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Dakrabo l World Studios To Impact Ghana’s Showbiz Industry

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His Eminence Nana Dakrabo I, Mpuntuhen of Akonoma in the Central Region has expressed his passion to work with the relevant state authorities to make an impact in Ghana’s entertainment industry.

According to Dakrabo l, in an interview with the media emphasized that the Dakrabo l World Film Studios project has made a remarkable stride in the acquisition of the 321 lands earmarked for the construction of the project and is set to launch its first face, thus a recording studio in Accra.

The ultramodern recording studio marks a major milestone of the Dakrabo I world studios which offer talented music acts the opportunity to record good and quality types of music.

“The Dakrabo l world studios has made a lot of progress towards acquiring the lands. We are working with Chauncey to launch the first face of the project which is the recording studio in Accra as the first step towards building the entertainment industry in Ghana” he said.

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“We have also studied the Ghanaian film industry and what we want to do is to bring some of the big names in Hollywood to Ghana and the equipment to teach the filmmakers how we do it with the structures of production to build a robust film industry,” Chauncey Gardner told the media, adding that the education and opportunity that will be created will develop some filmmakers in industry.

Chauncey further detailed that the Dakrabo 1 world studios have had the approval from the film authority in the country, saying, we are here to add our expertise to help build a robust film industry and will need the collaboration of all stakeholders in this regard to support the dream of projecting Ghana.

It was earlier reported that a three-member US-based revolutionary team led by His Eminence Nana Dakrabo l, in 2022 visited the country to finalize the acquisition of 321 lands earmarked for a modern-day film studio.

The project is expected to commence this year at Asebu, Cape Coast in the Central Region.

Nana Dakrabo I as part of an effort to seek the endorsement of the government last year met with the Deputy Minister of Tourism, Arts and Culture, Mark Okraku-Mantey who commended the delegation for the project to support the country’s entertainment industry.

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Mr. Okraku-Mantey also assured the delegation of the ministry’s support in the construction of the Dakrabo 1 World Studios and urged other diasporans to come home to help contribute to the growth of the country with fresh skills and capital.

His Viscount Lord Mr Isaac Rockson, Superintendent General of World Diplomatic Federation, who led the team and a key stakeholder urged all to support the project.

Source: dailyguidenetwork.com

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“Without principle, advice is just an opinion” – Stonebwoy replies Sarkodie

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Dancehall artiste Stonebwoy has responded to Sarkodie after the rapper’s recent tweet about principles in the music industry.

In a lengthy post on X (formerly Twitter), Stonebwoy recounted how he called Sarkodie the day after his Rapperholic show in the UK to congratulate him, adding that their conversation lasted over 10 minutes.

He noted that after his (Stonebwoy) own show at the OVO Arena, Sarkodie posted a video on social media.

“Whatever message you meant to send across, only you can explain,” Stonebwoy wrote.

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According to him, after he made what he described as a factual tweet about the industry, he still reached out to Sarkodie privately because of some cryptic posts the rapper had been making.

“You called back immediately. I missed it, but I called you back after, and we spoke for more than an hour on industry, behaviors, and perspectives,” he disclosed.

Stonebwoy revealed that during their hour-long chat, Sarkodie made it clear that no artiste could be forced to uphold any principle, stressing that in the Ghanaian music industry artistes must play along as long as it benefits them.

“You were very clear about how no artiste could be ‘forced’ to uphold any form of principle. That, literally, in our industry, artistes must play along so far as it benefits them, and it cannot matter how, because we all care about different things. Which is evident in Video 1,” he stated.

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Referencing two videos he shared, Stonebwoy concluded that Sarkodie’s recent tweet was equally been considered, insisting that without principle, advice is merely an opinion.

By Edem Mensah-Tsotorme

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Sarkodie to SarkNation: You don’t have to tear someone down to prove your loyalty

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Ghanaian rapper Sarkodie has sent a heartfelt message to his fanbase, SarkNation, urging them to move away from toxic fan culture and return to what made the group special.

In a long statement shared on social media, the rapper acknowledged SarkNation for birthing many of the fanbase trends in Ghana today, saying he doesn’t take that for granted.

He praised the “day ones”, the first wave of SarkNation, for positioning his brand with commitment and loyalty, without toxic energy.

According to him, a true SarkNation member should not be consumed by what another brand is doing.

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“A true SarkNation member shouldn’t be consumed by what another brand is doing. Focus on the brand you love. No hate. No bitterness. No unnecessary competition. You don’t have to tear someone else down to prove your loyalty to Sarkodie,” he cautioned.

Sarkodie noted that as fanbases grow, dilution is inevitable, but the current trend of fanbases tearing each other down does not help the industry or the artists they claim to support.

He advised his fans not to fall for bait and online triggers, and cautioned artists against entertaining fans who insult other brands just to elevate them.

According to him, “Just because a fan sh**s on another brand to elevate you doesn’t mean they love you more… They may look like they’re fighting for you, but they genuinely don’t give AF about you.”

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The rapper called on the new crop of SarkNation to learn from the old crop, whose focus was always the music, the movement and the brand.

“I know I’m still here because of God, SarkNation and hard work, so I never joke with you guys. I appreciate y’all more than you know,” he added.

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