Entertainment
How Burna Boy’s associates reportedly almost killed fun-seekers at nightclub over a woman
![Nigerian singer Burna Boy [Screenshot]](https://spectator.com.gh/wp-content/uploads/2022/06/13Pk9kpTURBXy9mZWJiNTRjZDE5NmQ4N2NlNDEzZjg2OTlmOWM4OWMxMC5qcGeSlQMAzJnNBDjNAl-TBc0DFs0BroGhMAU.webp)
Nigerian singer Burna Boy and his associates have been accused of almost killing some fun-seekers at a nightclub.
A few days ago, a few eyewitnesses shared how the music star’s associates fired at some fun-seekers at a popular nightclub in Lagos.
In a latest development, a close friend of some of the men shot at the nightclub has come out to share what transpired.
According to the Twitter user, the ugly incident was orchestrated by the singer’s crew over a woman.
“My Guys came to 9ja from England & Usa Respectively 4 a wedding. I invited dem out to club Cubana a petty altercation with Burna Boy’s people arose (Cos of woman). The next thing Bullets started flying, one got scraped in the head by a bullet and the other one got shot in the leg,” he tweeted.
“When we rushed him to the Naval Medic Center they said they had no blood and he needed 3 pints of O+ blood, they said none of us can donate because we had been drinking from the club and then my friend started to shake on the hospital bed like he was losing his life.”
The user recounted how the actions of some good Samaritan soldiers helped save the life of his friends.
“2 Good samaritan soldiers then offered to give a pint of blood each which was then used to stabilize him. The doctor said the iPhone in his pocket which the bullet went through slowed down the bullet making it less fatal, the iPhone saved his life,” he recounted.
It would be recalled that several eyewitnesses gave accounts of how the singer and his crew acted in an uncivilised manner causing harm to both people and properties at the club.
A close source to the music star told Pulse that he wasn’t directly involved in the ugly incident.
When the story first broke, Pulse reached out to his team and got no response.
Source: www.pulse.com.gh
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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