Entertainment
Mavis Payne Releases ADEAKYE: A Song Born of Calling, Not Convenience
Gospel minister Mavis Payne has released a spirit-filled worship song of thanksgiving to God dubbed ADEAKYE.
With ADEAKYE, Mavis Payne tells her story of how merciful the Lord has been and encourages people to give thanks to God even for the little blessings.
Recorded live at Eden Experience 2025 and released on Friday, February 6, 2026, the song tells a story of her early discovery, consistent growth, and unshaken devotion.
She further describes the song as the sound of a woman who has walked with her gift, nurtured it, and ultimately offered it back to God.
According to Mavis Payne, music has never been a hobby but rather a calling, patiently unfolding since childhood.
ADEAKYE, the first track on the live recording, is currently streaming on YouTube Mavis Payne Ministries. It is the latest expression of a journey that began long before studios, stages, or spotlights, she intimated.
Growing up, Mavis Payne discovered her gift at a remarkably young age. She recalls being promoted to Class Two after nursery when a simple lunchtime moment changed everything.
As she sang casually, she said her class teacher stopped to listen. Impressed, the teacher led her before other classes and asked her to sing again this time, for an audience. That moment of affirmation lit a fire that has never gone out.
With that early encouragement, music became inseparable from her identity.
However, she expressed gratitude to family and friends who rallied around her talent, offering support that helped shape both her confidence and discipline.
Over the years, Mavis Payne sharpened her craft by backing several artistes and performing on notable platforms, including TV3’s Mentor, one of Ghana’s most influential music talent shows.
According to her, she has also worked with respected musicians such as Ackah Blay, experiences that broadened her musical range and professionalism.
Yet, despite these opportunities in the wider music industry, her focus has remained unwavering.
“My heart has always been to minister for God,” she says.
That focus has guided her path from Sunday school to the present day, shaping not just what she sings, but why she sings.
“ADEAKYE” emerges from this deep-rooted sense of purpose. The song is not merely a release; it is a continuation of a lifelong ministry one anchored in faith, gratitude, and obedience to God’s call.
ADEAKYE is a worship programme Mavis Payne herself is nurturing an intentional space for encounter, intimacy, and authentic praise. The live recording preserves the rawness of the moment: the unfiltered worship, the communal spirit, and the sacred atmosphere that cannot be replicated in a studio.
She noted that it is her declaration of hope, renewal, and God’s faithfulness in every situation, emphasising once you witness a new day, rest assured at hope is not lost.
“I thank God for my life and the gift of ministering through singing to win souls for Christ. And to everyone supporting my ministry, may God make His face shine upon you favourably,” she remarked.
BY TIMES REPORTER
THE president of the Musicians Union of Ghana (MUSIGA) Mr Bessa Simon has described criticism against a donation made to the family of the legendary Yaw Sarpong as misleading and a means to tarnish their image.
According to him, GH¢500 donated to the family during one week observance wasn’t the final funeral contribution but a symbolic amount to help with refreshment during the one week observance.
• Yaw Sarpong
He told the Spectator Agoro that the Union will make a formal donation at the funeral to the icon in the gospel industry.
“Giving an amount at one week is a common practice and shouldn’t overshadow Yaw Sarpongs legacy” he added
Meanwhile others praised MUSIGA for showing solidarity, others condemned the amount, describing it as inadequate and disrespectful to the legacy of the veteran singer.
Yaw Sarpong, born in Accra, emerged as one of Ghana’s most influential gospel musicians and a defining voice in contemporary Christian music across West Africa.
Rising from humble beginnings and shaped by the political and social turbulence of post-independence Ghana, he transformed gospel music with a distinctive blend of spiritual depth, lyrical clarity, and disciplined musical arrangement.
By Linda Abrefi Wadie
Ace-Liam Nana Sam Ankrah, Ghana’s celebrated child prodigy and youngest achiever ever recorded in the Guinness World Records’ 70-year history is set to captivate audiences at the upcoming Ghana Independence Day celebrations in Beijing, China.
The Ghana Embassy in the People’s Republic of China will host series of events culminating on March 6, 2026, to mark Ghana’s 69th Independence Anniversary, with Ace Liam’s artwork prominently featured.
As part of the Embassy’s cultural initiatives, an art exhibition will showcase creative works by top Ghanaian artists including Ace Liam and renowned artist Ibrahim Mahama.
The exhibition aims to celebrate Ghana’s vibrant cultural heritage and foster closer cultural ties between Ghana and China.
At just 3 years old, Ace-Liam has earned acclaim for his innovative artistic talents. His participation in the Independence Day events highlights the role of young Ghanaian artists in promoting the country’s rich culture on a global stage.
Ambassador Kojo Bonsu, during a press soiree held on February 5, 2026, emphasised Ghana’s commitment to deepening its relationship with China through cultural exchange and economic collaboration.
The planned events will also include a business forum and a fashion show by Nineteen57, blending traditional and modern Ghanaian styles.
This will be Ace-Liam’s second international art exhibition after his debut in Barbados at the GUBA Awards.
In 2025, he received an award at the UK Parliament House of Commons as a Global Child Prodigy in Arts. He was also awarded the Kid Creator of the Year at the Creators Awards Ghana 2025.
In a related development, Ace-Liam Ankrah has been recognised as a Young Achiever in the Guinness World Records Book 2026 edition, becoming the youngest achiever in the organisation’s 70-year history.
Featured in the special anniversary edition marking seven decades of global excellence, Ace-Liam joins a distinguished group of record holders and global icons such as Simone Biles, Usain Bolt, and Dolly Parton. His achievements have made a lasting impact worldwide, capturing international attention through the extraordinary power of early childhood creativity.
This latest recognition by Guinness World Records marks a defining milestone not only for Ace-Liam, but also for Ghana and the African creative community. It highlights the importance of nurturing creativity from an early age and demonstrates the extraordinary possibilities that emerge when talent is supported and allowed to flourish.
Reacting to this news, Ace-Liam’s Mother/Manager Chantelle Kuukua Eghan remarked, ‘Ace-Liam being featured in the 2026 Guinness World Records Book as a Young Achiever is a dream come true. I feel blessed and super excited to be his mother. This is not just a win for him, but a win for all kids in the world.’’
Ace-Liam’s artistic journey began at just six months old when his mother, Ghanaian visual artist Chantelle Kuukua, laid out a canvas and paints to keep him engaged while she worked on a commissioned piece.
What began as a simple moment of curiosity quickly revealed something remarkable. Within minutes, he created his first artwork, later titled The Crawl, a vibrant expression that marked the beginning of an exceptional creative path.
Edem Mensah –Tsotorme
