Entertainment
Shatta Wale’s ‘Kumerica Invasion Project’, a good omen for budding musicians
Gone were the days when Kumasi was seen as the citadel of Ghana’s creative arts industry producing prominent musicians, movie makers, among other amazing talents in the entertainment circles.
For some time, this long held title, has vanished, due to lack of support and spotlight to enable artiste cross over to mainstream stardom.
This has led also to a surge in musicians and actors who cut their professional teeth in the trade in Kumasi move to Accra to grow their craft and take it to the next level.
Interestingly, the script, seems to have changed for budding musicians in Kumasi following the ‘Kumerica’ trend. One of the sectors in Kumasi which has benefited enormously from the ‘Kumerica’ sensation is the music industry, as the trend has put a lot of spotlight on music talents.
Kumerica is an internet slang for the Garden City of Ghana, Kumasi in the AshantiRegion. The word Kumerica was coined from a blend of Kumasi and America (Ku + merica) by the young people of Kumasi who live ostentatious lifestyle full of luxury and display of jewels and flashy cars like the people of America.
Originally, their main purpose was to showcase their riches and luxurious lifestyle, to tell the world that though they live in Kumasi their lifestyles are like Americans; and this includes how they speak American English.
In the light of this, the Kumerica vibe has gripped the whole country in various dimensions, to the extent that, music talents from the region have taken advantage of the trend to release a lot of songs to catch the attention of the world.
This culminated in the dancehall heavyweight, Shatta Wale who stormed Kumasi on Thursday, November 5, 2020, for an initiative termed as “Kumerica Invasion project.”
From the scenes, and interviews granted so far by artistes like, Amerado, Ypee, Phrimpong, Kweku Flick, King Paluta, Kofi Jamar, and Phaize who are involved in the project, Shatta Wale’s presence in the region was a dream come true for young upcoming musicians.
Many see it as a masterstroke to instill confidence and energise the base of music in the region, and subsequently open the door for many to rise to the top.
Though other accomplished artistes over the years had extended support to budding artistes through collaborations and others means as this move by Shatta Wale has taken a different turn from the normal route.
Shatta Wale decided to go to Kumasi, shoot the various scenes of the music video in the neighbourhoods of the artistes featured on the song.
A move which has validated the artistes in their communities, increased the buzz around them and shot up their popularity.
One of them said, the initiative had made him and his other colleagues more popular in their community which was good for their brand. Clearly, from the numbers the activities have attracted coupled with the media hype, these young artistes could take advantage of the situation to make a strong case for their careers.
This calls for unity, hard work and consistency to keep the Kumerica Movement strong and going.
Kudos to Shatta Wale and his team for extending this helping hand to budding musicians in Kumasi.
By Edem Mensah-Tsotorme
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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