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Edem’s ‘Over Again’ resurfaces after 12 years, reclaims nationwide dominance

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Twelve years after it first swept across Ghana’s airwaves, Edem’s classic hit Over Again has staged an extraordinary comeback, re-emerging as one of the most dominant songs in the country and capturing the attention of a new generation of listeners.

Originally released over a decade ago, the record has returned to national prominence, not on the strength of nostalgia alone, but through renewed relevance in today’s digital music ecosystem.

Over Again is currently charting in the Top 100 on Spotify, while also recording strong performances across other major streaming platforms.

The resurgence has been driven largely by social media, where the song has gone viral on TikTok, Instagram, and other platforms. Gen-Z creators and millennials are using the track to soundtrack emotionally driven content—ranging from short skits to deeply personal storytelling videos.

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As a result, the song has become a cultural reference point for themes of love, betrayal, heartbreak, and emotional resilience.

The trend has grown so significant that top-tier influencers and several high-profile digital creators have joined in, using Over Again as background music for their videos and further amplifying its reach across the country.

Speaking on the song’s resurgence, Edem expressed excitement about its renewed impact.

“When I created Over Again, I knew the impact it had. I knew how strong the song was back then,” he said. “Seeing it connect again after all these years, especially with a new generation, is very exciting.”

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The rapper encouraged his fan base, popularly known as the Go-Getters, to continue engaging with the song and sharing their personal stories through it.

At the core of Over Again is a storyline that remains strikingly relatable. The song explores betrayal among friends, romantic relationships disrupted by close acquaintances, and the emotional aftermath of loving and losing.

These themes have resonated strongly with audiences, many of whom say the narrative still mirrors real-life experiences today.

Consequently, the song is now widely used to tell stories such as losing a partner to a friend, navigating heartbreak after deep emotional investment, and reclaiming personal strength after betrayal.

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Interestingly, the trend also includes users who position themselves as the “other person” in such scenarios, reframing the song around accountability, growth, or redemption.

The renewed success of Over Again underscores how music consumption has evolved. In the digital era, a song’s lifespan is no longer confined to its release period.

Social media and streaming platforms have created a level playing field where timeless music can resurface, cross generational boundaries, and regain commercial and cultural relevance.

With Over Again re-entering the charts, ranking among Spotify’s Top 100, and dominating social media trends, Edem’s classic stands as proof that great music does not expire.

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Twelve years on, Over Again has not only returned—it is once again at the center of Ghana’s musical conversation.

Listen to the song below
https://youtu.be/od4a2BXoJ4g?si=JNhikrbAV56KuUeO

Entertainment

Mavis Payne Releases ADEAKYE: A Song Born of Calling, Not Convenience

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Gospel minister Mavis Payne has released a spirit-filled worship song of thanksgiving to God dubbed ADEAKYE.

With ADEAKYE, Mavis Payne tells her story of how merciful the Lord has been and encourages people to give thanks to God even for the little blessings.

Recorded live at Eden Experience 2025 and released on Friday, February 6, 2026, the song tells a story of her early discovery, consistent growth, and unshaken devotion.

She further describes the song as the sound of a woman who has walked with her gift, nurtured it, and ultimately offered it back to God.
According to Mavis Payne, music has never been a hobby but rather a calling, patiently unfolding since childhood.

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ADEAKYE, the first track on the live recording, is currently streaming on YouTube Mavis Payne Ministries. It is the latest expression of a journey that began long before studios, stages, or spotlights, she intimated.

Growing up, Mavis Payne discovered her gift at a remarkably young age. She recalls being promoted to Class Two after nursery when a simple lunchtime moment changed everything.

As she sang casually, she said her class teacher stopped to listen. Impressed, the teacher led her before other classes and asked her to sing again this time, for an audience. That moment of affirmation lit a fire that has never gone out.
With that early encouragement, music became inseparable from her identity.

However, she expressed gratitude to family and friends who rallied around her talent, offering support that helped shape both her confidence and discipline.

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Over the years, Mavis Payne sharpened her craft by backing several artistes and performing on notable platforms, including TV3’s Mentor, one of Ghana’s most influential music talent shows.

According to her, she has also worked with respected musicians such as Ackah Blay, experiences that broadened her musical range and professionalism.
Yet, despite these opportunities in the wider music industry, her focus has remained unwavering.

“My heart has always been to minister for God,” she says.
That focus has guided her path from Sunday school to the present day, shaping not just what she sings, but why she sings.

“ADEAKYE” emerges from this deep-rooted sense of purpose. The song is not merely a release; it is a continuation of a lifelong ministry one anchored in faith, gratitude, and obedience to God’s call.

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ADEAKYE is a worship programme Mavis Payne herself is nurturing an intentional space for encounter, intimacy, and authentic praise. The live recording preserves the rawness of the moment: the unfiltered worship, the communal spirit, and the sacred atmosphere that cannot be replicated in a studio.

She noted that it is her declaration of hope, renewal, and God’s faithfulness in every situation, emphasising once you witness a new day, rest assured at hope is not lost.

“I thank God for my life and the gift of ministering through singing to win souls for Christ. And to everyone supporting my ministry, may God make His face shine upon you favourably,” she remarked.

BY TIMES REPORTER

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Victoria releases ‘My Passion’ EP

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The sensational artiste , Victoria

GHANAIAN UK-based gospel musician and songwriter, Victoria Ivy Obeng has finally released the much-anticipated Extended Play (EP), titled My Passion.

The EP is made up of five spirit-filled songs: ‘Take me deeper’, ‘Psalms 34’, ‘I surrender’, ‘I love you more than anything’ and ‘You Alone’.

The EP was birthed from a deep hunger for God’s presence and an unwavering love for Jesus Christ. Rooted in scripture and inspired by a life of worship, this project is a response to the call for total surrender.

“To love the Lord with all my heart, soul, mind and strength (Mark 12:30), songs like ‘Take me deeper’ and ‘I surrender’ express longing for intimacy with God and a willingness to yield completely to His will,” she revealed.

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Ivy Obeng added, “also ‘You Alone’ and ‘I love you more than anything’ declare Christ as the centre of all devotions, while ‘Psalms 34’ reflects a lifestyle of continuous praise.”

She started singing at the age of eight, and with the determination to get to the top, Ivy Obeng has touched and impacted many lives with her God-given talent through ministrations at different events.

The gospel minister began writing and recording her songs in 2020 during the COVID-19 lockdown. She is eager to impact lives and change destinies for the better through her awe-inspiring music.

The EP is available on all digital music stores worldwide.

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By Edem Mensah-Tsotorme

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