Entertainment
‘Highlife music, source of livelihood and engine of socio-economic development’
THE Minister of Tourism, Culture and Creative Arts, Ms Abla Dzifa Gomashie, has hailed the impact of highlife music, stressing the need for the Ministry to partner relevant agencies to support practitioners and traditional communities that keep the heritage of the country alive.
According to her, highlife music and dance had created employment for many individuals, supported the economy, inspired tourism, concerts, and cultural tourism and attracted global attraction by drawing researchers and cultural enthusiasts, among others to contribute to the country’s creative economy.
As a result, her Ministry, she said, remained steadfast in promoting, preserving the genre through which the country’s cultural heritage can be advanced.
Ms Gomashie said this when she read a statement on the official recognition and listing of Ghana’s highlife music on UNESCO’s representative list for intangible cultural heritage list on the floor of Parliament on Friday.
“The highlife music and dance are not merely artistic expressions; they are sources of livelihood and engines of socio-economic development,” Ms Gomashie said.
The ministry, she stated, would therefore continue to develop policies and programmes aimed at strengthening documentation, research, and archiving traditional knowledge.
Ms Gomashie disclosed that the Ministry was working to establish a framework that protects intellectual property of practitioners and making preparation to nominate another additional Ghanaian expression for the United Nations Educational, Scientific and Cultural (UNESCO’s) intangible cultural heritage list.
According to Ms Gomashie, the recognition by UNESCO affirmed the country’s history, strengthens its cultural identity, and performance on the global stage.
She explained that the history of Ghana’s highlife music and dance had evolved over the years and had become a symbol of cultural pride and a cultural bridge that connected generations.
“Mr Speaker, highlife over the decades, has inspired numerous African and global music lovers, shaped the continent’s music identity, and contributed to Ghana’s International cultural footprint.”
She expressed gratitude to UNESCO for recognising and listing Ghana’s highlife music and dance on its list of intangible cultural heritage. She also praised the government for its continued support to the creative arts industry.
By Benjamin Arcton – Tettey
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Award-winning Ghanaian musician, Wendy Asiamah Addo, known in showbiz circles as Wendy Shay, is poised for Artiste of the Year crown this year.
Through her hard work last year, the musician has earned about seven nominations for this year’s Telecel Ghana Music Awards.
Wendy Shay was nominated for Artiste of the Year, Album of the Year, Afrobeats Song of the Year, Afrobeats/Afropop Artiste of the Year, International Collaboration of the Year, Collaboration of the Year and Most Popular Song of the Year.
Speaking exclusively to her management, they said Wendy Shay last year graced over 40 shows, including her successful Shay Concert held at the West Hills Mall in Accra on November 22, 2025.
Additionally, they noted that through her hard work, she had international features with Movado (Apology), Phina (Too Late Remix), Bedjine (Too Late Remix), Guchi (Too Late Remix) and Niggy Boy (Weed & Wine).
They further told the paper that her ‘Ready’ album garnered over 25 million streams across all platforms, including massive airplays, adding that most of the songs featured prominently at parties and diverse events in Ghana and beyond.
Her management concluded that the hard work made her brand very attractive for Corporate Ghana, a feat which led Wendy Shay to secure ambassadorial deals with Peeva and Hisense.
Against this backdrop, they are optimistic that Wendy Shay is in pole position to win the coveted Artiste of the Year crown this year, and therefore called on industry players, all and sundry to vote for her.
By Edem Mensah-Tsotorme
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Ghanaian highlife and Afrobeat musician Berima Amo has signed a new international recording deal with UK-based world music label ARC Music, a move seen as another boost for the global recognition of West African music.
Known for blending traditional highlife with Afrobeat, jazz and other global influences, Amo has become a strong advocate for preserving and promoting authentic African musical heritage while introducing it to new audiences around the world.
The announcement comes ahead of the release of his much-anticipated album “Rhythms of Love,” recorded live at Studio 150 Bethlehemkerk in Amsterdam. The album will be released worldwide on May 24, preceded by two singles: “Fake Flowers” on May 1 and “Yaba” featuring Tallulah Rose on May 8, 2026.
The new project is expected to expand Amo’s reputation as both a cultural preserver and musical innovator, pushing the boundaries of African sound through powerful rhythms and cross-genre fusion.
With five albums, two EPs and ten singles already available across major streaming platforms, Berima Amo continues to grow his global audience.
Berima Amo, a singer, trumpeter, composer and bandleader originally from Ghana and now active in Europe, has built a reputation for preserving the roots of highlife while reimagining it for modern audiences. Through performances, collaborations and educational initiatives, he has championed traditional African rhythms and instruments while blending them with Afrobeat, jazz, soul and orchestral music.
Many in the industry now view Amo as a torchbearer for authentic West African music, continuing the legacy of legendary figures such as E. T. Mensah, The Ramblers International Band, Rex Lawson, Ebo Taylor, Nana Ampadu, King Onyina, Osibisa and Fela Kuti, helping to carry the sound of West Africa to the world.
