Entertainment
Daddy Lumba dies at 60
Ghana’s highlife music maestro, Charles Kwadwo Fosu, popularly known as Daddy Lumba was reported dead on Saturday, July 26, at the Bank Hospital in Accra.
Sources close to the family confirmed that the highlife maestro was admitted days earlier and died at dawn on Saturday.
In an official statement issued by the family through their legal representatives, Baba Jamal & Associates, they described Daddy Lumba as more than just a musician.
In the statement, he was described as a cultural icon whose voice and lyrics left a deep imprint on Ghana’s soul.
“Daddy Lumba was more than a musician; he was a cultural icon whose music touched countless lives.”
“His soulful voice provided the soundtrack to our love stories and his poignant lyrics captured the poetry of our struggles, dreams and resilience.”
Daddy Lumba (born 29 September 1964) is a Ghanaian singer. He was born in the Ashanti Region of Ghana.
In the early 1980s, he debuted on the highlife scene with his massive hit “Yeeye Aka Akwantuo Mu” with Nana Acheampong (known together as ‘Lumba Brothers’).
This song depicted the number of Ghanaian immigrants that originally left the country to seek better fortunes abroad but make those temporary homes permanent due to financial, emotional, or other unforeseen hardships.
Daddy Lumba has won several Ghana Music Awards and other excellence awards and continues to appeal to the young and old
By Linda Abrefi Wadie
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
