Entertainment
TGMA fashion falls short of expectations — Fashion PR
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The 2025 Telecel Ghana Music Awards (TGMA) may have delivered on its promise to celebrate musical excellence, but when it came to fashion, the red carpet left much to be desired, according to fashion publicist Faith Senam Ocloo.
In a candid review of the evening’s fashion, Ocloo expressed disappointment at the overall styling and presentation of many of the night’s attendees, noting that only a handful truly embraced the glamour and creativity expected on such a major platform.
Ms Ocloo said this in an interview with The Spectator Agoro in Accra last week.
“The overall fashion at this year’s TGMA was a little disappointing, honestly, we had very few great looks on the night compared to the number that didn’t look red carpet-worthy.”
While acknowledging the efforts of some talents who exhibited thoughtful styling and clear fashion direction, Ocloo criticised the majority for playing it safe or failing to deliver cohesive, well-executed outfits.
She pointed out that despite years of public scrutiny, many industry players still fall short in their red carpet presentation.
“This is the biggest night for Ghana’s music industry, and I would expect people to show up really fashionable,” she said.
According to Ms Ocloo, although there is growing interest in bold fashion statements, the local industry still lacks the robust styling, grooming, and creative direction needed to elevate fashion standards at such high-profile events.
She highlighted Empress Gifty, Fella Makafui, and Piesie Esther as among the few who stood out with polished yet safe looks, adding that while they were not “out of this world,” they managed to pull off strong fashion moments.
Ms Ocloo also drew comparisons with other continental events, particularly the Africa Magic Viewers’ Choice Awards (AMVCA), which she praised for building a strong fashion ecosystem involving stylists, designers, glam teams, and the media.
“What the TGMA is currently lacking is that sense of intentionality and coordination,” she said. “We need to treat our award shows as platforms for creative storytelling, not just appearances.”
She further emphasised the need for deeper investments in fashion education, better collaboration with local designers, and a red carpet culture that prioritises individuality and excellence.
Reflecting on the night, Ocloo acknowledged the significance of the awards in spotlighting musical talent but noted that the event’s production and fashion execution still have room for improvement.
“It’s a reflection of the broader creative economy – we’re still on the path. But with more collaboration between music, fashion, and media, the TGMA can become a truly iconic night for Ghanaian pop culture,” she concluded.
Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.
The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life.
According to him, the project is meant to remind people that Palmwine music is not a relic of the past.
“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.
Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.
“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”
The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres.
To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.
“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.
As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.
Asukese Abena is now available on all digital platforms, including YouTube
By Edem Mensah-Tsotorme
The Ghana Tourism Authority (GTA) has expressed profound sorrow over the death of celebrated visual artist and Guinness World Record holder Sharon Dede Padi, popularly known as Padiki.
In a statement signed on behalf of the Chief Executive Officer, Maame Efua Houadjeto, the Authority said Padiki’s passing was a painful loss to Ghana’s tourism and creative sectors, as well as the nation at large.
“Padiki was more than a Guinness World Record holder. She was a beacon of resilience, determination, creativity, and youthful excellence whose remarkable achievement brought pride not only to herself and her family but also to Ghana,” the statement said.
It added that through her determination to dream big and push boundaries, she inspired countless young people to believe that passion, perseverance and hard work could make the impossible possible.
The Authority said Ghana had lost “one of its brightest ambassadors whose story embodied the spirit of innovation, excellence, and the boundless potential of our people”.
Maame Efua Houadjeto, together with the management and staff of the GTA, extended condolences to Padiki’s family, friends and loved ones, as well as all those inspired by her journey.
