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Okyeame Kwame’s “No Competition” Becomes Focus of Academic Study at UniMAC

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Ghanaian music icon Okyeame Kwame’s song “No Competition” featuring Kuami Eugene has become a subject of academic study at the University of Media Arts and Communication-Institute of Journalism (UniMAC-IJ).

 As part of the African Anthropology course, lecturer Daniel Obeng Acquah incorporated the song and its music video to examine the integration of African cultural elements in contemporary media.

The lecture, titled “Exploring African Culture Through Music,” highlighted the significance of “No Competition” in portraying Ghanaian traditions and identity.

 Okyeame Kwame provided an analysis of the cultural motifs embedded in the song and video, underscoring their educational value. “Using art as a medium for cultural expression allows us to preserve and celebrate our heritage,” he explained to the students.

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Students at UniMAC-IJ explored the song’s vibrant depiction of African themes, discussing its potential as a cultural teaching tool.

 Sandra, a student in the course, noted, “Studying ‘No Competition’ in an academic setting opened my eyes to the depth of cultural storytelling in music. It’s fascinating how Okyeame Kwame integrates traditional elements into his art.”

Prince, another student, reflected on the educational impact of the session. “Analyzing the cultural references in Okyeame Kwame’s work made me appreciate how music can be a powerful medium for cultural education,” he remarked. “It’s inspiring to see our own heritage represented so thoughtfully in contemporary music.”

Lecturer, Department of Integrated Social Sciences 

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(Introduction to Africa and World development)Daniel Obeng Acquah emphasized the importance of incorporating modern cultural works into academic studies to engage students and enrich their understanding of African heritage.

 He stated, “Integrating Okyeame Kwame’s ‘No Competition’ into our curriculum bridges the gap between traditional studies and modern media, offering students a practical example of cultural representation in today’s world.”

Dr. Daniel Odoom, Dean of the Faculty of Integrated Social Sciences, praised the initiative, highlighting the relevance of studying contemporary cultural artifacts in academia. “Okyeame Kwame’s work provides valuable insights into the ways modern music can reflect and promote African culture,” Dr. Odoom remarked.

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Piesie Esther targets 3 top prizes at 2026 Telecel Music Awards

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• Piesie Esther
Piesie Esther

Ghanaian gospel dynamo, Piesie Esther, has expressed her readiness to take home the Gospel Artiste of the Year, Telecel Most Popular Song of the Year and Traditional Gospel Song of the Year awards at this year’s Telecel Ghana Music Awards.

The musician with many years of success under her belt in the gospel music industry has been nominated for three categories at this year’s Telecel Ghana Music Awards.

Piesie Esther was nominated for Gospel Artiste of the Year, Traditional Gospel Song of the Year, and Most Popular Song of the Year with her smash hit, Nyame Ye.

The award-winning musician believes that she had a wonderful year in 2025, which deserves recognition.

According to her, with over 36 shows, millions of streams enjoyed by her Nyame Ye song, coupled with numerous brand engagements, she was in a pole position to outwit other competitors.

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“Family, I need your love and support now more than ever! I’ve been nominated at the Telecel Ghana Music Awards and we’re going all out for the win! ,” she noted.

She called on all and sundry that “Every single vote counts, and I truly appreciate your continuous support. Let’s do this together.”

This year’s Telecel Ghana Music Awards is slated for May 9, 2026 at the Palms Convention Centre in Accra.

By Edem Mensah-Tsotorme

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Okyeame Kwame, others thrill hundreds at 50th birthday bash 

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Okyeame Kwame flanked by his children and chairman of the occasion cut the birthday cake
Okyeame Kwame flanked by his children and chairman of the occasion cut the birthday cake

Patrons at +233 Bar and Lounge had an unforgettable experience at the OK@50 All White Birthday Party last Saturday, April 18.

The Ghanaian music icon, Okyeame Kwame, turned 50 years last Friday, April 17, 2026.

Against this backdrop, the ‘Rap Dacta’ organised an All-White Party on Saturday to mark his 50th birthday to raise funds for the construction of a Paediatric Emergency Ward at the Manhyia Hospital.

This is a legacy project the musician is embarking on to mark his 50th birthday.

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As part of the concert, patrons were treated to scintillating live performances by Afriyie Wutah, Akwaboah, Sista Afia, Kuami Eugene, KiDi, Kwabena Kwabena, Ras Kuuku, Abiana, Adina, Abochi, Kweku Darlington, and Kunta Kinte of Bradez fame.

One of the country’s finest DJs, Andy Dosty, also had his turn to mesmerise the patrons with hits from the past to present, a moment which saw many patrons on their feet for most of the time.

Okyeame Kwame rocked the gathering with numerous hits from his repertoire, including his new song dubbed ‘Clap.’

He also expressed appreciation to those who has genuinely supported his career to impact the lives of others.

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 By Edem Mensah-Tsotorme

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