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Asanteman marks Silver Jubilee of Otumfuo Osei Tutu II
Most Reverend Dr. Paul Kwabena Boafo, the Presiding Bishop of the Methodist Church, Ghana greets the Asantehene
The 25th anniversary of the ascension of Otumfuo Osei Tutu II, to the Golden Stool as the Asantehene, has taken off smoothly with a plethora of events.
It started with the successful commemoration of the 150th Sagrenti war with a durbar of chiefs who witnessed the presentation of regalia to the Asantehene by the University of California, of the first batch of seven objects looted in the third Anglo-Asante War of 1874.
It was dubbed the ‘Kuntunkuni’ durbar, as all and sundry wore black, to mark the commemoration of the 150 years of the Sagrenti War.
The seven returning objects go back to the period before Asantehene Kofi Karkari in the 1840s and include an ornamental chair of wood, brass, leather and iron, 10 large beads worn as bracelet or anklet; strand of seed or bug-shaped beads; gold of an elephant hair, glass and silver; a royal stool ornament; a royal necklace and a royal stool ornament.
At the Dwaberem of Manhyia Palace, the atmosphere was charged with the beating of Fontomfrom and other cultural drums and displays and the arrivals of Paramount Chiefs carried in palanquins.
Again, there has been the commissioning of a multi-purpose auditorium constructed by the King at the Manhyia Palace in March.
A non-denominational thanksgiving service was also held to celebrate the anniversary at Dwabrem where the Otumfuo praised religious bodies stressing that their spiritual guidance has been the source of his successful 25-year reign on the Golden Stool.
A commemorative postage stamp of the Asantehene was also unveiled by Ghana Post at a ceremony attended by the Minister of Communication and Digitalisation, Ursula Owusu-Ekuful.
The Mamponghene, Dasebre Osei Bonsu, thanked Ghana Post for the honour and announced that the Manhyia Palace Museum, under the auspices of the Asantehene, Otumfuo Osei Tutu II, has also been re-opened to the public.
Also on display are seven sections of sheet-gold ornament, one silver spoon, one pair of silver anklets and one section of sheet-gold ornament.
Speaking at the homecoming of the looted artefacts, Otumfuo Osei Tutu indicated that the return of the items was a restoration of the Asante spirit.
“The items that came back are virtually the soul of the people of Asante. Not all of them have returned.
But, what we have here embodies the soul of Asante. Today is a day for Asantes and for the Black African continent. The spirit that we bore and share is back with us,” he said.
The celebration also witnessed a grand event of Asanteman queen mother’s day that highlighted the rich culinary heritage of the Asante Kingdom.
The event, graced by esteemed guests including the Asantehene, the Asantehemaa, Nana Konadu Yiadom III, Chief of Staff of the Office of the President, Frema Osei Opare, among others, witnessed a blend of tradition, culture, and gastronomy.
On April 26, 1999, the Asantehene was enstooled as the 16th occupant of the Golden Stool.
The event would be climaxed tomorrow with a grand durbar of chiefs and people at the Dwabrem of the Manhyia Palace.
From Kingsley E. Hope, Kumasi
• Most Reverend Dr. Paul Kwabena Boafo, the Presiding Bishop of the Methodist Church, Ghana greets the Asantehene.
Entertainment
Breaking News: Daddy Lumba is dead – Family announces
Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.
His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.
“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.
Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.
He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.
“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.
The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.
The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.
Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.
Entertainment
Edem’s debut album gets praise from Sarkodie
Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.
In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.
He said he was instantly impressed and knew Edem would have a serious impact on the music scene.
“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”
“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.
Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.
Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.
Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.
At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.
His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.
Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.
Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.
Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.
