Entertainment
“We didn’t invest in making hiplife attractive to younger acts” – Okyeame Kwame

Celebrated Ghanaian rapper and songwriter, Okyeame Kwame has bemoaned the seeming neglect of the hiplife tag by the current crop of rappers.
According to Okyeame, a lot of young rappers in Ghana would rather want to associate with hip hop or Asakaa (Ghanaian drill) now than call themselves hiplife artistes because it is difficult to find the genre name on digital music stores.
He made these comments while interacting with Joy FM’s entertainment journalist Kwame Dadzie on X.
Dadzie who expressed worry about the lull in the hiplife field wrote: “I admire @Okyeamekwame ‘s love for hiplife and his annual hiplife concert but what is the end-goal? Your people say hiplife is dead. Even these young rappers would rather want to identify with hip hop or Asakaa than hiplife?”
Responding to the post, Okyeame explained why the younger generation of rappers may have abandoned the name hiplife.
He said although they may not use the name, technically they still do hiplife.
“A younger generation will give up on tradition when it fails them. Reference “killing the game” if they call their music hiplife, how will it fit on Spotify and other streaming sites ? People choose their business hero’s based on financial and social impact, how many heroes did hiplife create? Nuances,” he intimated.
Okyeame Kwame was then asked what was not done right. In his answer he wrote: “We didn’t build a digital platform to sell our art . We didn’t collectively turn our gifts into a multi billion business. We didn’t create a culture that was inviting enough to attract the young artiste. We didn’t invest much younger acts . We didn’t invest in research and development. We left these to chance.”
Asked if he meant hiplife had failed, he answered in the affirmative.
“Yes please! We failed to find a spot on the streaming sites. The sites do not have hiplife as a genre but has Hiphop and afro beats so why would a young person who wishes to publish his music globally call it hiplife?” he indicated.
He therefore negated the supposition that concerts meant to celebrate hiplife (like his annual hiplife concerts ) may not be necessary in recent times.
“The goal is to evoke nostalgia and also maintain the heritage of Ghana’s music genre #HIPLIFE and make sure it is not forgotten in the annals of history.
The beautiful #asakaa music is #hiplife (Hiphop + Highlife). The term hiplife has just not been used for it,” he explained.
On why the Recording Academy of the Grammy Awards chose to mention Ghanaian drill instead of its parent genre hiplife, Okyeame Kwame noted that the awards scheme operate on business basis.
“The Grammy award is not consequential here . It is an American award , they choose what will benefit their agenda financially . Do you think they involve some Ghanaian genres because they love Ghana or because they want to be relevant in Ghana ? It is business not charity,” he stated.
Another iconic hiplife artiste, TiC, shared his thought on the matter.
“Hip Life is dead.” There’s no need to start the convo this way…. Is Hip Hop dead? No, but the real hip hop is not flowing like it used to. Again it has gone through different transformations, to the extent that the real hip hop lovers will say it doesn’t sound like before, yet hip hop is still alive. Why can’t we do the same here, accept that the original versions of HipLife is not flowing but we still got it in the new vibe rather than saying it is dead. Life goes on not backwards i guess,” he posted.
Affectionately known as the Rap Doctar, Okyeame Kwame will be hosting some hiplife greats at the 5th edition of his annual Hiplife Party at the +233 Jazz Bar and Grill on December 25, 2023.
Source: Myjoyonline.com
Entertainment
Gomoa Easter Carnival: Community empowerment through entertainment

GOMOA Central Constituency in the Central Region of Ghana was the place of attraction for this year’s Easter, as Member of Parliament (MP) for the area, Kwame Asare Obeng, affectionately called Aplus staged a four-day carnival.
The event started with a welcome bonfire night, where the people of Gomoa and some dignitaries proceeded through the principal streets of Gomoa Central on Thursday, April 2, 2026.
It continued on Friday with Highlife Night, which saw Kwabena, Bless, Dada Hafco, Kofi Nti, Ofori Amponsah, Samini and others rock patrons.
Saturday started with a walk from Obuasi through Afranse to Ekwamkrom, where a durbar of chiefs was held.
The night erupted with concert at Ekwamkrom headlined by Ghana’s Finest Sarkodie. Sarkodie indeed proved his mettle with back-to-back hit songs and engaging performance.
Patrons also enjoyed mind-blowing performances from Keche, Kuami Eugene, Tinny, Obaapa Christy, Sista Afia and many others.
On Sunday, which was the final day, witnessed packed performances from Patapaa, Kofi Kinaata, Jupitar, Kwaw Kese, Piesie Esther, and Amerado amongst others.
Patrons enjoyed exquisite catwalk on the runway as Smully Wear put together some local designers for a fashion show.
The likes of Aplus, MP for the area, Deputy GTA Boss Gilbert Aggrey (Abeiku Santana), New Media President Eugene Osafo Nkansah and Media Personality Kleff Maxwell Justice (KMJ) were all on the runway as models.
On each day, up and coming musicians had their time on the big stage to enthrall the audience.
Mr Kwame Asare Obeng in an interview with The Spectator expressed his appreciation to the traditional leaders of the area, the constituents, Corporate Ghana and all and sundry for their unflinching support.
He said the success of the maiden edition will lead to even a bigger one next year.
According to him, his constituents who own businesses like hotels, restaurants, other traders and drivers among others were able to cash out from the carnival, which was very satisfying to him.
“Empowering the community to make ends meet to cater for their families was important for me. I have engaged most of them, and they are happy with sales. This makes me very happy,” he said.
By Edem Mensah-Tsotorme
Entertainment
Accra Sports Stadium to host maiden Katon Praise April 17
THE Accra Sports Stadium will host the maiden edition of Katon Praise 2026, a global worship gathering aimed at uniting believers across nations through spirit-led praise, on Friday, April 17.
The event, scheduled to begin at 4pm, will bring together worshippers for an atmosphere of prayer, music and reflection centred on the theme: ‘To See Jesus Glorified.’
Organisers have said that Katon Praise was more than a musical concert, noting that it was intended to serve as a movement that connects people in a shared moment of worship, regardless of location.
According to the organisers, the programme will feature a line-up of worship ministers performing under a unified sound to create a collective worship experience.
The gathering will also be streamed live on the Katon Meet platform to enable audiences around the world to participate.
Organisers say the Accra edition marks the beginning of what is expected to grow into a global worship platform that brings together believers to celebrate faith through music and prayer.
Worshippers attending the maiden programme are expected to experience an evening of praise and spiritual reflection as voices from different backgrounds join in a common expression of faith.
The organisers have encouraged the public to follow the movement through the hashtags #KatonPraise and #KatonMeet on social media platforms. -GNA


