Entertainment
Adamfopa Talent Quest Show launched
The much-anticipated Adamfopa Talent Quest Show, which is aimed at uncovering the hidden creative talents of young Ghanaians and Africans living in the diaspora, was successfully launched last week in Paris, France.
Abrewa Nana, also known as Dorcas Opoku-Dakwa, gave a live performance during the launch.
At the launch held at the Voco Paris Intercontinental Hotel in Paris last week, Nana Obokese Ampah, Apagyahen of Asebu Traditional Area, was unveiled as the Cultural Ambassador of the Adamfopa Talent Quest Show.
Several dignitaries in attendance at the ceremony urged the organisers to take the show on a global scale.
The talent search was created by Adamfopa Media Paris’s operators, Groupe Adamfopa Services, based in Paris, with the goal of identifying, supporting, and advancing talented African and Ghanaian artistes residing in Europe.
Yaw Asamoah Bannor, General Manager of Adamfopa Media, stressed during the launch that the goal of the reality show is to reconnect African-American youth living in Europe with their culture, customs, and way of life.
This includes helping them to develop and promote their African heritage, particularly those who were born and raised in the diaspora.
He claims that the competitors will display their skills in acting, dancing, poetry, music, and other artistic or entertainment categories during the event.
The primary goal of the competition, according to Yaw Asamoah Bannor, better known by his stage name Wofadinho, is to provide gifted young African and Ghanaian youngsters in Europe a greater platform.
Although happy with the attendance, the general manager of Adamfopa expressed sadness that some brand ambassadors and guests, such as Jupitar, Samini, Pinky Pecks, and the dancing duet Allo Danny and Serwaa, were unable to attend because of complications with their visa appointments.
According to Wofadinho, the winner of the competition will get the chance to collaborate on a song with some well-known Ghanaian artistes and perform alongside a foreign act at the event’s conclusion.
He continued by saying that interested parties can register and choose their categories on the Adamfopa Media website.
The Adamfopa Talent Quest Show is organised by Groupe Adamfopa Paris in partnership with RAM Media Concepts and is sponsored by Tap Tap Send and Accord Sante.
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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