Entertainment
Brewed with Love: Big Ghun releases Freestyle dubbed Ex.
Fast rising music dynamo, Big Ghun, known in real life as Nicholas Tetteh Nartey has released a freestyle to spice the celebration of love month, usually considered Valentine.
Big Ghun in a rhythmic and irresistible melodic tune in the Freestyle elaborated on the twist and turns in love as he recalled his past relationship with an Ex girlfriend where the genesis of their love story was seemingly like Romeo and Juliet.
But their relationship did not last as things unfortunately fell apart thus ending their love life on a very sad note.
The Ex freestyle was released to all music enthusiasts and lovers trying their best to spice up their love life unconditionally because love is not always sweet like a candy, and Big Ghun says , in his lyrics that, it is a normal phenomenon.
Big Ghun, the promising artiste who combines Hip pop, Hip Life and African Rap Music had proven to Ghanaians in the past few years that, his act would take Ghana and Africa to the focal point of international level.
His personality and ability to make every collaboration with other artistes has made him feature with popular acts including the “Bombastic” song which featured Zeal of VVIP fame.
Big Ghun has dropped “Mano Sika” freestyle which comes in parts one and two, and also has the “Walk Off” tune which featured Tic.
The Sensational African Rap Musician admonished all artistes to leverage on the use of social media to market their songs and themselves.
“Spend ample time on social media to do your works by selling your brands in this unfortunate era where shows are restricted”, Big Ghun urged entertainment acts.
According to him, most of the were always on social media in their quest for information from their favourite acts.
This, he said, would enable Artistes to reach the maximum audience they needed.
The versatile artiste stressed that, more concentration should be focused on the use of social media by entertainment acts because “it is the safest medium to interact with their fans in this era of COVID-19, because you need your fans alive to always entertain them”.
By Alfred Nii Arday Ankrah.
Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.
The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.
A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”
Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.
“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.
“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.
He added that his preparation for the role went beyond performance.
“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.
“I am learning about these connections so I can represent the character with truth and respect.”
“It is important that the world sees the shared identity that exists across our continent,” he noted.
Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.
According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.
“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.
“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.
The producer of the series, Paul Joegad, emphasised the global ambition behind the project.
Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.
“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.
“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”
He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.
The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA
The management of Prophet Joseph Atarah Ministries (PJAM) has announced the 2026 edition of the highly anticipated annual gospel concert, Atarah Praise.
This edition, under the theme: ‘Dalet,’ is scheduled for 4pm, Sunday, May 24, at the Bayview Village.
Patrons will enjoy an atmosphere charged with powerful worship, prophetic ministration, and spiritual renewal.
Against this backdrop, Prophet Joseph Atarah will team up with some of Ghana’s finest gospel ministers, including Piesie Esther, Kofi Owusu Peprah, Obaapa Christy, and Siisi Baidoo.
Over the years, Atarah Praise has evolved into one of Ghana’s most impactful worship gatherings, attracting thousands of believers seeking a profound encounter through music, prayer, and thanksgiving.
The 2026 edition is positioned as a divine platform for renewal, restoration, and spiritual awakening.
Patrons are encouraged to arrive early to secure convenient seats and be there with the heart of the worship.
By Edem Mensah-Tsotorme
