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I am so mad and angry – Peter Okoye

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Nigerian musician of P-Square fame has shared how unhappy he is, to say the least, following a publication that captured how Nigerian military troops allegedly shot dead dozens of defenseless citizens in Ogbaru, Anambra.

According to a publication by SaharaReporters, troops of the Nigerian military comprising the Navy and the Army on June 28 and 29 reportedly killed dozens of innocent citizens in the productive age bracket in Ogbaru communities of Anambra State.

Reacting to the development in a tweet, the livid musician said, “I am so mad and angry! This is unacceptable!… We must get it right come 2023. Get your PVCs.”

Below is the full report as published by saharareporters.com:

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Troops of the Nigerian military comprising the Navy and the Army have reportedly killed dozens of innocent citizens in the productive age bracket in Ogbaru communities of Anambra State.

SaharaReporters was told that the wanton killings, it was gathered took place on Tuesday night, 28th and early hours of Wednesday, 29th June 2022 at Ossomala, Umunankwo and Obeagwa communities.

The deployment of the military personnel in the area had begun in the evening of Tuesday during which they claimed to be looking for unknown gunmen that recently laid the area under siege, according to sources.

The soldiers, according to information SaharaReporters obtained, later turned their guns on the defenseless and unarmed natives and others, while abandoning the forests where the locals said were the hideouts of the unknown gunmen located inside big river/swamp forest of Obene-Ochuche/Umuzu/Okija divided by Ulasi River.

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The soldiers were said to have been mobilised from Ogbaru Naval Base and Onitsha 302 Artillery Regiment in over 20 trucks with arms and ammunition. They were said to have targeted defenseless locals mainly young males and opened fire on them at close range and killed dozens. They also wounded and arrested others who are later to be questionably labelled as “ESN/IPOB hoodlums”.

Relatives were equally seen crying besides corpses. Women were also seen carrying the corpses of their husbands on wheelbarrows.

In some videos, soldiers were seen placing pump action guns on top of some of the citizens killed to probably justify the massacre or their labeling as “IPOB/ESN” fighters.

They were said to have also invaded several of traditional sanctuaries and destroyed them or displayed their symbols to invariably link them to the pro-Biafra group, Indigenous People of Biafra (IPOB) and its security outfit, Eastern Security Network (ESN).

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Speaking to SaharaReporters on the recent development, on Saturday, security analyst who is also Board Chairman of the International Society for Civil Liberties and Rule of Law otherwise known as Intersociety, Chief Emeka Umeagbalasi, described the killings as a genocide.

Umeagbalasi said “no doubt that Ogbaru is one of the Anambra Council areas presently under the grip of syndicated criminal entities engaging in several nefarious activities including abductions, killings, armed robberies and ransom demands as well as counterfeiting ESN trademarked modes of operation by attacking security operatives and government facilities.

“Information available to Intersociety also has it that they have camps at different forests in Umunankwo and Ogwuanaocha.

“Consequently on the night of Tuesday, 28 June 2022, over 20 trucks of soldiers, arms and ammunition were mobilized and the areas were invaded in an aimless war grade operation and instead of the military personnel including Naval and Army Personnel from Ogbaru Naval Base and Onitsha 302 Artillery Regiment going into the affected Forest camps, they let loose on innocent locals, shooting them at close range including foreheads, chests, manhood and other terminal regions.

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“Several or dozens were killed in the end as you might have seen in the videos and pictures of the aftermath of the invasion.

“The rampaging military personnel also went into villages and broke homes at late night, forcing scores to be killed and other defenseless natives of the affected communities to escape through River Niger and others.”

The Board Chairman of the Intersociety explained that the pictures and videos of those slaughtered showed or bore the images of passersby, returning youth farmers and occupational others.

In their usual way referring to (security agencies), he said in order to justify their conduct atrocities, “attached pictures and videos showed how they placed pump action guns on body top of some of the victims and raided traditional religious sanctuaries and destroyed them or displayed their items to make their massacre pictorially trademarked their usually concocted “ESN/IPOB mayhem or attacks or terrorism”.

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He further explained that the investigation conducted did not show any evidence of the slain being killed in a gun duel as no single report of killing of soldiers or wounding them was recorded.

“Our findings further showed that the slain could not have been armed members of the criminal entities because judging from the attached pictures and videos, nobody, not even relatives or friends of the slain would have dared nearing the corpses and wailing or screaming profusely or checking them if they are to be forest-based members of the criminal entities or “Unknown Gunmen” especially the street criminal entities or counterfeiters.

“The pictures and videos also circumstantially indicated that the slain were members of defenseless locals and have nothing to do with “Unknown Gunmen” who the Nigerian security forces have severally and publicly acknowledged to bear charms preventing bullet penetration.

“Also no armed person could have been shot at such close range and killed easily that way at his terminal region without dodging and stiff defensive resistance,” he argued.

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Source: mynigeria.com

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Rumzia Sule crowned Miss Ghana 2026

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Rumzia Sule being crowned the winner of Miss Ghana 2026
Rumzia Sule being crowned the winner of Miss Ghana 2026

An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.

The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.

Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.

Rumzia also won the Beauty with Purpose award.

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Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.

The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.

According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.

Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.

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The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.

Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.

The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.

Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.

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As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.

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Lexikon’s music becomes movement of faith, justice, Pan-Africanism

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Lexikon
Lexikon

Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.

Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity. 

That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.

But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.

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According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”

Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.

Industry watchers describe his work as more than sound,  a movement, a sermon, and in his words, “a revolution wrapped in melody.”

Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.

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 For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”

As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.

By Edem Mensah-Tsotorme 

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