Entertainment
Jamal Edwards, music entrepreneur and Youtube star dies age 31
British entrepreneur and YouTube star Jamal Edwards has died at the age of 31, his company has told the BBC.
He was the founder of SBTV, an online urban music platform which helped launch the careers of artists like Dave, Ed Sheeran and Skepta.
Chart-topper AJ Tracey was one of the first to pay tribute online, tweeting “RIP Jamal Edwards, west London legend status”.
Edwards, born in Luton, was appointed an MBE for services to music in 2014.
A pioneering figure in British rap and grime music, he also became an ambassador for the Prince’s Trust, a youth charity run by the Prince of Wales which helps young people set up their own companies.
He attended the Brit Awards earlier this month and was understood to have performed as a DJ at a gig in north London on Saturday night. No details have been released about his death, other than it happened on Sunday morning.
It’s impossible to overstate how important Jamal Edwards was to British rap.
His YouTube channel, which was started “on a £20 phone” while he was still at school, has given early exposure to almost every key player in the game. Stormzy, Skepta, JME, J Hus, Lady Leshurr, Dave, AJ Tracey, Krept & Konan, Headie One… the list is endless.
To an extent, SBTV was formed out of frustration. “Everyone in my area was an MC and I remember thinking, ‘Why can’t I find these online? I’m going to film people in my area and upload it to Youtube’.” Edwards told BBC Radio 1Xtra in 2017. “And from there it just started building and growing.”
SB TV arrived at a crucial time, showing that grime could thrive online, while police were attempting to shut down gigs with the controversial risk-assessment form 696.
The channel’s success meant Edwards became known as an entrepreneur and businessman – but he was a reluctant frontman. “I wanted to be the Banksy” he said. “I wanted no-one to know who I was.”
That changed in 2011, when he was featured in an advert for Google Chrome. His name was searched more than a million times. and people started approaching him for selfies.
But he put his notoriety to good use – raising awareness of mental health, funding youth centres and encouraging other young entrepreneurs.
Music remained his true passion, though, and he never stopped supporting the artists he loved. As recently as December, he encouraged Ed Sheeran to record a new verse for a song he’d discovered by Nigerian artist Fireboy DML. That track, Peru, climbed to number two in the UK charts, giving the African star his first international hit.
Edwards took no credit – he never did – but hundreds of artists have similar stories. His loss will be felt throughout the UK music scene.
London Mayor Sadiq Khan said on Twitter that British music and entertainment “has lost one of its brightest stars”.
Rapper Dave, actor and director Adam Deacon and the Voice newspaper, a weekly newspaper that caters for the interests of British-born black people, were among others to post tributes online.
Source: www.myjoyonline.com
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
