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Africa’s young TV Host interviews M. Dot Taylor, a Grammy member and USA Recording Artiste
DS De Golden Bhoy
In the heart of Africa, where the sun sets in a spectacular splash of colours and the rhythms of life pulse through the air, a young and dynamic TV host has carved a niche for himself as a prominent TV Presenter, Travel Blogger and International Public Relations practitioner.
His passion for connecting leads and making merit globally has led him on countless adventures across the continent, showcasing Africa’s rich culture, stunning landscapes, and unique narratives.
Known as DS De Golden Bhoy, he had a one-on-one interview with M Dot Taylor, a Grammy member and hip-hop artist from the USA, whose music resonates with fans around the globe.
The interview took place on Facebook live adorned with high spirited expectations and hope for the entertainment world, reflecting the fusion of African and American cultures.
As all attention focused on the very important interview, Hollywood-Africa Connect on Addictive Culture on Urban Culture Global, the atmosphere buzzed with excitement.
M. Dot Taylor, known for his thought-provoking lyrics and infectious beats, was eager to share his journey, inspirations, and thoughts on the global music scene.
The young host kicked off the interview by asking M. Dot about Grammy and how impactful it’s been to him and influences in music.
He spoke passionately about the artists who shaped his sound, from legendary hip-hop figures to African musicians who inspired him with their storytelling and rhythm.
As the conversation flowed, the host deftly transitioned to the topic of travel.
M. Dot Taylor, who has toured extensively across the United States and abroad, shared his favourite travel experiences, emphasising how each destination offered a unique flavour that fuels his creativity.
“Travelling opens your mind and heart,” he explained. “It’s not just about seeing new places; it’s about connecting with people, understanding their stories, and finding common ground.”
Grammy Awards Member, M. Dot Taylor also encouraged international collaborations, procedure to get onto Grammy nominations, the kind of project that qualifies, etc.
He stated that “we are ready to empower African Creatives and if any African creative needs a collaboration or needs to know more about Grammy procedure/nomination, they should reach out to DS De Golden Bhoy for extensive discussion.
M. Dot listened intently, nodding in agreement, as they both celebrated the richness of diversity and the power of storytelling through music and travel.
The interview took an exciting turn when the young host asked M. Dot about his thoughts on the future of music and what he has got to say to up-coming artistes.
With conviction in his voice, he spoke about the responsibility that comes with being an artist: “We have a platform, and it’s our duty to use it wisely. Hip-hop/music has always been a voice for the voiceless, and as artists, we can shine a light on the issues that matter most.”
As the interview wrapped up, Dot Taylor expressed his appreciation to key figures who impacted his music journey positively, (Ice T, George Ohan etc) and expressed gratitude to them for their immense impact on his life.
The energy was palpable, a testament to the powerful connection forged through their conversation.
They both recognised that despite the geographical distance, their passions for music, travel, and storytelling bridged the gap between their worlds.
The interview not only showcased M. Dot Taylor’s journey as an artist but also highlighted the importance of cultural exchange and collaboration in today’s global society.
As the young host continues to inspire others with his travels and interviews, he embodies the spirit of Africa’s vibrant youth, ready to take on the world, one story at a time.
M. Dot Taylor promised to touch the African soil soon to help impact positively on the creative industry after the host asked him which of the African artistes he knows, he mentioned Wiz Kid, Davido, Tems, Burna Boy and DS De Golden Bhoy added the likes of Shatta Wale, Stone Bwoi, Sarkodie, Medikal, Kidi, Quame Eugen to the list of artistes he should look out for.
By Spectator Reporter
When the world’s eyes turn to the King’s Baton on its global journey, one of Ghana’s most profound artistic stories travels with it. It will be a story of creativity, culture, and national pride crafted by Albert Litela Obidiaba.
From the quiet town of Old Baika in the Oti Region, Albert’s journey as an artist has always been about telling stories. It is not just through words, but through symbols, textures, and meaning.
“From a young age, I was drawn to the power of art, knowing how colours and textures can capture not just emotion but culture and identity,” he recalls.
Today, his name has become synonymous with innovation rooted in traditional bridge between Ghana’s past and its global creative future.
Albert’s love for art was born from curiosity. Surrounded by the vibrancy of Ghanaian culture; the patterns of kente, the stories behind Adinkra symbols, and the textures of daily life, he began sketching and crafting early on.
“Simple things told deep stories,” he says. “That fascinated me.”
As he matured, his art evolved into a personal mission to preserve and reinterpret Ghana’s heritage for a modern audience. His style reflects a seamless blend of culture and contemporary design, each piece a narrative of unity, history, and pride.
“I see art as storytelling through form and symbolism, it should feel rooted in purpose yet speak to today’s world,” he explains.
When the call came to design Ghana’s version of the King’s Baton, Albert saw it as both a national duty and a creative calling.
Recommended by mentors like Mr Charles Osei Asibey, who trusted his talent and understanding of Ghanaian symbolism, he embraced the project wholeheartedly.
His vision was clear; to create a piece that would embody unity, pride, and the enduring spirit of Ghana.
Drawing from traditional motifs, he integrated textures inspired by kente weaving, representing hard work, continuity, and creativity. The golden tones symbolise strength and dignity, while the contours and natural motifs mirror Ghana’s landscapes and people.
“The King’s Baton had to tell our story of who we are, what we value, and how we see the world, it is more than art, it is identity in motion,” he said.
Every etch, every pattern carries meaning. From concept to completion, the entire process took three intense weeks which were filled with research, design sketches, consultation, and collaboration with skilled artisans.
“It was days and nights of work, but a lifetime of meaning,” he says with quiet pride.
Creating a design that represents all of Ghana’s diverse cultures was no small feat. Albert had to balance aesthetics, authenticity, and technology thereby using sustainable wood, carefully treated and certified, to reflect the nation’s commitment to nature and preservation.
“It wasn’t easy finding the right mix,” he admits. “But those challenges pushed me to think deeper. They made the final piece stronger — both artistically and symbolically.”
For Albert, Ghanaian culture is both muse and message. His works echo the values of unity, strength, persistence, and wisdom, drawn from Ghana’s traditions.
“Art preserves who we are and every line and symbol tells a story of belonging,” he said, and believes art is one of the most powerful tools for building national pride.
Designing the King’s Baton has been a defining moment in his creative journey and that it deepened his appreciation for cultural storytelling. “It taught me that creativity is also a form of service,” he said.
The experience has opened new professional doors, but more importantly, it gave him a renewed sense of purpose making him embrace a call to national duty.
“My soul will be glad even after my days on earth are over,” he said beaming with smiles.
Beyond the King’s Baton, Albert has worked on numerous projects celebrating Ghanaian identity through contemporary art and design. His ongoing works explore symbolism and heritage in new forms which includes blending materials, stories, and styles from across Ghana’s regions.
He is currently preparing projects that continue the conversation the baton began. They are about unity, creativity, and Africa’s evolving artistic voice.
To young artists aspiring to make their mark, Albert’s advice is for them to believe deeply in their craft and that the world is always looking for authenticity “which comes from knowing who you are and where you come from.”
On how he wants to be remembered, he said, “I want to be remembered as an artist who used creativity to celebrate culture and connect people. If my name is remembered as the one who designed Ghana’s version of the King’s Baton, that will be enough, because it means I carried Ghana in my hands, and shared her with the world.”
By Esinam Jemima Kuatsinu
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A ‘trotro’ bus heading to Nsawam was filled with the usual sounds from conversations, music, and sometimes a preacher delivering a message.
But when Margaret Odame Donkor rises to speak, she does not preach salvation or sell herbal remedies. Instead, she shares her journey as a breast cancer survivor, urging passengers to examine their breasts regularly, seek medical help early, and never lose hope.
Her pulpit is not a church, but the crowded minibuses of Ghana’s public transport system. Her message is not about repentance, but about survival.
She urges women to check their breasts regularly, encourages men to support their wives during health challenges, and reassures everyone listening that a cancer diagnosis is not the end of life.
For Margaret, creating awareness is more than a duty-it is a calling born out of personal pain, fear, and triumph.
Her words carried weight because they come from lived experience.
At age 48, Margaret has walked through the valley of fear and pain, battled stage three invasive carcinoma, and emerged not just a survivor but an advocate determined to educate others.
Cancer journey
Margaret’s encounter with breast cancer stretches back decades. At 22, she discovered a lump in her left breast. It was removed and declared benign. Relieved, she skipped regular checks and moved on. Then in 2021, the lump reappeared—this time spreading toward her armpit.
At a church screening in October 2022, doctors detected suspicious lymph nodes. Further tests confirmed her worst fear: stage three invasive carcinoma.
“It wasn’t easy,” she recalls softly. “But my faith in God kept me strong. My husband, children, family, friends, and colleagues formed an army behind me. Their prayers, visits, and encouragement gave me the courage to fight.”
“Be grateful every day because you never know what tomorrow may bring. No one has it all, but with love and support, you can endure,” she stated.
Her greatest fear remains recurrence and not living long enough to see her children graduate and become the people she dreams for them to be.
Before cancer disrupted her life, Margaret had found purpose in interpretation. In 2020, a friend spotted a Judicial Service vacancy and encouraged her to apply. After years of unsuccessful attempts at government jobs, she was reluctant, but she tried once more. This time, she succeeded and was posted to the Eastern Region, her home.
Today, she works at the Nsawam District Court, one of the busiest in the area. On a typical day, she arrives at 7:30am, prepares dockets, and confers with magistrates. She interprets proceedings in Twi, Ga, Hausa, and occasionally Ewe, ensuring that justice was accessible to all.
Her role is demanding. Cross-examinations require her to switch quickly between English and local dialects, while marriages often call for interpreting vows in couples’ preferred languages. Still, she thrives. “The registrars and magistrates I’ve worked with have been amazing. They make the environment very comfortable,” she stated.
Beyond the courtroom, Margaret is also an entrepreneur. In 2017, she founded Nubreed Décor, an events decoration business born from her childhood love for beautifying spaces. She recalls cutting paper decorations as a child and helping her cousin rent out chairs and decorate venues.
Balancing décor with court work was tough, and her health struggles after surgery made it even harder. Radiation left her with persistent rib pain, forcing her to slow down. “Now I hire more hands, which makes business expensive, but it helps me achieve my goals,” she explained.
Her biggest challenge as an entrepreneur remains finance. “The event industry is huge, but I have to work at my own pace and focus on my niche,” she admited.
Cancer changed how Margaret values people and relationships. She learned that those you least expect often become your strongest supporters. She urges families to stand by patients with prayers, encouragement, and financial support, reminding society that a cancer diagnosis is not the end of life.
Her advocacy extends beyond awareness talks. She dreams of establishing a counselling centre for young people and hopes Ghana will expand access to mammograms and radiotherapy centres. “Every patient deserves a chance at survival,” she said firmly.
She urged the youth to live peacefully and be their brother’s keeper, learn to be content and rely on God.
To women, she asserted that, “love yourselves and make breast checks routine while calling on Ghanaians to be open-minded, avoid being judgmental, and show love.
By Esinam Jemima Kuatsinu
