Entertainment
Abiana drops heartfelt anthem to celebrate mothers
Sensational female vocalist, Eldah Naa Abiana Dickson, known by her stage name Abiana, has dropped a new banger to celebrate the irreplaceable role of mothers in society.
The powerful new single, which features Souly Bird from Germany, comes as a timely tribute ahead of Mother’s Day observances worldwide.
The song has a francophone flavor, but very soothing as she blends it with her beautiful afro-soul voice.
The song, born from personal reflection, carries profound meaning for the artist. “Since losing my mother, Esther Kofitse Mawusi, I have gained a deeper appreciation for all mothers,” Abiana shares. “We often take their love for granted, saying ‘thank you’ sometimes, but never enough. This song is my eternal gratitude set to melody.”
More than just another Mother’s Day tribute, the single represents Abiana’s conscious decision to add her voice to the global chorus honouring maternal figures.
“There are many songs celebrating mothers, but I realised – where is my voice? This won’t be my last ode to mothers, because praising them is a never-ending privilege,” the vocalist explains.
She further added, “To most of us, Mother’s Day would be the only time we would appreciate them as the years go by. Her departure became a realisation of the lessons each day of her life taught me, and every single moment lived with her was a privilege.”
Abiana continues to establish herself as one of Ghana’s most compelling vocal talents, blending authentic storytelling with rich musicality. Her growing discography reflects both artistic excellence and deep social consciousness.
“I couldn’t say thank you enough, but a thank you sung in melodies and a song will live forever,” she reiterated.
Abiana remains committed to delivering exceptional music that resonates with listeners and showcases the rich cultural heritage of Ghana.
The award-winning female vocalist recently dropped an Extended Play (EP) titled “Taste of Africa,” which is making waves globally and captivating souls.
With unparalleled artistry and a compelling musical vision, she continues to showcase vibrant and ever-evolving music to a global audience through various digital streaming platforms
Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.
The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.
A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”
Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.
“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.
“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.
He added that his preparation for the role went beyond performance.
“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.
“I am learning about these connections so I can represent the character with truth and respect.”
“It is important that the world sees the shared identity that exists across our continent,” he noted.
Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.
According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.
“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.
“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.
The producer of the series, Paul Joegad, emphasised the global ambition behind the project.
Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.
“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.
“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”
He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.
The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA
The management of Prophet Joseph Atarah Ministries (PJAM) has announced the 2026 edition of the highly anticipated annual gospel concert, Atarah Praise.
This edition, under the theme: ‘Dalet,’ is scheduled for 4pm, Sunday, May 24, at the Bayview Village.
Patrons will enjoy an atmosphere charged with powerful worship, prophetic ministration, and spiritual renewal.
Against this backdrop, Prophet Joseph Atarah will team up with some of Ghana’s finest gospel ministers, including Piesie Esther, Kofi Owusu Peprah, Obaapa Christy, and Siisi Baidoo.
Over the years, Atarah Praise has evolved into one of Ghana’s most impactful worship gatherings, attracting thousands of believers seeking a profound encounter through music, prayer, and thanksgiving.
The 2026 edition is positioned as a divine platform for renewal, restoration, and spiritual awakening.
Patrons are encouraged to arrive early to secure convenient seats and be there with the heart of the worship.
By Edem Mensah-Tsotorme
