Entertainment
We are deeply saddened by the tragic death of 3-year-old boy…but- Wezzy Empire
Ghanaian actor, Kwadwo Nkansah’s Wezzy Empire management has extended it’s condolences to the bereaved family of 3-year-old boy who passed on in an accident involving him.
According to them, they are deeply saddened by the tragic death.
However, they have described allegations of neglect on their part as distasteful.
In a press statement, they expressed their gratitude to the public for the overwhelming support following last Saturday’s accident involving their Chief Executive Officer, Kwadwo Nkansah known in showbiz as Lil Win.
“We would like to express our sincere gratitude to the management and
medical staff of Komfo Anokye Teaching Hospital (Emergency Unit) who are attending to everyone who was involved in the collision,” the statement noted.
This notwithstanding they added that, “we are deeply saddened by the tragic death of a 3-year-old boy
who was involved in the gruesome accident and we extend our sincere
condolences to the bereaved family.”
According to them, in as much as they are saddened and traumatised, “we find unwarranted allegations of neglect on our part as speculated by some commentators’ very distasteful and disturbing at this troubling time.”
Again, “We want to state categorically that we were unclear about the extent of damage from the accident because our artist, manager and bouncer suffered life-threatening injuries.”
“We remain resolute that investigations by the Police would establish the
facts of matter in due course.
Raymoney, our artiste manager, is still undergoing treatment in the hospital, as is Kwadwo Nkansah, who has yet to fully recover from the tragedy but our bouncer has been processed for surgical review,” the
statement said.
By Edem Mensah-Tsotorme
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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