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Damba: The festival that unites Northern Ghana

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Sagnarigu chief, Naa Yakubu Abdulaia, on a horseback during the dance
Sagnarigu chief, Naa Yakubu Abdulaia, on a horseback during the dance

Few festivals in Ghana carry the weight of history, colour, and uni­ty like the Damba festival.

What began centuries ago as a religious commemoration has today blossomed into the largest cultural festival in Northern Ghana, celebrated across the Northern, Savannah, North East, Upper East, and Upper West regions.

Ya-na during the celebration

From the palaces of Dagbon, Mamprugu, and Nanumba, Damba resonates with the sound of drums, praise-singers, and the spectacle of tradition.

Its significance has even transcend­ed borders, drawing Ghanaians and foreign admirers to international editions held in Germany, the United States, and the United Kingdom.

A woman dancing at the celebration

The name Damba is rooted in the Dagbani language, though it appears in other tongues, Damma in Mampruli.

Observed in the third month of the Dagomba calendar, which coincides with Rabia al-Awwal in the Islamic calendar, Damba was originally cele­brated to mark the birth and naming of Prophet Muhammad.

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Over time, it has evolved into a grand festival celebrating chieftaincy, kinship, and the resilience of Ghana’s northern kingdoms.

A chief dancing Damba in Yendi, Northern Region

The festival unfolds in three major stages that is Somo Damba, Naa Dam­ba, and the grand Belkulsi or farewell procession. In the early days, the Yila Bohambu, or nightly musical rehears­als, fill the palaces with song.

Women of the royal courts lead these performances, keeping alive the traditional chants and rhythms that set the tone for the celebrations. The Somo Damba is a solemn time of prayer, drumming, and dignified dancing.

It is followed by the youthful exuberance of the Binchera Damba, where young men and women take to palace grounds in worn yet stylish smocks, showcasing creativity and spirit in a torn couture display.

Nyab Yakubu Andani Abdulai, Yoo-Naa, seated on a horseback during the Damba festival in Savelugu

Another revered rite, the Shinkaa­fa Gahimbu (picking of rice), sees clerics, led by the Yidan Moli at the Gbewaa Palace, offering symbolic rituals of blessing and prosperity.

The Nahu Glibu, or rounding of the cow, performed by chiefs, demon­strates wealth, unity, and the conti­nuity of life. But it is the Naa Damba, the King’s Damba that truly crowns the festival.

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Here, the atmosphere reaches its peak: chiefs ride ma­jestically on horseback, praise-singers proclaim ancestral glories, and the air explodes with musketry from warriors, signalling strength, protection, and bravery.

One of the most breath­taking spectacles of Damba is the procession of the queens. Adorned in regal cloths and glittering orna­ments, they gracefully car­ry golden-coloured bowls, abolition cans, utensils, sandals, and animal skins, the very seat and symbols of authority for the chiefs.

A young man displaying a live python as part of the celebration

Each item tells a story, each step a reminder of the sacred duty queens play in preserving heritage and conti­nuity.

Their slow, elegant movement is met with admiration from the gath­ered crowds, reinforcing the balance between royalty and community. No Damba is complete without the vi­brant dances that fill the courtyards.

The housing dance, performed with synchronised grace, captures the essence of belonging, while the war­riors’ displays, accompanied by fierce drumming and bursts of musketry in the skies is to celebrate resilience and courage.

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These performances not only enter­tain but also remind communities of their history, values, and collective identity.

The festival’s climax, Belkulsi, bids farewell in a grand procession. Fami­lies exchange visits, gifts are shared, and friendships renewed.

People displaying with a horse

Streets and palace grounds explode with colour, sound, and movement, leaving behind memories that last until the next Damba.

From Gonja, Dagbon, Mamprugu, Wali and Nanumba, Damba has re­mained a symbol of identity and unity.

Its international editions in Cologne, New York, and London highlight the festival’s growing role as a cultural ambassador, projecting Ghana’s north­ern traditions to the world stage.

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Damba is a living archive of history, an affirmation of heritage, and a cel­ebration of the bond between people and tradition.

In its rhythm, regalia, and rituals, one sees not only the past but also the promise of continuity for genera­tions to come.

 From Geoffrey Buta, Yendi

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Tain residents in shock as husband allegedly  kills wife, commits suicide

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Residents of Brodi, a farming community in the Tain District of the Bono Region, have been left in shock and mourning following the alleged murder of a 45-year-old woman by her husband, who later died by suicide. 

According to information gathered by the Ghana News Agency (GNA), the suspect, popularly known as Kwabena Jack, believed to be in his 50s, allegedly attacked and killed his wife, Abena Donkor, while the couple were working on their farm on Monday, August 11, 2026. 

Mr Kingsley Obah, Assembly Member for the Brodi Electoral Area, confirmed the incident to the GNA. 

He explained that after news of the woman’s  death spread through the community, residents launched a search for the suspect. His lifeless body was later discovered in a nearby bush on Tuesday, August 12, 2026. 

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Police have since conveyed both bodies to the Tain District Government Hospital, where they have been deposited for preservation and autopsy. 

Investigations into the incident are ongoing. -GNA 

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Chaos at Madina REDCO… Hawkers, preachers take over footbridge

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Hawkers taken over the pedestrian walkway on the footbridge

Hawkers and roaming preachers have taken over the five-metre high Madina REDCO footbridge and adjoining streets, making it increasingly difficult for pedestrians to use the facility intended to promote safe road crossing.

The traders have virtually turned sections of the footbridge into a marketplace, displaying their wares on the floor using jute sacks, plastic sheets and metal trays, while others have occupied both sides of the walkway with their merchandise.

Foodstuffs such as okro, garden eggs, pepper, onions, dried fish, smoked fish, grains, spices and other groceries are openly sold on the footbridge and along the roadside, forcing pedestrians to weave through the crowded path.

Clothing and fashion accessories including slippers, brassieres, panties, socks, bags and other household items are also displayed for sale, leaving only limited space for commuters to use.

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The situation is worsened by the presence of itinerant preachers who position themselves on the footbridge with public address systems to evangelise, drawing crowds to further obstruct pedestrian movement.

Head porters are also seen crossing the highway through the median while carrying heavy loads instead of using the footbridge, exposing themselves to the danger of being knocked down by speeding vehicles.

Also, portions of the footbridge are showing signs of deterioration. Several metal railings are rusted, bent and loosely secured with pieces of wire, raising concerns about the safety of users, especially children, the elderly and persons with disabilities.

Sections of the concrete surface are worn and chipped, while makeshift wooden supports attached to parts of the structure suggest temporary repairs.

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After a visit by The Spectator last week, it emerged that many commuters preferred crossing the busy Madina Highway instead of using the footbridge because of the congestion created by the trading and preaching activities.

For years, successive attempts by the police, the military and the La Nkwantanang Madina Municipal Assembly to address congestion around the REDCO and Zongo Junction enclave have yielded little success, with the area becoming notorious for roadside trading, indiscriminate parking and pedestrians refusing to use the footbridge.

A pedestrian, who gave her name only as Maame Yaa, described the situation as worrying, saying the footbridge, which was constructed to protect lives, had gradually lost its purpose because of the growing encroachment by traders and preachers.

According to her, many pedestrians were discouraged from using the facility because navigating through the crowded walkway had become difficult and uncomfortable.

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She appealed to the La Nkwantanang Madina Municipal Assembly and other relevant authorities to intensify enforcement to prevent unauthorised trading and other activities on the footbridge and ensure it served its intended purpose of promoting pedestrian safety.

However, during the visit, personnel of the Ghana National Fire Service (GNFS) were seen carrying out a decongestion exercise to remove hawkers from sections of the roadside around the footbridge as part of efforts to improve public safety and ease the movement of both pedestrians and motorists.

The exercise forms part of a pilot project initiated by the Municipal Fire Commander for Madina, Division Officer II (DO II) Abdul Salia, who assumed command of the Madina Municipal Fire Station three months ago.

Speaking in an interview with The Spectator, DO II  Abdulai Salia, who is also a long time resident of the community, said the month long project began on July 1 and ended on July 31, with 30 firefighters deployed daily to regulate traffic, clear hawkers from the streets and footbridge, and create access for emergency vehicles.

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Continued on page 12

By Esinam Jemima Kuatsinu

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