Entertainment
Bobrisky throws lavish housewarming party in ₦400 million mansion
Nigerian social media star, Bobrisky, marked this year’s Fathers’ Day with the grand opening of her estimated 400 million naira mansion in the presence of friends and celebrities who had come to show love to this controversial crossdresser.
Although a man, Bob tagged as one of Nigeria’s most-talked-about personalities prefers to be identified as a woman and is nicknamed ‘Mummy of Lagos’ based on her flashy lifestyle and display of wealth. Although many have questioned Bobrisky’s source of money and funding, this influencer with a huge social media following continues to create ‘pressure’ online.
Hours to the grand opening of the mansion, Bob disclosed that she spent a fortune estimated at almost GH¢7,600,000 in acquiring the property in one of the ‘expensive’ communities in the country’s capital.
“I bought myself a smart home. Dis is what a home of 400,000,000 in one of the best locations in Lagos,” Bob disclosed to her 4.4 million Instagram followers.
The housewarming party witnessed the celebrant changing into three different asoebi outfits with a huge pink-themed cake to seal her milestone.
The likes of Mercy Eke, Khloe and a host of other Nigerian celebrities were present at the party to spray money on their ‘successful’ friend, Bob.
One of the country’s crossdressers, James Brown, who has in the past been caught in a feud with Bob who is classified as her ‘senior colleague’ also sent a congratulatory message despite their differences.
There have been controversies surrounding the supposed 400 million naira mansion which some persons claim is on lease and not sold to Bob. The brand influencer managed to pull off a peaceful event on Sunday although the actual worth of the property has been questioned.
Source: mynigeria.com
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
