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The doctrines and training of the Seventh Day Adventist church have tamed a lot of talents – Kelvyn Boy

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Singer Kelvyn Boy has indicated that the doctrine of the Seventh Day Adventist church(SDA), limits the creativity of the members.

During an exclusive interview with Nana Ama McBrown on Onua Showtime with McBrown on Onua TV, the ‘Down Flat’ singer, who was once a practising Adventist, explained that the church’s rules and training have stifled the talents of its followers.

“Our SDA doctrines and training have tamed a lot of talents, the rules of the church are too many. If you move some way, they see you as contaminated and all of that,” he disclosed.

“All of this should make you stronger,” the artiste who hails from Assin Fosu in the Central region of Ghana stated.

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Kelvyn Boy also shared the story of how his singing career began, stating that his father, who was also a singer, influenced his musical abilities.

He recalled a time when he was given the opportunity to perform in church as a young boy but was later denied the chance, leading to his disappointment.

“My father was a singer, so I got my singing prowess from him. I remember one time I was allowed to minister in the church, I was so young they’d put me on a table so everyone could see me sing. I cried when I was denied the opportunity,” he concluded.

Kelvyn Boy is out with a new single dubbed “Vero”.

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Credit: 3news

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Okyeame Kwame launches “Clap Challenge” for teachers and students

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Veteran Ghanaian musician Okyeame Kwame has announced a new initiative aimed at engaging teachers and students through music and creativity.

The award winning artiste in a social media post revealed that the “Clap Challenge” will begin this week, starting with schools across the country.

He explained that the challenge will require a teacher together with students to record a video of themselves singing his “Clap” song.

According to him, the video must be lively and engaging to stand a chance of winning.

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He stated that participants must also post their videos on social media with permission from their school authorities.

They are expected to use the hashtag #clap4others and tag him on any social media platform.

He added that one teacher will be selected as a winner every week and will receive a cash prize of GH¢1,000.

He noted that the final decision on winners will be made by him.

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The musician encouraged teachers and students to take part in the challenge, stressing that it is designed to promote creativity, unity and positive expression among young people in schools.

This follows a GHC100,000 support from businessman, Richard Nii Armah Quaye, who lauded the musician for composing a song which has the tendency to change society and help eschew jealousy.

By: Jacob Aggrey

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Ghanaian actor Fred Amugi to feature in Pan-African series Kismet

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Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.

The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.

A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”

Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.

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“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.

“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.

He added that his preparation for the role went beyond performance.

“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.

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“I am learning about these connections so I can represent the character with truth and respect.”

“It is important that the world sees the shared identity that exists across our continent,” he noted.

Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.

According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.

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“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.

“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.

The producer of the series, Paul Joegad, emphasised the global ambition behind the project.

Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.

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“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.

“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”

He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.

The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA

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