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From devastation to glory… Bitter-sweet story of a lawyer who is blind
How would you feel when you woke up early in the morning and realised you were losing your sight – in other words, going blind in both eyes?
This was how it all started for an ambitious young man – Jones Odame, who was dreaming to become an investigative journalist or lawyer.
Dejectedly, on Monday, March 5, 2007, that lofty dream took a devastating blow in the face when Jones, the second-last of eight siblings, woke up with a blurred, grey and dim vision.
Later, the eyes were gone. He could see no more! It was such a torturing experience.
But how did he survive life’s out-of-the-blue turbulence? How did he soar down to the sea and float on it?
Wait a minute. We shall come to that survival story.
Born some 39 years ago to Mr T.G Akyea and Madam Gladys Asantewaa, both of whom hail from Anum – an Akan community in the Asuogyaman District of the Eastern Region, Jones began his basic education at Akwatia – also in the Eastern Region – and continued at the Anum Presbyterian Senior High School from where he proceeded to the Peki Teachers Training College in the Volta Region.
On completion, he taught for two years at Akim Akroso, also in the Eastern Region, until disaster struck one fateful Monday morning.
“I had woken up one Monday morning to prepare for a church programme, as I was the District President of the Young People’s Guild (YPG) in the Nsaba District in the Central Presbytery of the Presbyterian Church of Ghana, when I realised I was going blind,” he recalled.
Immediate reaction: Ceaseless and intense prayers were offered by church members in search of a miracle. Nothing happened.
Tremulous and utterly confused, Jones hurriedly left Akroso on Friday of the same week for the Emmanuel Eye Clinic at East Legon in Accra, which had been recommended to him, in search of solution to the fast-fading sight.
“There, the doctor also directed me to the Korle-Bu Teaching Hospital for further assessment after which I was booked for theatre the following Tuesday for a supposed correction of my sight.”
The operation was done. It was retinal detachment repair of the eyes after which he had to spend about a week in the recovery ward.
Finally, the D-day came for the eye shields or bandage to be removed – amid tension and anxiety that had crammed up the ward. His family and friends had come to offer a world of support to him, hoping for the best.
But alas Jones could not regain his sight after the eye-pad had been removed.
“Can you see? Can’t you see anything? Can you see me?” These were words from the eye surgeon that only met a reaction of tears and desolation.
“It was not an easy thing to be told I couldn’t see again for the rest of my life. I was really, really wrecked, heart-broken and devastated,” Jones recollected.
The doctor then advised him to go to the School of the Blind at Akropong in the Eastern Region, since there was “absolutely nothing” that could be done about his situation.
Hardly hit, members of his church at Akroso including one Mr Amponsah, Auntie Mariam from the Netherlands, Kwaku Odame (not his brother) and Reverend Bekai, got some doctors from the USA to confirm that his eyes were truly damaged.
After several failed attempts to restore his sight, Reverend Bekai introduced Jones to a former Head of the School for the Blind, to try to conscientise and introduce him to the Braille. Braille is a form of written language for people who are blind, in which characters are represented by patterns of raised dots that are felt with the fingertips.
“It was there that I realised I had to accept my situation willy-nilly. Indeed, I cried my head off the very first time I touched the braille.”
However, after realising that there was nothing he could do, Jones – as he is affectionately called, begrudgingly agreed to settle for the School of the Blind, where he was first admitted into the Rehabilitation Class.
The Rehab Class is meant for those who were not born blind.
There, he saw a couple of people who had his kind of story including the Counsellor, a Masters Degree holder.
“You can be whatever you want to be in this world through the braille; so don’t be discouraged at all,” were the words of encouragement from the counsellor.
According to Jones, he was hugely motivated by that admonition – and though a year’s course or more, “I spent only two months reading and writing perfect braille.”
With his confidence fully restored and thinking there was no time to waste, he applied and was admitted into the University of Ghana, Legon, to study Political Science and Sociology in 2007.
After four years of diligence, Jones emerged with flying colours – chalking First Class in his area of study.
And, as destiny may have it, he landed at the Commission on Human Rights and Administrative Justice (CHRAJ) in Accra for his one-year National Service.
“It was there that I realised one of my childhood dreams to be a lawyer was on course.”
So, in 2014, he applied to the University of Ghana School of Law, where he passed an entrance examination to pursue a Bachelor of Laws degree (LLB) – completing in 2016.
Thereafter, Jones gained admission into the Ghana School of Law (Makola), but had to defer the course for two years after the 2016-2017 academic year, owing to reasons he said, were personal.
He, however, bounced back ‘gallantly’ in 2020 to complete his course and was called to the Bar on Friday, October 1, 2021.
The day was a historic one for Lawyer Jones Odame as he was given a standing ovation by the Chief Justice (CJ) Kwasi Anin-Yeboah, the former CJ Mrs Georgina Theodora Wood, the Attorney General and Minister of Justice, Mr Godfred Yeboah Dame and an array of eminent justices, when his name boomed from the ‘loud speakers’ as among the 278 lawyers called to the Bar. Apparently, his story was known to all of them. They know it has taken him a Himalayan effort to make the journey.
This year’s event – held at the International Conference Centre in Accra, was the 58th Anniversary in the history of enrolment on the Roll of Lawyers.
“It’s been a hard, tortuous journey, but thank God I have been able to achieve my childhood dreams,” an elated Lawyer Odame, who is married with two children (twins), told The Spectator.
He advised the visually impaired or those who unfortunately find themselves in his situation, not to give up but strive hard to achieve their goal.
“You don’t have to take your life or throw up your hands in despair when confronted with a situation like mine. Life itself is not easy, but with focus and that intrinsic motivation, you can achieve your dreams,” he asserted.
Lawyer Odame took the opportunity to express his appreciation to the Director of the School of Law, Mr Maxwell Opoku Agyemang, the two Registrars of the school and his 2016-2017 Year Group, adding that “this success wouldn’t have come without their encouragement and financial support.”
For now, Lawyer Odame is dreaming of working with the United Nations to champion issues relating to disability.
“Having lived as a sighted person and now as a person who is blind, I have become passionate on issues relating to disability and how they are handled in our society – and will, therefore, wish to work with the UN or any reputable NGO which mandate is to promote the welfare of persons with disability.”
By John Vigah
When the world’s eyes turn to the King’s Baton on its global journey, one of Ghana’s most profound artistic stories travels with it. It will be a story of creativity, culture, and national pride crafted by Albert Litela Obidiaba.
From the quiet town of Old Baika in the Oti Region, Albert’s journey as an artist has always been about telling stories. It is not just through words, but through symbols, textures, and meaning.
“From a young age, I was drawn to the power of art, knowing how colours and textures can capture not just emotion but culture and identity,” he recalls.
Today, his name has become synonymous with innovation rooted in traditional bridge between Ghana’s past and its global creative future.
Albert’s love for art was born from curiosity. Surrounded by the vibrancy of Ghanaian culture; the patterns of kente, the stories behind Adinkra symbols, and the textures of daily life, he began sketching and crafting early on.
“Simple things told deep stories,” he says. “That fascinated me.”
As he matured, his art evolved into a personal mission to preserve and reinterpret Ghana’s heritage for a modern audience. His style reflects a seamless blend of culture and contemporary design, each piece a narrative of unity, history, and pride.
“I see art as storytelling through form and symbolism, it should feel rooted in purpose yet speak to today’s world,” he explains.
When the call came to design Ghana’s version of the King’s Baton, Albert saw it as both a national duty and a creative calling.
Recommended by mentors like Mr Charles Osei Asibey, who trusted his talent and understanding of Ghanaian symbolism, he embraced the project wholeheartedly.
His vision was clear; to create a piece that would embody unity, pride, and the enduring spirit of Ghana.
Drawing from traditional motifs, he integrated textures inspired by kente weaving, representing hard work, continuity, and creativity. The golden tones symbolise strength and dignity, while the contours and natural motifs mirror Ghana’s landscapes and people.
“The King’s Baton had to tell our story of who we are, what we value, and how we see the world, it is more than art, it is identity in motion,” he said.
Every etch, every pattern carries meaning. From concept to completion, the entire process took three intense weeks which were filled with research, design sketches, consultation, and collaboration with skilled artisans.
“It was days and nights of work, but a lifetime of meaning,” he says with quiet pride.
Creating a design that represents all of Ghana’s diverse cultures was no small feat. Albert had to balance aesthetics, authenticity, and technology thereby using sustainable wood, carefully treated and certified, to reflect the nation’s commitment to nature and preservation.
“It wasn’t easy finding the right mix,” he admits. “But those challenges pushed me to think deeper. They made the final piece stronger — both artistically and symbolically.”
For Albert, Ghanaian culture is both muse and message. His works echo the values of unity, strength, persistence, and wisdom, drawn from Ghana’s traditions.
“Art preserves who we are and every line and symbol tells a story of belonging,” he said, and believes art is one of the most powerful tools for building national pride.
Designing the King’s Baton has been a defining moment in his creative journey and that it deepened his appreciation for cultural storytelling. “It taught me that creativity is also a form of service,” he said.
The experience has opened new professional doors, but more importantly, it gave him a renewed sense of purpose making him embrace a call to national duty.
“My soul will be glad even after my days on earth are over,” he said beaming with smiles.
Beyond the King’s Baton, Albert has worked on numerous projects celebrating Ghanaian identity through contemporary art and design. His ongoing works explore symbolism and heritage in new forms which includes blending materials, stories, and styles from across Ghana’s regions.
He is currently preparing projects that continue the conversation the baton began. They are about unity, creativity, and Africa’s evolving artistic voice.
To young artists aspiring to make their mark, Albert’s advice is for them to believe deeply in their craft and that the world is always looking for authenticity “which comes from knowing who you are and where you come from.”
On how he wants to be remembered, he said, “I want to be remembered as an artist who used creativity to celebrate culture and connect people. If my name is remembered as the one who designed Ghana’s version of the King’s Baton, that will be enough, because it means I carried Ghana in my hands, and shared her with the world.”
By Esinam Jemima Kuatsinu
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A ‘trotro’ bus heading to Nsawam was filled with the usual sounds from conversations, music, and sometimes a preacher delivering a message.
But when Margaret Odame Donkor rises to speak, she does not preach salvation or sell herbal remedies. Instead, she shares her journey as a breast cancer survivor, urging passengers to examine their breasts regularly, seek medical help early, and never lose hope.
Her pulpit is not a church, but the crowded minibuses of Ghana’s public transport system. Her message is not about repentance, but about survival.
She urges women to check their breasts regularly, encourages men to support their wives during health challenges, and reassures everyone listening that a cancer diagnosis is not the end of life.
For Margaret, creating awareness is more than a duty-it is a calling born out of personal pain, fear, and triumph.
Her words carried weight because they come from lived experience.
At age 48, Margaret has walked through the valley of fear and pain, battled stage three invasive carcinoma, and emerged not just a survivor but an advocate determined to educate others.
Cancer journey
Margaret’s encounter with breast cancer stretches back decades. At 22, she discovered a lump in her left breast. It was removed and declared benign. Relieved, she skipped regular checks and moved on. Then in 2021, the lump reappeared—this time spreading toward her armpit.
At a church screening in October 2022, doctors detected suspicious lymph nodes. Further tests confirmed her worst fear: stage three invasive carcinoma.
“It wasn’t easy,” she recalls softly. “But my faith in God kept me strong. My husband, children, family, friends, and colleagues formed an army behind me. Their prayers, visits, and encouragement gave me the courage to fight.”
“Be grateful every day because you never know what tomorrow may bring. No one has it all, but with love and support, you can endure,” she stated.
Her greatest fear remains recurrence and not living long enough to see her children graduate and become the people she dreams for them to be.
Before cancer disrupted her life, Margaret had found purpose in interpretation. In 2020, a friend spotted a Judicial Service vacancy and encouraged her to apply. After years of unsuccessful attempts at government jobs, she was reluctant, but she tried once more. This time, she succeeded and was posted to the Eastern Region, her home.
Today, she works at the Nsawam District Court, one of the busiest in the area. On a typical day, she arrives at 7:30am, prepares dockets, and confers with magistrates. She interprets proceedings in Twi, Ga, Hausa, and occasionally Ewe, ensuring that justice was accessible to all.
Her role is demanding. Cross-examinations require her to switch quickly between English and local dialects, while marriages often call for interpreting vows in couples’ preferred languages. Still, she thrives. “The registrars and magistrates I’ve worked with have been amazing. They make the environment very comfortable,” she stated.
Beyond the courtroom, Margaret is also an entrepreneur. In 2017, she founded Nubreed Décor, an events decoration business born from her childhood love for beautifying spaces. She recalls cutting paper decorations as a child and helping her cousin rent out chairs and decorate venues.
Balancing décor with court work was tough, and her health struggles after surgery made it even harder. Radiation left her with persistent rib pain, forcing her to slow down. “Now I hire more hands, which makes business expensive, but it helps me achieve my goals,” she explained.
Her biggest challenge as an entrepreneur remains finance. “The event industry is huge, but I have to work at my own pace and focus on my niche,” she admited.
Cancer changed how Margaret values people and relationships. She learned that those you least expect often become your strongest supporters. She urges families to stand by patients with prayers, encouragement, and financial support, reminding society that a cancer diagnosis is not the end of life.
Her advocacy extends beyond awareness talks. She dreams of establishing a counselling centre for young people and hopes Ghana will expand access to mammograms and radiotherapy centres. “Every patient deserves a chance at survival,” she said firmly.
She urged the youth to live peacefully and be their brother’s keeper, learn to be content and rely on God.
To women, she asserted that, “love yourselves and make breast checks routine while calling on Ghanaians to be open-minded, avoid being judgmental, and show love.
By Esinam Jemima Kuatsinu
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