Entertainment
New Studios should focus on international mastering practices -TiC
Ghanaian music superstar, TiC known in private life as Nana Kweku Okyere Duah has waded into the discussion on the promise by the New Patriotic Party (NPP) to build recording studios for artistes.
During the Manifesto launch at Cape Coast last Saturday, the NPP promised that should Ghanaians give them another four-year mandate, they would build a state-of-the-art studio in Accra, Tamale, Takoradi and Kumasi.
Speaking on the issue in an interview with The Spectator, TiC said “it is a good idea, but there is a need for breakdown as to what the studio would entail.”
In this light, he has advised that the focus of the studio should be on international mastering practices with large acoustic dimensions, laced with choral group recording section, and live performing arena.
According to him, the quality of the sound from Ghana was crucial for the promotion of music on the international market, and it would be prudent for an international mastering practices to be an issue of concern to improve the sounds through such an initiative.
He noted that this would make the songs from the country stand the test of time and rub shoulders with songs from any parts of the world.
He pointed out that music development facility coupled with provision of grants for tours to expose Ghana music to the rest of the world, would bring about more foreign exchange to boost the country’s Gross Domestic Product (GDP).
TiC stated that some past and present musicians conveniently took their music to other countries to master them after local production, even though some producers in the country were doing well.
He was optimistic that with mastering in focus, it would go a long way to support the Ghana music industry.
TiC is currently embarking on a project raising funds to support rape victims in the country.
By Edem Mensah-Tsotorme
Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.
The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life.
According to him, the project is meant to remind people that Palmwine music is not a relic of the past.
“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.
Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.
“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”
The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres.
To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.
“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.
As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.
Asukese Abena is now available on all digital platforms, including YouTube
By Edem Mensah-Tsotorme
The Ghana Tourism Authority (GTA) has expressed profound sorrow over the death of celebrated visual artist and Guinness World Record holder Sharon Dede Padi, popularly known as Padiki.
In a statement signed on behalf of the Chief Executive Officer, Maame Efua Houadjeto, the Authority said Padiki’s passing was a painful loss to Ghana’s tourism and creative sectors, as well as the nation at large.
“Padiki was more than a Guinness World Record holder. She was a beacon of resilience, determination, creativity, and youthful excellence whose remarkable achievement brought pride not only to herself and her family but also to Ghana,” the statement said.
It added that through her determination to dream big and push boundaries, she inspired countless young people to believe that passion, perseverance and hard work could make the impossible possible.
The Authority said Ghana had lost “one of its brightest ambassadors whose story embodied the spirit of innovation, excellence, and the boundless potential of our people”.
Maame Efua Houadjeto, together with the management and staff of the GTA, extended condolences to Padiki’s family, friends and loved ones, as well as all those inspired by her journey.
