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We shall take The Spectator to new heights – Editor

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The new Editor of The Spectator, Mr Emmanuel Amponsah, says he will adopt an enterprising editorial culture to make it possible for the newspaper to appropriately inform, educate, entertain and inspire readers, so as to attract wider readership to rake in more revenue.

“The return to profitability to cope with the changing trends in the media landscape means The Spectator will be using creative and innovative approach to enhance consumer satisfaction experience, and loyalty,” he said.

Mr Amponsah was speaking on Monday in an interaction with the Editorial staff of this paper in Accra about what he plans to do to turn around the fortunes of the weekly newspaper.

He said in view of the thirst of people for quality news, and also their desire for exclusive stories, “there is the need to fill this vacuum in the newspaper to catch the eye of readers.”

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The Editor said an aspect of life that was of great interest to readers, which The Spectator was going to aggressively pursue, was social-related matters in their various dimensions.

Amongst others, Mr Amponsah said the weekly newspaper would focus in-depth on the performance of various business entities in the country to catch the eye of readers.

“Dealing with business issues as well as highly social and human-interest stories will make The Spectator stand the chance of capturing the attention of a substantial number of readers and help rake in more revenue,” he said.

Mr Amponsah said that he intended making The Spectator venture big into digital/online media with in-depth analyses of credible news to capture more consumers, particularly the youth, who have acquired high taste for online news.

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He noted that introducing attractive products and services would be of great interest to vendors, readers and other stakeholders, adding that, “with the needed support and cooperation from all of us, the sky will be the limit.”

Until his appointment, Mr Amponsah, who is a Ghana Institute of Journalism (GIJ) graduate with more than 32 years experience in journalism, was the Deputy Editor of the Ghanaian Times, the flagship newspaper of the New Times Corporation (NTC).

Before assuming the role of Deputy Editor three years ago, Mr Amponsah was the Business Editor of the Ghanaian Times, where his job responsibilities involved selecting and analysing business and finance news for publication in the Ghanaian Times.

Prior to that, he was in charge of the Sports Desk of the Ghanaian Times and doubled as a columnist (The Watchdog) for the erstwhile Evening News.

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A product of GIJ and Saint Thomas Aquinas Secondary School, both in Accra, Mr Amponsah’s areas of interest include sports, business/finance and environment.

He has attended a number of national and international conferences and tournaments, and written extensively on global and local events bordering on various fields of human endeavour.

The Board of the New Times Corporation (NTC) appointed him the new Editor of The Spectator, the weekly newspaper of the NTC on Monday, November 2, 2020.

He took over from Mrs Tina Aforo, who retired from the company in August, 2018.

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By Edem Mensah-Tsotorme

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Ga Mantse to confer new titles on Africa Monologue Challenge contestants

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His Royal Majesty King Tackie Teiko Tsuru II, the Ga Mantse, has announced plans to confer new traditional titles on the 12 finalists of the Africa Monologue Challenge (AMC) Season Three before they leave Ghana.

The announcement was made when the finalists paid a courtesy call on the Ga Mantse at his residence as part of activities for the competition.

The visit gave the contestants an opportunity to experience and learn about the rich traditions, culture and heritage of the Ga people.

Addressing the contestants, King Tackie Teiko Tsuru II welcomed them to Ghana and wished them success in the competition.

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He encouraged them to give their best and remain proud of their journey, regardless of who eventually emerges as the winner.

The Ga Mantse noted that participating in the competition and travelling to Ghana to connect with the continent’s culture and heritage was already a significant achievement.

He further expressed admiration for the contestants’ commitment to Africa and their role in promoting the continent’s stories through storytelling.

King Tackie Teiko Tsuru II indicated that he would engage the organisers of the Africa Monologue Challenge to set aside a special day to honour the contestants and confer the new titles on them before their departure.

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The 12 finalists are representing Ghana, Nigeria, South Africa, Zambia, Kenya, Botswana, the Republic of Congo, Benin, Senegal, Côte d’Ivoire, Cameroon and the United States, which is representing the African Diaspora.

The finalists were selected from more than 2,000 entries for a month-long Pan-African House residency in Ghana.

Speaking during the visit, the President of the African Chamber of Content Producers and Chief Operating Officer of the Africa Monologue Challenge explained that the finalists were no longer viewed simply as individuals but as representatives of their respective countries.

He noted that at the Pan-African House, each contestant’s room symbolically represents a country.

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Mawuko Kuadzi, Chief Executive Officer of MK Casting and the Africa Monologue Challenge, expressed optimism that the third edition would be more exciting than the previous two editions.

He noted that the competition had continued to grow since the first edition in Ghana and the second edition in Uganda.

Mr Kuadzi attributed the expected success of this year’s competition to the support of sponsors and partners.

He explained that the Africa Monologue Challenge was an important platform for projecting Africa in a positive light and telling the continent’s stories to the world.

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“We believe this is a tool we are going to use to project Africa in a positive light,” he stated.

The Chairman of the AMC Season Three Planning Committee, Roger Quartey, also highlighted the importance of the competition in showcasing African talent to the world.

He noted that the challenge would provide a platform for the finalists to demonstrate their talents while promoting their respective countries and Africa as a whole.

The Africa Monologue Challenge Season Three brings together young storytellers from across Africa and the diaspora to promote the continent’s rich culture, history and stories.

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The finalists are currently in Accra for the competition and other activities designed to expose them to Ghanaian and African culture and heritage.

By: Jacob Aggrey

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Court dismisses bid to strike out charges in NPA UPPF corruption case

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The High Court has dismissed an application by the accused persons in the ongoing National Petroleum Authority (NPA) and Unified Petroleum Pricing Fund (UPPF) corruption case seeking to have the charges against them struck out.

The ruling means the substantive trial will continue.

The case involves former Chief Executive Officer of the NPA, Mustapha Abdul-Hamid; former UPPF Coordinator, Jacob Kwamina Amuah; NPA staff member, Wendy Newman; Bright Bediako-Mensah; Kwaku Aboagye Acquaah; and three companies, Propnest Limited, Kel Logistics Limited and Kings Energy Limited.

The accused persons had asked the Court to strike out the charges brought against them.

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However, the High Court dismissed the application, describing it as without merit.

The Republic has filed 54 charges against the accused persons, including corruption and corruption-related offences, extortion, money laundering and conspiracy to commit a crime.

According to the Republic, approximately GH¢291.57 million and US$332,407 was allegedly unlawfully obtained through a scheme involving officials of the NPA between 2022 and December 2024.

The prosecution further alleges that portions of the funds were channelled through companies linked to some of the accused persons.

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It maintains that some of the money was subsequently used in transactions involving land, buildings, trucks and fuel stations.

With the Court dismissing the application to strike out the charges, the accused persons will now proceed with the substantive trial.

By: Jacob Aggrey

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