Entertainment
All Set for Ghana Jamaica Homecoming Festival in August
• Inset: Abdul Fatawu Alhassan and Gilbert Aggrey in a handshake
The time has finally come for Ghana and Jamaica to team up in the creative arts for the mutual benefit of stakeholders in both countries.
The initiative dubbed, ‘Ghana Jamaica Homecoming’ is aimed at promoting music, tourism, sports, arts and culture to bridge the gap between Ghana and Jamaica.
This event is a partnership among Broadway Entertainment, Dadason Entertainment and Kaya Tours Ghana.
Speaking at the launch which took place at the Accra Tourist Information Centre, the Chief Executive Officer, (CEO) of Broadway Entertainment, Abdul Fatawu Alhassan affectionately called Cash, revealed that the initiative was first launched on July 24, 2018.
According to him, when the idea dawned on his outfit, he shared it with Jamaican multiple award winner, Gramps Morgan who endorsed it. Unfortunately, it was kept on hold as a result of the COVID-19 pandemic.
“Thankfully,we are back on track to ensure the successful relaunch and subsequent implementation between the two countries which have something in common,” he said.
He added that the programme is scheduled for August 3 to 16, and as part of it, a delegation from Ghana will be in Jamaica for their 60th Independence celebration, where some artistes like Stonebwoy, Samini and Jefri King among others are expected to perform.
He called on government, corporate bodies and everyone to give them the necessary support for a smooth event.
The Managing Director of Kaya Tours, Gilbert Aggrey, affectionately called Abeiku Santana, said, Ghana is a gateway of Africa with about 44 castles and Forts out of the 47 in Africa.
According to him, this, one could confidently say majority of the Blacks in Caribbean and other parts of the world are from Ghana.
Mr. Aggrey added that it was time for to go to Jamaica to explore other opportunities and grow the relationship, and called for Unity between Ghana and Jamaica.
Also at the event was the Chief of Sowutuom, Nii Osabu Akwei I, who endorsed and called on Ghanaians to do same.
By Edem Mensah-Tsotorme
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
