Features
Boosting the Music Industry

- /home/u249204778/domains/spectator.com.gh/public_html/wp-content/plugins/mvp-social-buttons/mvp-social-buttons.php on line 27
https://spectator.com.gh/wp-content/uploads/2025/10/A-Mackie-console-1000x600.jpg&description=Boosting the Music Industry', 'pinterestShare', 'width=750,height=350'); return false;" title="Pin This Post">
- Share
- Tweet /home/u249204778/domains/spectator.com.gh/public_html/wp-content/plugins/mvp-social-buttons/mvp-social-buttons.php on line 72
https://spectator.com.gh/wp-content/uploads/2025/10/A-Mackie-console-1000x600.jpg&description=Boosting the Music Industry', 'pinterestShare', 'width=750,height=350'); return false;" title="Pin This Post">

With my eyes wide open and my nose well-distended, I have been seeing and smelling what is happening in the music industry in Sikaman. My interest in the music industry is not the result of mere curiosity. Fact is that Kwame Alomele should have been a musician and not a journalist, “but God no gree.”
Small boys are young. And when I was small and young, I learnt to play the guitar. Seth Ansah of Site 21 who taught me how to manipulate the strings told me I was a fast learner. I said he was lying.
I figured he only wanted to flatter me, but within quite a short period of time I became a guitarist and my bosom friend Kofi Kokotako also learnt to become a dancer. Actually, if it hadn’t been for school, we’d have performed and made some money.
Earlier, I had learned to play the piano and organ and I also taught Seth a few lessons in the use of keyboards and later, the wahwah synthesiser. Certainly, I was on the sure steady way of becoming a musician.
I began dreaming and day-dreaming I was indeed a musician. I was Jimi Hendrix wiring 18 strings to great effects, the frenzied crowd cheering and cheering as I hit the stage. It was a youthful experience one needed to have.
In school, I used to disappear every afternoon only to materialise at the training place of the Supreme Dynamos Band just to watch them train. I used to cherish those moments.
Then one day I told my mother I wanted to be a musician. She was glad. She liked the music of the masters like Bach’s Jesu Joy Of Man’s Desiring, the Messiah by Handel and the wonderful masterpieces of Mozart and Beethoven. If I could be like any of them, she’d thank God.
“Go ahead, why not?” she encouraged me.
“I’m not saying I want to be a classical musician-o,” I explained. “I want to be like Bob Marley and Jimmy Cliff.”
She simply asked me to go and report to my Dad the nonsense I was trying to spew. But of course, Dad wouldn’t come into a matter of this kind. He’d strangle me to death upon merely hearing the name of the great Bob Nestor Marley, the legendary reggae king.
I had to abandon the idea and stick to chemistry books. No fooling around! Man must become a medical doctor.
Since then, however, my heart has always been in music and, as afore-mentioned, I have followed the developments in the music industry. Luckily, I recently stumbled upon information that would be of value to music producers.
Ghana can now boast of having the MACKIE MIDI AUTOMATED RECORDING CONSOLE, arguably the best recording equipment worldwide. It is right here in Ghana. If good music is not properly recorded, it loses its quality.
It reminds me of what Kwame Korkorti once told me. “If you don’t spice the nicest chunks of meat, you don’t get the taste.” Of course, Korkorti is a man who doesn’t joke with his stomach and values the tongue that tastes food.
Yes, when I had the information that NANA BOAMAH of ARC STUDIOS, Tema, had just installed the expensive equipment, I traced my way to Community Eleven to catch a glimpse.
I was confronted by the most professional studio in town with 56 Channels of Mackie Recording Console, which won the BEST MIXER and the MOST INNOVATIVE PRODUCT FOR THE YEAR AWARD, 1994 in the United States.
Nana Boamah was “hoarding” what I term as every musician’s delight — the best music mixer in America. Nana himself is a man you’ll like unless you’re a devil. He is unassuming, of fine personality and a good Christian as far as I know. The only thing I don’t know is whether or not he speaks in tongues. He attributes the progress of his work to the Almighty.
Nana is an Honoury Graduate in Sound Engineering, precisely a product of the SCHOOL OF SOUND ENGINEERING in the United States. Most of his works taken by Executive Producers and artistes outside the country for compact discs and cassette printing in different studios always recommend his mixes. An example is Kwadwo Akwaboah’s latest music for Isaac Taylor’s ROOT WORLD MUSIC.
I wanted a chat. In spite of what people say of Nana Boamah’s great works, he has never really been in the news.
“Nana, why don’t you get publicity for your contributions towards the improvement of the music industry?”
“In fact, I don’t like cheap popularity or publicity,” he said. “I always want to toil and work and through my good works I can achieve my popularity or publicity without asking for it.”
“So you mean you haven’t been advertising your studio?”
“No. Since it was established in 1988, I have not even done a single advert in the newspapers.”
“So how come your studio is known to all musicians?”
“That’s why I say the good works will advertise the studio by themselves without me asking for it.”
I now wanted to know why he had gone in for the highly expensive, almost prohibitive MACKIE CONSOLE.
“It is always good to go for the best in terms of sound quality. In fact, it has taken me two years looking for a mixing console which has got all the technical qualities that any professional worth his salt should have.”
I also wanted to know the contribution the ARC STUDIO has made towards the growth of the music industry.
“In fact, coming to Arc, one does not need to hire musical instruments because the studio is well-equipped with all kinds of instruments as you can see; all kinds of guitars, drum machines, sound modules.
“We don’t hire them to our customers; they use them for free just to help them cut costs. We also provide free professional engineering services including mixing and free computer programming. We also give professional advice on production free of charge. That is our modest contribution.”
I remarked that with everything free including professional advice, the studio must be for charity. “It seems to me you are also a shareholder in the music industry.”
“Well, I am not a shareholder. I’m only trying to help up-and-coming musicians. Who knows whether one day, Ghana will produce another Michael Jackson? If we don’t encourage them with these free services, their talents will never come to light. Arc Studio is really for the people. We have to sacrifice for the people.”
“You say your studio has the biggest or largest tracks. What do you mean by that?”
Nana Boamah explained that tracks and channels are determined by the number of inputs and outputs that a mixer or recorder can take and come out at a given time. “At the moment, the mixer I’m using takes 68 inputs and during mix-down doubles up to 124 channels.”
Yes, Dr Mensah, a resident of the USA, has this to say of Nana Boamah’s work: “After wasting our time to get the best, we decided to compare our works with what you recorded on the date you sent to us, and saw that your mix was the best and we had to drop ours.”
Well, the music industry is being patronised by many young musicians and gospel singers. It goes without saying we need to improve the quality of the works to enable them become exportable commodities. The time is now.
So hail that day a Michael Jackson will be born in Sikaman and we shall have no problem making it BIG just like the Yanks made Michael Jackson big by their technical and moral support.
This article was first published on Saturday, December 17, 1997.
Features
International character of Ghanaman and more

The average modern Gold Coaster born and bred in Sikaman is an adventurous creature. Go to any part of the world and you’ll find Ghanaman diligently slugging it out either in the snow or in hot sweltering weather, earning a decent living.
Go to Guinea and see Ghanaman in the garb of a herbalist, curing the sick of various ailments. He makes the Guinean understand that not all diseases are caused by James Lucifer alias Jimmy Satan. On the contrary, most diseases are caused by kooko which can even attack the human nose and turn it upside down.
That kooko is also the cause of poverty and the internal bleeding of personal back-pocket economies. And that kooko can be cured using the chemistry underlying Sikaman herbal medicine which has been blessed by the gods of Larteh.
And before Ghanaman starts dispensing his herbal concoctions, he must attract the passing crowd with some Sıkaman-originated choreography, akin to a combination of adowa and agbadza, such that the dancer can easily dislocate a shoulder and start crying for his mother.
When the crowd is enough to form a quorum, Ghanaman must perform magic as a side-attraction, and proceed to sell his drugs. The drugs are genuinely made from potent herbs which the Pharmacy Board of Sikaman says it has no confidence in. Believe me, Ghanaian herbalists are practising in neighbouring countries like Guinea, Cote d’Ivoire, Sierra Leone and Benin, while we are discouraging them from practising in Sikaman.
Go to Las Palmas and see Ghanaman as a fisherman. He sails on Korean-owned boats and is forced to eat garlic and raw tuna for radiant health. The garlic is also supposed to protect him against witches. But sometimes, he is not good bedfellows with some Korean crew members, and once in a while a fight breaks out.
The typical Korean is a Kung Fu expert and before displaying a golden dragon data. He must first terrify Ghanaman with a Korean dance which consists of wild arms and leg throwing. But Ghanaman is usually not daunted. Why has he been eating cancer kenkey all years without developing cancer? It mean is a superhuman capable of countering Kun fu side-kicks to the ribs.
Anyhow Ghanaman’s most potent arsenal lies in his fists. If he is a southpaw, it mean left fist is probably insured and can cause damage. When Ghanaman lands a cassava blow and it lands on a Korean chest, it has the effect of a cruise missile. If there is no ceasefire a funeral cannot be ruled out.
Greenland
Go to Alaska and find Ghanaman there. Greenland, Iceland, Brazil, Argentina, Madagascar, everywhere and you’ll find him. He has become an international citizen and is generally lauded for his hardwork, sincerity and honesty.
However, some bad nuts are also condemned and despised.
The world and all its parts and corners are for the human race, and anyone can choose to live anywhere and earn a decent living so long as he doesn’t misconduct himself or become a social misfit and a law unto himself.
Sıkaman for instance accepts foreigners, and we are so liberal that people just come in through our borders and we welcome them with the best palmwine in town and goat light soup. Who cares about passports and visas? Our hospitality is, as it were legendary.
So we have Liberians, Nigerians, Sierra Leoneans, Togolese, Europeans, Americans, Scandinavians and Koreans in Sikaman. And some of them have misinterpreted our overzealous accommodation to mean “foolishness” and are misconducting themselves.
The newspapers carry stories of some unscrupulous Nigerians stealing, defrauding and collaborating with their Sikaman counterparts to rob people. You’ll find some good and law-abiding Liberians around but some other Liberians are in the business of fraud, robbery, money printing, money doubling, anything criminal.
Ghanaian hospitality can no longer be extended to such people. I do not think Ghanaians will be treated kindly either, when they misbehave anywhere in the world. Those who come from outside with the intention of bringing down their evil deeds and to practise them here professionally must be getting ready because Ghanaians are getting fed up with the menace.
These days, you’ll find strange people following you as soon as you emerge from a bank. If you are not careful, they’ll wrestle your briefcase from you and speed away in a waiting taxi.
Someone was just saying that many foreign criminals are flocking to Ghana because in their countries, they are enable to operate either because they are being looked for by the police for offences committed or fear instant justice at the hands of mobs. Ghanaians, it is said, are humanitarian in dealing with criminals.
Well, in some African countries, a thief who is being chased runs directly to the police station in his own interest and begs the officer at the counter to lock him up. Otherwise he’ll be lynched or be burnt to death. In Ghana, it is the opposite. The thieves run far away from the cop stations.
The criminals must reform and stay peacefully in Sikaman or quit. No court case!
This article was first published on Saturday September 5, 1998
Features
The architecture of existence: How we live and die
The human condition is defined by two absolute, biological bookends: the commencement of complex cellular animation and its ultimate, irreversible cessation.
For centuries, medicine treated life and death as strictly separate states. Today, modern pathology and molecular biology reveal a more profound truth: the mechanisms that allow us to live are the exact same mechanisms that dictate how we die.
Understanding this relationship is no longer just a philosophical pursuit. It is a clinical necessity for managing public health in the 21st century.
Part I: How we live – The mechanics of animation
At its core, biological life is a continuous, high-stakes battle against entropy (the natural tendency of systems to degrade into disorder). To maintain form, consciousness, and function, the human body relies on three fundamental pillars:
1. Cellular respiration and energy production
Every second of human life is powered by the conversion of oxygen and glucose into Adenosine Triphosphate (ATP), the universal energy currency of our cells. This process occurs within the mitochondria.
Without a constant supply of ATP, the microscopic pumps that maintain electrical gradients across our cell membranes fail, causing cellular collapse within minutes.
2. Homeostasis: The balancing act
To survive, the internal environment of the body must remain incredibly stable, regardless of external chaos. This balancing act, known as homeostasis, regulates:
Blood pH: Strictly maintained between 7.35 and 7.45.
Core Temperature: Ideally kept around 37°C (98.6°F).
Electrolyte Balance: Precise ratios of sodium, potassium, and calcium that allow nerves to fire and muscles to contract.
3. The Autonomic Nervous System (ANS)
The ANS acts as the invisible conductor of life, split into two complementary branches:
Part II: How we die – The path of cessation
Death is rarely a singular event; it is a progressive biological cascade. Whether caused by old age, chronic illness, or sudden trauma, the final pathways of mortality generally follow a predictable trajectory.
1. The cellular horizon: Senescence and Apoptosis
Every time a human cell divides, the protective caps at the ends of its chromosomes-telomeres-shorten. Eventually, telomeres become so depleted that the cell can no longer divide safely. It enters senescence (a state of permanent arrest) or triggers apoptosis (programmed cell death). This gradual, systemic loss of cellular renewal is the underlying engine of aging.
2. The clinical cascade of somatic death
When the body can no longer maintain homeostasis, somatic death (the death of the organism as a whole) begins. This occurs in a distinct sequence:
1
Clinical Death
Zero to four minutes
The heart stops pumping blood, and respiration ceases. While breathing and circulation have ended, the body’s tissues still contain residual oxygen and cellular energy reserves. At this stage, resuscitation is often still possible.
2
Brain Death (Infarction)
Four to six minutes
Deprived of fresh oxygenated blood, the brain’s highly sensitive neurons begin to starve. Lacking ATP, the brain cells lose their electrical charge, swell, and begin to burst. Permanent, irreversible neurological damage occurs within minutes.
3
Biological Death
Hours to days
The organs fail entirely. Without central control or blood flow, individual cells throughout the body consume their final energy reserves. Enzymes that once aided digestion begin to break down the body’s own tissues from the inside out, a process known as autolysis.
Part III: The modern collision of life and death
In the modern era, the boundary between how we live and how we die has blurred. Historically, humanity died primarily from infectious diseases and acute trauma. Today, global mortality is dominated by non-communicable, chronic lifestyle diseases.
Modern Pathology: How we live (the cause) how we die (the result)
Cardiovascular disease, chronic stress, poor diet, and lack of sleep keep the sympathetic nervous system hyper-activated, damaging blood vessels .Occlusion of coronary arteries leads to myocardial infarction (heart attack) or ischemic stroke.
Metabolic syndrome over nutrition and physical inactivity overwhelm cellular mitochondria, leading to systemic insulin resistance. Multi-organ failure, chronic kidney disease, and severe vascular complications.
Neurodegenerative Disorders Chronic systemic inflammation and sleep deprivation prevent the brain from clearing metabolic waste. Gradual loss of synaptic connections, leading to dementia and the eventual loss of basic autonomic functions.
Conclusion: The unified theory of health
Ultimately, how we live directly shapes the path of how we die. The micro-choices of daily existence-how we manage emotional stress, the quality of our rest, our communal connections, and our nutrition-either preserve the integrity of our homeostatic systems or accelerate their decline.
True medical advancement is shifting away from merely extending the final, frail stages of biological death. Instead, the focus is turning toward optimising our living years-ensuring that the intricate, beautiful machinery of human animation runs smoothly until its natural, quiet conclusion.
By Robert Ekow Grimmond-Thompson







