Entertainment
Stop charging churches for programmes – Gospel musician advises

In an age where many Ghanaian musicians make more money from gigs than record sales, a gospel singer still does not understand why gospel musicians should charge for their performance.
Not that Mrs. Leticia Acheampong Hars does not understand the prevailing issues; far from that.
She is just surprised why some gospel artistes could boycott shows including church events simply because their charges were not met.
This, she insists is simply not right because “singing the word of God is not business’.
‘I prefer a situation where the church or event organisers will bless me after my ministration, but not to charge them’ she told The Spectator Agoro on Monday.
Mrs Leticia Hars known in showbiz circle as QueenLet said most gospel artistes had taken it as a business but the primary objective of a minister was to win souls and propagate the word of God to the world.
QueenLet who doubles as a nurse, said gospel artistes needed to find other things to do that would fetch them money.
‘Money from our music should only come in as supplementary support not the main source of your income”.
Mrs Hars is currently promoting her two singles titled ‘Dear Holy Spirit and Anwawadwuma – marvellous God.
The German-based gospel artiste added that her two singles talked about the Holiness and the handi work of God.
She used this opportunity to thank the award winning gospel artiste, Esther Smith and Rev. Dr Mary Ghansah for supporting her ministry by endorsing her singles.
She urged up and coming artistes to also make spirit filled songs in order to win more souls for Christ.
“We need to understand the purpose of gospel music, we don’t just sing, problems must run away when we sing, signs and miracles must happen and souls must be won”, stressed .
By Linda Abrefi Wadie
Entertainment
Ancienth releases ‘Asukese Abena’ to keep Ghana’s Palmwine music heritage alive

Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.
The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life.
According to him, the project is meant to remind people that Palmwine music is not a relic of the past.
“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.
Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.
“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”
The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres.
To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.
“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.
As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.
Asukese Abena is now available on all digital platforms, including YouTube
By Edem Mensah-Tsotorme
Entertainment
Ghana Tourism Authority mourns Guinness World Record holder Padiki

The Ghana Tourism Authority (GTA) has expressed profound sorrow over the death of celebrated visual artist and Guinness World Record holder Sharon Dede Padi, popularly known as Padiki.
In a statement signed on behalf of the Chief Executive Officer, Maame Efua Houadjeto, the Authority said Padiki’s passing was a painful loss to Ghana’s tourism and creative sectors, as well as the nation at large.
“Padiki was more than a Guinness World Record holder. She was a beacon of resilience, determination, creativity, and youthful excellence whose remarkable achievement brought pride not only to herself and her family but also to Ghana,” the statement said.
It added that through her determination to dream big and push boundaries, she inspired countless young people to believe that passion, perseverance and hard work could make the impossible possible.
The Authority said Ghana had lost “one of its brightest ambassadors whose story embodied the spirit of innovation, excellence, and the boundless potential of our people”.
Maame Efua Houadjeto, together with the management and staff of the GTA, extended condolences to Padiki’s family, friends and loved ones, as well as all those inspired by her journey.



