Entertainment
Trace Awards :Yemi Alade’s ‘Baddie’ Music video choreographed by Incredible Zigi wins Best Music Video Award
In a stunning triumph at the prestigious Trace Awards, Nigerian superstar Yemi Alade emerged as the winner for Best Music Video with her electrifying hit, ‘Baddie’.
The music video captivated viewers with its infectious dance moves, expertly choreographed by the talented Incredible Zigi, and Yemi Alade’s captivating presence, creating an unforgettable visual experience.
From the moment ‘Baddie’ hit the screens, viewers were captivated by the infectious dance moves that sparkled the music video. Zigi, renowned for his exceptional dance skills and innovative choreography, took center stage as the lead dancer in the music video with his Afrozig dance group. His dynamic movements perfectly complemented Alade’s energetic performance, elevating the overall visual experience to new heights.
The music video not only showcased Alade’s undeniable talent but also highlighted the power of collaboration between music and dance. Zigi brought his exceptional ability to create captivating dance routines that resonate with audiences. His unique style, blending elements of afrobeats, contemporary dance, and street dance, helped bring a fresh and dynamic energy to the ‘Baddie’ music video.
Recognizing the immense potential for engagement and participation, a dance challenge inspired by the choreography in ‘Baddie’ was created by Africa’s dance sensation, Incredible Zigi. This became a viral sensation, captivating dance enthusiasts from all corners of the globe.
Social media platforms were flooded with videos of individuals and dance groups showcasing their skills and putting their own spin on the challenge. This solidified ‘Baddie’ as a global anthem that transcended borders and united people through the power of dance.
No wonder it won the Best Music Video award at the Trace Awards. The Trace Awards, a groundbreaking event, that honors the creativity, talent, and impact of African and Afro-inspired musicians and artists, making it the first of its kind.
We eagerly await the next artistic collaboration between Yemi Alade and Incredible Zigi.
Entertainment
‘Artivism’ at TGMA27: Okyeame Kwame uses gold-themed Red Carpet look to wage war against galamsey
Renowned musician and “Rap Dacta” Okyeame Kwame transformed the 2026 Telecel Ghana Music Awards (TGMA) red carpet into a platform for environmental activism, making a bold visual statement against the devastating effects of illegal mining, affectionately called galamsey.
Arriving in a striking ensemble, the artiste was draped in gold colours from head to toe, complete with a matching gold-plated sword.
However, the glamour carried a somber message. Flanked by two bodybuilders who performed as figures suffering from the physical and environmental “cancers” of illegal mining, Okyeame Kwame’s appearance served as a stark contrast between the beauty of Ghana’s gold and the destruction caused by its extraction.
Speaking to host Giovanni Caleb, the musician explained that his “glittering” look was a deliberate irony intended to spark a national conversation.
“I wanted to look like gold to remind Ghanaians that while gold glitters, galamsey destroys our rivers, our rocks, our air, and our nature,” Okyeame Kwame stated.
He further emphasised that the fight against environmental degradation transcends partisan lines.
“If we glitter like this once every year and forget that it is not the responsibility of the NPP or NDC, but the collective responsibility of all Ghanaians to stop this galamsey cancer, then we have failed,” he added.
Long recognized as an ‘Artivist,’ Okyeame Kwame has a storied history of using his public platform to champion social and environmental causes.
The 2026 TGMA, while a night of musical celebration, was momentarily refocused by the Rap Dacta’s plea for the protection of Ghana’s natural heritage, proving once again that art remains one of the most powerful tools for social change.
Okyeame Kwame is currently out with new single dubbed, “Clap,” a song encouraging communal support and celebration of others’ successes.
By Edem Mensah-Tsotorme
The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry.
It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.
The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.
On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.
Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time.
Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.
A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.
Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.
If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.
Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.
Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.
By Edem Mensah-Tsotorme
