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“We didn’t invest in making hiplife attractive to younger acts” – Okyeame Kwame 

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Celebrated Ghanaian rapper and songwriter, Okyeame Kwame has bemoaned the seeming neglect of the hiplife tag by the current crop of rappers. 

According to Okyeame, a lot of young rappers in Ghana would rather want to associate with hip hop or Asakaa (Ghanaian drill) now than call themselves hiplife artistes because it is difficult to find the genre name on digital music stores. 

He made these comments while interacting with Joy FM’s entertainment journalist Kwame Dadzie on X.

Dadzie who expressed worry about the lull in the hiplife field wrote: “I admire @Okyeamekwame ‘s love for hiplife and his annual hiplife concert but what is the end-goal? Your people say hiplife is dead. Even these young rappers would rather want to identify with hip hop or Asakaa than hiplife?”

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Responding to the post, Okyeame explained why the younger generation of rappers may have abandoned the name hiplife. 

He said although they may not use the name, technically they still do hiplife. 

“A younger generation will give up on tradition when it fails them. Reference “killing the game” if they call their music hiplife, how will it fit on Spotify and other streaming sites ? People choose their business hero’s based on financial and social impact, how many heroes did hiplife create? Nuances,” he intimated. 

Okyeame Kwame was then asked what was not done right. In his answer he wrote: “We didn’t build a digital platform to sell our art . We didn’t collectively turn our gifts into a multi billion business. We didn’t create a culture that was inviting enough to attract the young artiste. We didn’t invest much younger acts . We didn’t invest in research and development. We left these to chance.”

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Asked if he meant hiplife had failed, he answered in the affirmative.

“Yes please! We failed to find a spot on the streaming sites. The sites do not have hiplife as a genre but has Hiphop and afro beats so why would a young person who wishes to publish his music globally call it hiplife?” he indicated. 

He therefore negated the supposition that concerts meant to celebrate hiplife (like his annual hiplife concerts ) may not be necessary in recent times.

“The goal is to evoke nostalgia and also maintain the heritage of Ghana’s music genre #HIPLIFE and make sure it is not forgotten in the annals of history. 

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The beautiful #asakaa music is #hiplife (Hiphop + Highlife). The term hiplife has just not been used for it,” he explained.

On why the Recording Academy of the Grammy Awards chose to mention Ghanaian drill instead of its parent genre hiplife, Okyeame Kwame noted that the awards scheme operate on business basis. 

“The Grammy award is not consequential here . It is an American award , they choose what will benefit their agenda financially . Do you think they involve some Ghanaian genres because they love Ghana or because they want to be relevant in Ghana ? It is business not charity,” he stated.

Another iconic hiplife artiste, TiC, shared his thought on the matter.

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“Hip Life is dead.” There’s no need to start the convo this way…. Is Hip Hop dead? No, but the real hip hop is not flowing like it used to. Again it has gone through different transformations, to the extent that the real hip hop lovers will say it doesn’t sound like before, yet hip hop is still alive. Why can’t we do the same here, accept that the original versions of HipLife is not flowing but we still got it in the new vibe rather than saying it is dead. Life goes on not backwards i guess,” he posted.

Affectionately known as the Rap Doctar, Okyeame Kwame will be hosting some hiplife greats at the 5th edition of his annual Hiplife Party at the +233 Jazz Bar and Grill on December 25, 2023. 

Source: Myjoyonline.com

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All set for Ghana Comedy Awards 2026

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Ghana’s comedy industry would take centre stage today, when the sixth edition of the Ghana Comedy Awards is held at the College of Physicians and Surgeons in Ridge, Accra. 

The event, which has become the country’s premier platform for recognising excellence in comedy since it rebranded from the Comedy and Poetry Awards, would celebrate comedians whose performances and contributions stood out between January 1 and December 31, 2025. 

This year’s ceremony would begin with a red-carpet session at 7:00 p.m., followed by the main awards event at 8:30 p.m. 

Organisers have promised an evening of entertainment featuring some of Ghana’s foremost comedy talents, including Lekzy, Jeneral Ntatia, Kojo PJay, Oh Joo, Alo Wess, Ranzy Ray and Jerry Ashinyo.  

Musical performances are also expected to complement the comedy acts. 

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Media personality Kwame Dadzie would play host for the event, which is expected to attract comedians, entertainers and fans from across the country. 

Tickets for the awards are selling at GH¢200 for the silver package and GH¢300 for Gold. 

The organisers have also urged the public to support their favourite nominees by voting before polls close at 6:00 a.m. on Saturday, August 1. Voting can be done by dialling 71333*009# and entering the nominee’s code.  

Beyond honouring outstanding performers, the Ghana Comedy Awards seeks to celebrate the growth of Ghana’s comedy industry and the talents who continue to entertain audiences nationwide. -GNA 

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Ghanaian film ‘Eco Reach We All’ secures world premiere at 79th Locarno Film Festival

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After years of development, funding, and creative grit, Ghanaian feature film “Ego Reach We All” has earned an official nomination to make its world premiere at the 79th Locarno Film Festival in Switzerland this month.

Formerly titled Vagabonds, the 105-minute drama was written and directed by Amartei Armar and produced by Yemoh Ike.

 It marks one of the biggest international breakthroughs for Ghanaian cinema in recent years.

The film was shot entirely in Ghana with a Ghanaian cast and crew, grounding it in authentic local culture.

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 Post-production was completed in France, a collaboration that Director Amartei Armar says reflects the film’s spirit, “A Ghanaian story told with the world.”

The journey began in 2018 when the short film version won at the Montreal World Film Festival, an Oscar-qualifying event.

 From there, ‘Ego Reach We All’ grew into a full-length feature backed by some of the most respected names in global film development: Winner – Cannes Focus CoPro, Recipient – Red Sea Development Fund, Honoree – Red Sea Souk Award and Backed by – Red Sea Productions Fund.

Industry watchers have called it one of the most promising African film projects to emerge in the last decade.

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Beyond awards, the project was shaped in top international labs.

Armar was selected for the Heyazah Screening Lab in Doha, Qatar, to refine the film’s narrative. 

Producer, Yemoh Ike joined the prestigious, 2023 EAVE Producers Programme under a CNC scholarship, with training sessions in Luxembourg, Austria, and the Netherlands. 

Most recently, the film was chosen for the 2025 Atlas Workshop in Marrakesh, Morocco, cementing its place in global cinema circles.

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Casts include, Idrissu Tontie, Dorothy Adobea Tandoh, Emmanuel Wilberforce, Barbara Yong Jin, Emmanuel Owusu Ofori, O’Bryan Kwame Enyan, Gabriel Narh Addo, Nelly Bilson, and Kwame Brenya.

For the team, Locarno is not just a festival slot. It’s validation that Ghanaian stories, told by Ghanaians, can compete on the world’s most respected stages.

“Principal photography was done entirely by Ghanaian creatives,” the producers noted.

By Edem Mensah-Tsotorme

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