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‘Mathematics teaching, learning requires critical attention at all levels of education’

A Senior Lecturer at the University of Ghana, Dr Joseph Ansong, has asked the government to prioritise and intensify the teaching of mathematics at levels of education as the subject remains the backbone of innovation and national development.

Speaking at a stakeholders’ event celebrating the Day of Scientific Renaissance of Africa last Wednesday in Accra, he said mathematics instruction should be given critical attention from kindergarten to university with particular emphasis at the tertiary level.

The Day of Scientific Renaissance of Africa is celebrated across the continent annually on June 30, in line with the resolution passed by the African Union.

It is meant to showcase the continent’s immense contribution to the development of science and technology and focuses on the potential of the continent in further development and promotion of science and technology. 

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The event, organised by the University’s School of Physical and Mathematical Sciences (SPMS) was themed: ‘Mathematics in Africa: Critical Resource for Development.’

In his presentation, Dr Ansong highlighted the significance of mathematics across various fields, indicating that “knowledge and expertise in math are essential to get things done.”

“In the industrial sector, mathematics is useful across the entire product cycle, contributing to making better products, improving quality, and shortening the design cycle,” he said.

He emphasised the significance of mathematics as a foundation for science, technology, and innovation and  called for a special focus on the subject.

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The interactive session saw an exhibition of scholarly works and technological innovations undertaken by various departments at SMPS.

By Yunussah Essandoh

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Entertainment

Breaking News: Daddy Lumba is dead – Family announces

Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.

His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.

“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.

Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.

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He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.

“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.

The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.

The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.

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Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.

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Entertainment

Edem’s debut album gets praise from Sarkodie

Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.

In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.

He said he was instantly impressed and knew Edem would have a serious impact on the music scene.

“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”

“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.

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Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.

Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.

Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.

At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.

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His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.

Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.

Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.

Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.

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