Entertainment
Teenage versatile drummer, Aayush makes Ghana proud
Talented drummer and music icon, Aayush Ramdas has emerged the winner the prestigious Swarayatra Little Champs Musical Group Talent Competition, Drumming Category held in Nigeria recently.
The teenager, who represented the Indian community in Ghana defeated other competitors from different countries to emerge the ultimate winner of the category.
Aayush, who is 14 years old and a pupil of the the Delhi Public School at Tema, Community 25 gained popularity last year after he parttook of the composition of the popular ‘Coffin Dance Memes’ video which went viral on social media.
He became an instant drumming sensation in the Indian community in the country due to his unique style on the drums.
He regularly records musical videos and shares on social media for his fans and other music lovers.
Father of the drumming sensation Mr P.T Ramdass in an interview with The Spectator said “As parents, our primary responsibility is to help our children identify their passion and preserve their originality.
Aayush was very passionate about drums right from the tender age of four and we bought him a completed drum set when he was six years. Initially we arranged a teacher for him for a few weeks but the teacher was not regular.”
He explained that Aayush picked up on his own and started playing rhythm for some of Mr Ramdass’ Guitar Instrumental.
He said, to fuel the passion of his son, he encouraged him to do stage shows at every opportunity and “here we are, a Father-Son Duo who do one recording every weekend and share within our WhatsApp groups and Instagram.”
He revealed that Aayush was invited to perform at the inauguration of an Indian Restaurant named ‘Meet N Eat’ and was gifted an Octapad in appreciation of his outstanding performance.
Mr Ramdass said that he had a band called PT’s Nest which is quite famous in the Indian community in Ghana.
He revealed that Aayush “aspires to be like the prominent Indian drummer, Mr Sivamani who is well known internationally for his talent in drumming.”
He expressed gratitude to Ghanaians and Indiana for their support over the years and assured that there was more to come from the camp of his son, Aayush.
BY Raissa Sambou
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
