Entertainment
Who becomes minister of Tourism, Arts and Culture?
This is the time of the year many Ghanaian expect the president to nominate people to head some ministries and other vital state institutions in the country, following the re-election and swearing-in of President Akufo-Addo and the Vice President, Dr Mahamudu Bawumia on January 7.
Following this, they would need some people to help them implement the various policies of the government to the benefit of Ghanaians.
For this reason, stakeholders in the creative arts space have started mentioning some individuals to catch the eyes of the appointing authority.
Some of the emerging names include, Akwasi Agyemang, Bice Osei Kuffour (Obour), Mark Okraku Mantey, Catherine Afeku, Barbara Oteng Gyasi, Socrates Sarfo, and James Korsah-Brown.
Those calling for the two former Ministers of Tourism Arts and Culture, Barbara Oteng Gyasi, and Catherine Afeku believe that either of them should be given the nod to continue the uncompleted projects they started.
According to them, consistency was critical to the growth of the industry, and since both of them lost their re-election bid to parliament, they would fully concentrate on the activities of the ministry.
Others clamouring for the Chief Executive Officer of Ghana Tourism Authority, Akwasi Agyeman are of the view that considering his tremendous contribution to the country’s tourism sector over the years, he deserved to be appointed the minister of the sector.
They said, his successful organisation of the Year of Return, measures he put in place for the Beyond the Return and other initiatives for the sector were a testament of someone capable of turning the fortunes of the ministry around.
Also, those in support of Bice Osei Kuffour, Obour think that his reign as President of the Musician Union of Ghana (MUSIGA) was successful, and through his leadership the Association becomes attractive.
According to them, through Obour’s ingenuity, he was able to secure some grants for MUSIGA and created Ageing Musicians Welfare Fund (AMWeF), among other innovations, as well as mobilsed other candidates who lost the New Patriotic Party’s primaries to campaign for the president.
For Mark Okraku Mantey, who was acting President of the Creative Arts Council, now Creative Arts Agency, some stakeholders think his exceptional qualities, led to the series of Master classes which yielded a lot of benefit for practitioners.
They believe he played an instrumental role in the passage of the creative arts bill to properly set up the sector for a prosperous future and was able to bring some stars together to set up Creative Arts for More group to campaign for the president, leading to the re-election of the NPP.
Astute Movie Director and Director for Creative Arts at the National Commission on Culture , Socrates Sarfo’s name has also come up, as they think he has what it takes and has gone through the mill to hold the top position.
Through his hard work for the party during the electioneering period and years of experience in the creative arts sector, others have tipped him for the top job.
Some stakeholders have also mentioned talent Manager, and 2020 Member of Parliament aspirant for Mfantsiman Constituency, James Korsah Brown.
Those championing for him believe that his instrumentality in 3 Music Awards, as well as other activities in the area of creative arts places him in a pole position for the job.
This year is crucial year in the life of the creative arts sector following the passage of the creative arts bill which paved way for the industry to be set up properly.
Clearly, this demands that the right human resources should be appointed to take up positions to fix the industry.
The ministry was first created in 2013 by former President John Dramani Mahama, with Elizabeth Ofosu Agyare and Abla Dzifa Gomashie as minister and deputy respectively.
By Edem Mensah-Tsotorme
Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.
The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.
A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”
Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.
“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.
“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.
He added that his preparation for the role went beyond performance.
“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.
“I am learning about these connections so I can represent the character with truth and respect.”
“It is important that the world sees the shared identity that exists across our continent,” he noted.
Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.
According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.
“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.
“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.
The producer of the series, Paul Joegad, emphasised the global ambition behind the project.
Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.
“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.
“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”
He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.
The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA
The management of Prophet Joseph Atarah Ministries (PJAM) has announced the 2026 edition of the highly anticipated annual gospel concert, Atarah Praise.
This edition, under the theme: ‘Dalet,’ is scheduled for 4pm, Sunday, May 24, at the Bayview Village.
Patrons will enjoy an atmosphere charged with powerful worship, prophetic ministration, and spiritual renewal.
Against this backdrop, Prophet Joseph Atarah will team up with some of Ghana’s finest gospel ministers, including Piesie Esther, Kofi Owusu Peprah, Obaapa Christy, and Siisi Baidoo.
Over the years, Atarah Praise has evolved into one of Ghana’s most impactful worship gatherings, attracting thousands of believers seeking a profound encounter through music, prayer, and thanksgiving.
The 2026 edition is positioned as a divine platform for renewal, restoration, and spiritual awakening.
Patrons are encouraged to arrive early to secure convenient seats and be there with the heart of the worship.
By Edem Mensah-Tsotorme
