Entertainment
I beef with Nigerians to create opportunities for Ghana’s next generation – Shatta Wale
Dancehall artiste, Shatta Wale has defended his frequent verbal banter with colleague musicians, particularly from Nigeria.
According to him, his feuds with these top musicians is to create opportunities for Ghana’s next generation to penetrate the Nigerian market.
The self-acclaimed dancehall king on Daybreak Hitz insisted that he doesn’t mind going into the trenches if the outcome will change the fate of the country’s music industry.
“I have created the space for many. And nobody can come and tell me otherwise. Even when I am beefing with Nigerians, I am doing it because of the next generation. Now everybody is getting the opportunity. Everybody is going to Nigeria because that awareness is there.
“I have done things that even if I can’t go to Nigeria I want to see the Black Sheriffs, the Medikals entering there now. This is because we now see Nigeria as our America. So we must get the Nigerians’ attention that is why I have sacrificed my life for the industry,” he said on Thursday.
Shatta Wale known in private life as Charles Nii Armah, has been known for feuding with fellow artistes known in showbiz circles as ‘beefing’.
Although his rants were with local players, in 2018, he went after Nigerians act, Wizkid.
For six months, the Dancehall artiste had a repetitive repartee with Wizkid’s fans who fought on the behalf of their star until the duo made up.
It didn’t end there.
Earlier this year, Shatta Wale took on Nigerian Grammy-winning singer, Burna Boy.
Fans were shocked when what had started as a mere social media thread, gradually turned out into a full-fledged ‘fight’ with both musicians downplaying the other’s achievements and accusing each other of unprintable offences.
But in his defence, Shatta Wale said he has sacrificed his career for change to happen and it was all through this bizarre behaviour.
He was, however, saddened by the constant criticisms of his behaviour.
“I have done a lot for this industry that people should appreciate and stop critiquing me because I have built a certain platform for the next generation and the one to come after them.
“It is not that I don’t know what I am doing but sometimes it hurts that we don’t recognize that side of Shatta Wale but we want to spread the bad side of him to the world,” he said.
Source: www.myjoyonline.com
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
