under the blood of Jesus, echoing themes of faith, hope, and heavenly anticipation.

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One of its most moving moments features a reimagined rendition of the classic hymn ‘When We All Get to Heaven,’ originally penned by Eliza Hewitt.

Badu’s version breathes new life into the timeless message, inviting listeners to reflect on the joy of eternal reunion.

Released on Monday, August 18, the Jamaican Medley is now available on YouTube and all major streaming platforms.

Fans and newcomers alike are already praising the track for its bold style and spiritual depth.

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With this release, Sonnie Badu continues to prove that gospel music knows no borders. His fear­less creativity and global sound are inspiring a new generation of worshippers to praise louder, dance harder, and believe deeper.

 By Linda Abrefi Wadie

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Entertainment

 Pusher upbeat about future of arts industry

• Adjetey-Anang
• Adjetey-Anang

 Ghanaian actor, Adjetey Anang, alias Pusher, has stated that efforts in Ghana theatre scene are finally bearing fruits with a resurgence of live performance, rising audience interest, a new generation of playwright and actors taking the centre state.

This, he attributed to the training and collaboration between veterans and emerging artiste and a renewed stage craft as tool for education and entertainment.

Speaking on Monday about the state of the movie industry, he said the industry was still alive, although it is going through a rough patch compared to the golden days when movie releases were happening regularly.

The ‘Things we do for love’ hit maker hinted that the country has the talent and content very much needed to succeed.

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Coming up with strategies to improve the industry, he said it was important to focus on improving the quality of work by putting more research into our projects.

“Once something is released, it can reach a global audience. These are some of the challenges that make it seem like the industry is struggling, but we are still pushing,” he said.

He subsequently called for the es­tablishment of more movie centres across the country to give filmmak­ers more options to premiere their work.

 By Linda Abrefi Wadie

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