Entertainment
Dakrabo l World Studios To Impact Ghana’s Showbiz Industry

His Eminence Nana Dakrabo I, Mpuntuhen of Akonoma in the Central Region has expressed his passion to work with the relevant state authorities to make an impact in Ghana’s entertainment industry.
According to Dakrabo l, in an interview with the media emphasized that the Dakrabo l World Film Studios project has made a remarkable stride in the acquisition of the 321 lands earmarked for the construction of the project and is set to launch its first face, thus a recording studio in Accra.
The ultramodern recording studio marks a major milestone of the Dakrabo I world studios which offer talented music acts the opportunity to record good and quality types of music.
“The Dakrabo l world studios has made a lot of progress towards acquiring the lands. We are working with Chauncey to launch the first face of the project which is the recording studio in Accra as the first step towards building the entertainment industry in Ghana” he said.
“We have also studied the Ghanaian film industry and what we want to do is to bring some of the big names in Hollywood to Ghana and the equipment to teach the filmmakers how we do it with the structures of production to build a robust film industry,” Chauncey Gardner told the media, adding that the education and opportunity that will be created will develop some filmmakers in industry.
Chauncey further detailed that the Dakrabo 1 world studios have had the approval from the film authority in the country, saying, we are here to add our expertise to help build a robust film industry and will need the collaboration of all stakeholders in this regard to support the dream of projecting Ghana.
It was earlier reported that a three-member US-based revolutionary team led by His Eminence Nana Dakrabo l, in 2022 visited the country to finalize the acquisition of 321 lands earmarked for a modern-day film studio.
The project is expected to commence this year at Asebu, Cape Coast in the Central Region.
Nana Dakrabo I as part of an effort to seek the endorsement of the government last year met with the Deputy Minister of Tourism, Arts and Culture, Mark Okraku-Mantey who commended the delegation for the project to support the country’s entertainment industry.

Mr. Okraku-Mantey also assured the delegation of the ministry’s support in the construction of the Dakrabo 1 World Studios and urged other diasporans to come home to help contribute to the growth of the country with fresh skills and capital.
His Viscount Lord Mr Isaac Rockson, Superintendent General of World Diplomatic Federation, who led the team and a key stakeholder urged all to support the project.
Source: dailyguidenetwork.com
Entertainment
Beauty pageants aren’t outdated — Inna Patty

Chief Executive Officer of Exclusive Events Ghana, organisers of Miss Ghana, Inna Patty, has dismissed claims that beauty pageants have outlived their relevance.
She insists pageants such as Miss Ghana have evolved into an empowerment platform that develops female leaders rather than celebrating physical beauty.
Speaking with Daily Graphic, Inna Patty said Miss Ghana, the country’s oldest beauty pageant had deliberately shifted its focus from glamorous prizes to producing socially conscious women capable of leading change in their communities.
The criticism only holds true if a pageant remains strictly superficial. Miss Ghana remains deeply relevant because we long ago pivoted from material-centric prizes to human development and social intervention through the Miss Ghana Foundation and Miss World’s Beauty With a Purpose. We are an empowerment programme disguised as a pageant.”
According to her, at a time when society is demanding stronger female leadership and greater social responsibility, Miss Ghana continues to distinguish itself by placing emphasis on project management, philanthropy, leadership and intellectual development.
She explained that contestants are expected to go beyond the runway by identifying pressing social issues, developing practical solutions and mobilising resources to execute impactful community projects.
“Contestants do not just speak about charity. They are required to identify pressing community needs, draft viable project proposals and actively raise funds to implement them. This transforms them from passive observers into active civic leaders who understand the mechanics of sustainable social impact,” she noted.
Inna Patty added that the pageant has consistently produced positive role models for young Ghanaian girls by highlighting women whose achievements are defined by their intelligence, compassion and service to society.
“We have redefined what a role model looks like for the next generation. By showcasing young women who are brilliant, articulate, educated and deeply compassionate, we teach young girls that their worth is defined by their intellect, character and contribution to society,” she said.
Her comments come as Miss Ghana prepares to celebrate its 70th anniversary next year, a milestone she described as a testament to the pageant’s resilience and enduring relevance.
“Reaching seven decades is a monumental milestone that underscores our resilience, institutional strength and enduring relevance. It is a celebration of a legacy that is inextricably linked to the history of Ghana itself,” she stated.
She recalled that the pageant was initiated by Ghana’s first President, Osagyefo Dr Kwame Nkrumah, adding that historical records indicate Parliament once allocated funds for its organisation, underscoring its importance as a national project.
Entertainment
Beauty pageants aren’t outdated —Inna Patty

Chief Executive Officer of Exclusive Events Ghana, organisers of Miss Ghana, Inna Patty, has dismissed claims that beauty pageants have outlived their relevance.
She insists pageants such as Miss Ghana have evolved into an empowerment platform that develops female leaders rather than celebrating physical beauty.
Speaking with Daily Graphic, Inna Patty said Miss Ghana, the country’s oldest beauty pageant had deliberately shifted its focus from glamorous prizes to producing socially conscious women capable of leading change in their communities.
The criticism only holds true if a pageant remains strictly superficial. Miss Ghana remains deeply relevant because we long ago pivoted from material-centric prizes to human development and social intervention through the Miss Ghana Foundation and Miss World’s Beauty With a Purpose. We are an empowerment programme disguised as a pageant.”
According to her, at a time when society is demanding stronger female leadership and greater social responsibility, Miss Ghana continues to distinguish itself by placing emphasis on project management, philanthropy, leadership and intellectual development.
She explained that contestants are expected to go beyond the runway by identifying pressing social issues, developing practical solutions and mobilising resources to execute impactful community projects.
“Contestants do not just speak about charity. They are required to identify pressing community needs, draft viable project proposals and actively raise funds to implement them. This transforms them from passive observers into active civic leaders who understand the mechanics of sustainable social impact,” she noted
Inna Patty added that the pageant has consistently produced positive role models for young Ghanaian girls by highlighting women whose achievements are defined by their intelligence, compassion and service to society.
“We have redefined what a role model looks like for the next generation. By showcasing young women who are brilliant, articulate, educated and deeply compassionate, we teach young girls that their worth is defined by their intellect, character and contribution to society,” she said.
Her comments come as Miss Ghana prepares to celebrate its 70th anniversary next year, a milestone she described as a testament to the pageant’s resilience and enduring relevance.
“Reaching seven decades is a monumental milestone that underscores our resilience, institutional strength and enduring relevance. It is a celebration of a legacy that is inextricably linked to the history of Ghana itself,” she stated.
She recalled that the pageant was initiated by Ghana’s first President, Osagyefo Dr Kwame Nkrumah, adding that historical records indicate Parliament once allocated funds for its organisation, underscoring its importance as a national project.




