Entertainment
Efia Odo commends Kwesi Arthur’s intelligent reaction to comments on her risqué outfit
ctress Efia Odo cannot hold back her appreciation and admiration for rapper Kwesi Arthur due to what she described as intelligent reactions to questions regarding the risqué outfit she wore to his album listening.
The socialite and actress in a tweet said she was not only impressed with the rapper’s comment, but his level of intelligence as well.
This comes after Kwesi Arthur said he was not embarrassed in any way, by Efia Odo showing up at the “Son of Jacob” album listening in a net-like dress showing her breasts.
Speaking on Peace FM, Kwesi Arthur said he is grateful Efia showed up at the event. He spoke of his admiration for her for being a confident woman who is not ashamed of being herself.
eacting to this, Efia Odo wrote, “why would I not support Kwesi Arthur? His intelligence alone.”
Efia Odo stole the show at the event when she wore a black sheer top with a black wrap showing her breasts and her thighs.
Some critics were unimpressed with her outfit, stating that she did not have to bare her breast for the world to see.
Others also believe the actress should be allowed to wear what she loves and feels comfortable in.
Some people are also calling for her to be arrested for indecent exposure.
But, Efia Odo has told critics to set their priorities straight. Instead of seeking her arrest, they should be pushing for people involved in illegal mining to face the law.
“You won’t go and arrest people who do illegal mining, the two pimples on my chest is what you’re worried about? Set your priorities straight and get off my chest! Jokers !!”
Source: MyJoyOnline.com
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
