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Birthday on a ship!

Kutsoati (middle) being assisted by other military
officers onboard to cut the birthday cake.
Birthday celebrations have undoubtedly been idolised as special days by many people and celebrated to mark their days of entry into this world.
It is usually characterised by different forms of celebrations, partying, gifting and well wishes from loved ones including colleagues, family members and friends.
As special as it may be to the celebrant, some are usually planned and even preceded by pre-birthday photo-shoot and a symbolic celebration to mark the day.
But different situations may alter that popularly adopted way of birthday celebrations for some people and one of such was the birthday of a Ghana Navy Officer, Lieutenant Commander Frederick Kutsoati.
Lt. Cdr Kutsoati had to celebrate his birthday on a Navy Ship for the second time since he joined the Ghana Navy 16 years ago not because he chose to, but was rather unable to decouple the two birthdays from duty calls.
His birthday fell on March 20 during a four-day national assignment onboard a Ghana Navy Ship (GNS) Volta to the Equator on March 19-24 which obviously captured his day of birth.
The four-day national assignment by the Navy of the Ghana Armed Forces dubbed ‘Exercise Sea Lion 2024’ was to test the endurance and combat readiness of selected navy ships; GNS Volta and Ankobra in the company of a United States (US) Navy Ship.
Speaking to The Spectator newspaper onboard GNS Volta, after celebrating his birthday almost at the Equator, Lt. Cdr Kutsoati said he was privileged to have celebrated his birthday onboard a warship for the second time with the first one in 2010 onboard an American Navy Ship on a rescue course also to the Equator.
According to him, it was fascinating and intriguing to combine a national assignment with such an equally important day in his life though away from home and his close family.
For the reason of not just a celebration onboard a ship but during a 340 nautical miles voyage to the center of the world, Lt. Cdr. Kutsoati described it as rare privilege as such open birthday celebration during a voyage to the center of the earth was pertinent to only the Naval arm of the Ghana Armed Forces.
As a logistics officer, Lt. Cdr kutsoati acknowledged the Captain of GNS Volta Ship, Lt Cdr Samuel Sabbah Sarbah for the opportunity to celebrate his birthday onboard the ship clarifying that, such privileges were usually the preserve of officers of the organic unit to the Ship.
He used the opportunity to encourage all stakeholders including the citizenry to support the work of the Navy to safeguard the country’s territorial waters while also securing the nation’s maritime domain.
From Ken Afedzi, Tema
Hot!
Prof. Ọbádélé Kambon enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong
The professor who spends his days exploring the intricacies of African languages found himself at the centre of a different kind of lesson on Friday, October 2, 2026. 
This time, there were no lecture notes, academic arguments or university classrooms. Instead, there was the weight of tradition, the rhythm of a community celebration and the solemnity of an oath at a royal palace.
Professor Ọbádélé Kambon, a full Professor of African Linguistics at the University of Ghana, was enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong in the Eastern Region in a ceremony that brought academia and traditional authority together.
For the professor, the occasion was more than a new title. It was a moment that connected his academic interests in African languages and indigenous knowledge with the living traditions of an Akan community.
The day’s events unfolded through a series of customary observances. Kambon was first taken to the compounds of the Ɔkyeamehene and Gyasehene, where the preparations for his installation continued.
Then came the application of hyire, the white kaolin powder associated with traditional rites.
With the customary proceedings underway, the new chief was lifted onto the shoulders of celebrants and carried along the main thoroughfare of Akuapem Mampong.
The procession transformed the streets into a public stage for a ceremony rooted in the community’s traditional institutions.
There was something striking about the image, a university professor, accustomed to the measured language of academic discourse, being carried through the town in a display of traditional recognition.
Yet the celebration was not complete with the procession.
A ram was sacrificed at the Mamponghene’s compound before Kambon was taken to the palace, to swear the oath associated with his new offices.

The ceremony brought him formally into his roles as Apagyahene and Sunsum Ɔsahene.
Beyond the colourful proceedings, the titles themselves carry layers of historical meaning.
Kambon in his research explores the historical connections between Apagya and Akan political and military organisation.
Accounts cited in his work linked Apagya to an asafo, or military company, while historical writing traces an Apagya stool in Asante to the reign of Opoku Ware I in the eighteenth century.
These historical associations offer a glimpse into the institutions that have shaped Akan society over generations, although they do not automatically define the precise responsibilities of the office in Akuapem Mampong.
Kambon’s own professional life reflects a similar interest in preserving and examining African knowledge.
His work encompasses Akan language structure, naming practices across the Black world, proverbs and indigenous intellectual traditions.
Through Abibitumi, the platform he founded, he also promotes language learning, scholarship and cultural engagement.
But tradition was only one part of the story that day.
When the formal ceremony gave way to a reception, the occasion expanded into a celebration of three milestones: Kambon’s enstoolment, his promotion to full professor and his daughter Ama’s admission to the University of Ghana.
The gathering therefore carried a personal significance that went beyond the honours bestowed on one man. 
It celebrated professional advancement, the continuation of family aspirations and a connection to cultural heritage.
For a father, seeing a daughter gain admission to the same university where he holds a distinguished academic position offered another reason to celebrate.


For the professor, the moment placed family achievement alongside his own professional and traditional milestones.
Kambon had already established a place in the traditional life of Akuapem Mampɔn through an earlier installation as Banmuhene Kyidɔmhene, recorded in 2017.
His latest enstoolment adds another chapter to that relationship.
In Akuapem Mampɔn, the day brought together the university, the palace and the family table in one celebration. And for Kambon, the journey from the lecture room to the traditional procession showed how scholarship, cultural responsibility and family achievement could converge in a single memorable occasion.
By Enoch Ntiamoah Siaw
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ASOHOM organises fundraising gala to protect Ghana’s water resources, support vulnerable communities

The Association of Spouses of Heads of Missions and International Organisations (ASOHOM) last Friday held the 2026 edition of its annual Charity Gala, at the Kempinski Hotel Gold Coast City, Accra under the theme ‘Woven Currents.’
It was attended by members of the diplomatic and international community, distinguished guests, corporate partners, and artists, friends of Ghana and supporters of ASOHOM’s charitable mission.
What was supposed to be a fundraiser turned into a perfect platform to celebrate friendship, culture and creativity.
Water was at the heart of this year’s message, said Sovanna Taliercio President, ASOHOM and Chairperson of its Fundraising Committee.
“Through art, music and live performance, the gala highlighted the vital connection between water, life and our shared future, while drawing attention to the importance of protecting Ghana’s water resources and supporting sustainable solutions for vulnerable communities,” a statement signed by Ms Taliercio said.
The evening featured a remarkable exhibition of Ghanaian contemporary art, live performances, an auction and raffle, alongside an elegant dinner and opportunities for guests to connect and support the cause.
She expressed gratitude to everyone who contributed to the success of the event— sponsors, artists, performers, partners, volunteers, ASOHOM members and, most importantly, every guest who chose to support its cause.
“Our fundraising efforts are ultimately about more than one evening. They are about transforming generosity into tangible support for communities in need. The funds raised through ASOHOM’s charitable initiatives will contribute to projects aligned with our humanitarian priorities and our commitment to supporting meaningful and sustainable development in Ghana,” she said.
She expressed pride at what ASOHOM represents: a community of women and men from across the diplomatic and international community who come together beyond their official roles to build bridges, strengthen partnerships and give back to the country we are privileged to call home.
She said the success of ‘Woven Currents’ was a testament to the power of collaboration, compassion and collective action and reminds that with togetherness, small contributions can create lasting impact.
By Spectator Reporter
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