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The fusion of sport and music and the opportunities for economic benefits in Africa

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There aren’t many things in this world that hold as important a place in so many people’s hearts – that captivates, inspires, and brings people together in community and celebration – like both sports and music does.

More than just a sound, music connects us to one another, to our culture, our heritage and tells our stories. It allows us to share how we’re feeling, gives us an outlet to express ourselves, and makes our lives more vibrant. And more than just a game, sports can bind people from different backgrounds, cultures, and beliefs in support of their favourite club or team. Through sport we form bonds with one another by watching our team overcome all odds, achieve something new, grab victory from the jaws of defeat or fall short of the win. It helps us feel like we are a part of something bigger than ourselves. Most importantly, both sports and music are simply just fun.

Music has always resonated with sports. From as far back as the 1992 Olympics when the song, Barcelona by Freddie Mercury and Montserrat Caballé was featured as the theme song, to the 2006 Germany World Cup, The Time of Our Lives theme song by Il Divo and Toni Braxton, music has always acted as a catalyst that enables sports stick. In Africa, songs like Jerusalema by Master KG and Nomcebo Zikode, Wavin’ Flag by K’NAAN, Waka Waka by Shakira and Issa Goal by Naira Marley, Lil Kesh and Olamide have also been associated with soccer. African soccer legends like Drogba, Eto’o and Okocha have also been known to be quoted in the lyrics of songs. Recently, Burna Boy’s performance at the Champions league final this year also reinforces the obvious bond between music and sports.

Very much two sides of the same coin, it’s no surprise then that when we bring sports and music together, it can have a powerful impact. Together, they can strengthen communities, fuel political processes, and drive socio-cultural and economic change. This is especially true in Africa which boasts the youngest population in the world, at more than 400 million individuals aged between 15 and 35. Spotify data shows that listeners aged between 18-24 created the most playlists with the word ‘sport’ in them, followed by 25-29 year olds, a clear indication that Africa’s youth is on the pulse of the synergy between music and sports.

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This young population continues to grow rapidly while African talent across both spheres of music and sports is booming in abundance. This is demonstrated by the rise in popularity and proliferation of African genres like Amapiano and Afrobeats internationally; Spotify data shows that African music’s Year on Year growth in international markets rivals that of KPOP. Its leading artists such as Burna Boy, Davido, Tiwa Savage, Rema, DJ Maphorisa, Uncle Waffles and Black Coffee are taking over global stages. Meanwhile, many African athletes are key players for international clubs across sports such as basketball, football and rugby.

With Africa’s music market expected to show an annual growth rate of 11.32% between now and 2027, resulting in a projected market volume of US$47 million by 2027 and total revenue in the sports market on the continent expected to grow at an annual rate of 9.02% between now and 2027, resulting in a projected market volume of $8 million by 2027, it’s clear then that the fusion of sport and music offers substantial potential to help drive economic growth and development.

We can already see this impact realised through partnerships such as the collaboration between Spotify and European football club F.C. Barcelona. Under the first-of-its-kind partnership, the two worked together to bring the worlds of music and football together by giving a global stage to players and artists and building new opportunities to connect with fans at the home of Barcelona’s fans, Spotify Camp Nou. Some of the African artists who have been featured in the 99,000 seat stadium’s advertising board include Firebody DML, CKay, Omah Lay and DJ Spinall. This is in line with Spotify’s aim to leverage F.C. Barcelona’s global fan base to fuel discovery and engagement with artists in turn creating more opportunities for those artists to live off of their art.

The US National Basketball Association (NBA) also took advantage of the collaborative power of sport and music during its All-Star Weekend this year by bringing artists like Burna Boy, Tems, and Rema together as performers for its halftime show.

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Spotify has also partnered with youth basketball non-profit organisation Giants of Africa, for the inaugural Giants of Africa Festival between 12 – 19 August in Kigali, Rwanda. Since 2003, Giants of Africa has positively impacted over 40,000 African youth across 17 countries providing access to basketball courts, camps and clinics. By joining forces, the two will bring together the best of African youth, basketball, music, culture, and entertainment on the continent and beyond to showcase a shared vision for Africa’s future. Playlists with the word ‘basketball’ on Spotify have increased by over 1,300% since 2020, so this partnership is happening at the opportune moment.

The Giants of Africa festival will culminate in a closing ceremony, presented by Spotify, where some of the biggest African artists like Davido, Tiwa Savage, Tyla and Bruce Melodie will perform. These artists’ core listeners on Spotify are aged between 18-29, further underlining Giants of Africa and Spotify’s shared commitment to investing in African youths.

With such a vast pool of particularly young sport and musical talent to be found on the African continent, it’s clear that investment in their development to compete on an international level will drive socio-economic and cultural impact across communities on the continent. By leveraging the connective power of both sport and music together, we can not only create a platform for this young talent but also attract much-needed investment into our local sports and music industries which would help us to discover, nurture and develop the artists and athletes of the future.

By Jocelyne Muhutu-Remy, Spotify Sub-Saharan Africa Managing Director

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James Agalga thanks Ghanaians for confidence after election as Majority Leader

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Majority Leader of Parliament, James Agalga, has expressed gratitude to Ghanaians for the confidence reposed in him following his elevation to the position.

Mr Agalga thanked Ghanaians who had sent him congratulatory messages and expressed appreciation to President John Dramani Mahama, the leadership of the National Democratic Congress (NDC), members of the Majority Caucus and the people of Builsa North.

In a statement posted on his socials, he also extended his gratitude to Ghanaians across the country for their support and confidence.

He pledged to work with other stakeholders to advance the government’s Reset Agenda and support the passage of legislation that would improve the lives of Ghanaians.

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“We remain committed to working together to drive the government’s RESET Agenda and to champion legislation that delivers real benefits to every Ghanaian,” he said.

Mr Agalga called for continued cooperation as he begins his new role as Majority Leader.

By: Jacob Aggrey

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Minority’s concerns over GoldBod’s GH¢22 billion loss not political – Afenyo-Markin

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Minority Leader in Parliament, Alexander Afenyo-Markin, has maintained that the Minority’s concerns over the reported GH¢22 billion loss linked to the Ghana Gold Board (GoldBod) are not politically motivated.

He made the remarks at a press conference in Parliament on Tuesday, August 18, 2026, where he defended the Minority’s position on the financial implications of GoldBod’s domestic gold purchasing operations.

Mr Afenyo-Markin stated that the Minority was raising the concerns because Ghanaians deserved clear information about how public funds were used in the gold purchasing programme.

He explained that the figures being cited by the Minority were contained in the International Monetary Fund’s (IMF) report on Ghana and were therefore not figures manufactured by the opposition.

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According to him, the IMF identified losses of about US$1.7 billion, equivalent to approximately GH¢22 billion, from the domestic gold purchasing programme in 2025.

He said the IMF attributed the losses to service and assay fees, discounts on gold sold to off-takers and exchange-rate differences between the rates used to purchase gold and the reference rate used by the Bank of Ghana for accounting purposes.

Mr Afenyo-Markin argued that the losses should be subjected to public scrutiny because GoldBod played a central role in buying, aggregating, assaying and exporting the gold, while the Bank of Ghana provided the financing.

He questioned why GoldBod should receive fees from the transactions while the associated losses were reflected on the books of the Bank of Ghana.

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The Minority Leader stressed that the location of a loss in an institution’s accounts did not change its economic impact on the country.

He therefore called for answers on the prices paid for gold, how the prices were determined, the selection of off-takers, discounts applied to gold sales and the fees earned by GoldBod.

Mr Afenyo-Markin questioned the risk-sharing arrangement between GoldBod and the Bank of Ghana, arguing that the institution carrying out the commercial activity should not be able to benefit from transaction fees while another institution bears most of the financial risk.

He said the Minority was not seeking to trade insults with GoldBod officials but was focused on holding institutions accountable for the management of public resources.

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He urged the government and GoldBod to address the concerns raised by the IMF and provide Ghanaians with clear explanations about the reported losses.

Mr Afenyo-Markin maintained that the Minority would continue to scrutinise the programme because the financial consequences ultimately affected Ghanaian taxpayers.

By: Jacob Aggrey

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