Features
Our dead fishing industry
As a vegetarian, do I have to bother if others do not get their meat and fish to eat? The answer simply is yes, I am bothered because being vegetarian is a choice which I have no right to impose on anyone; not even on my family. My son, however, chose vegetarianism along the way. And my youngest daughter too.
Ghanaians love their fish and consume over a million tonnes annually. Almost all of our coastal communities are into fishing as a source of livelihood. Indeed, statistics tell us that about 10 per cent of Ghana’s population is engaged in fishing. This means a little over three million Ghanaians are into fishing. But I think this figure needs a review downward since our inland water bodies are being degraded and throwing our fishers out of business. In fact, the only natural environment for fish to thrive in is water.
The Tema fishing harbour has all but died since the middle of last year. All fishing vessels, except a few tuna trawlers, have been grounded because the Ghana Maritime Authority has now woken up from its slumber to insist that these fishing vessels are primed to international standards before they go out to sea.
This edict has affected the operators financially in these hard times that they have virtually nothing to fix their vessels with. The institutional failure in our land is so nauseating that the ordinary man becomes a victim. Of course, standards must be maintained, no doubt, but why did the Maritime Authority wait all these years for these poor fisher folks to manage their businesses the way they knew only to be shackled when they least expected it?
Now, only those with connections in high places import frozen fish into the country. Today, trading in frozen fish is the only activity at the fishing harbour in Tema. One can only get some fresh fish from the artisanal canoe fishers, a negligible undertaking. Those on the value chain of fishing activities at the harbour are out of commission at this point in time.
The situation is not different at the landing beaches. At Jamestown in Accra, plastic waste constitutes the greater percentage of what the fishermen haul ashore from each expedition. And this adds to the cost of repairing their fishing gear.
We have a Fisheries Commission but I wonder if it has all the data on what fishery is all about. Research findings are gathering dust on shelves, because we do not yet have the culture of using research material to better our lot. Every available water body that has living microorganisms is a resource for aquatic life. Rivers, lagoons, lakes and ponds serve this purpose.
The Fisheries Commission should be the one spearheading the fight against the pollution of our water bodies by illegal mining operators, not the Ministry of Lands and Natural Resources. It is because once the rivers are polluted with toxic chemicals, aquatic life is lost, thus depriving the fishers of their source of livelihood and the communities their source of protein.
The Fisheries Commission seems to be unaware that the estuaries of our rivers have all been silted, thereby starving mangroves of nutrients and cover for the spawning of crustacians like crabs, prawns and shrimps. As a result, shrimpers have folded up their business.
Take the estuary of the Volta River, for example. The silting of this area has given rise to water hyacinth along the banks of the river right from Kpong in the Asuogyaman District all the way down to Sogakope and Ada in the South Tongu and Dangme East Districts respectively. The river used to discharge water into the Keta Lagoon by way of Galo and Savietula and, as a result, introduce new fish varieties into the lagoon. That has not happened in the last thirty-five years or so and nothing is being done to reverse this.
I spent 15 years living by the Keta Lagoon, first in Keta itself, Anyako and Anloga in1957.
At Anyako, my grand-aunt fried over a dozen species of fish for sale in Accra. One room was dedicated to baskets of assorted fish right from the floor to the ceiling. I didn’t need permission to help myself with any that caught my fancy, but I never took undue advantage.
Personally, I went fishing for sport. After all, there was more than enough in my home to choose from, but I loved the water and seeing fish live in its own environment had its own therapeutic attraction for, and effect on, me. Today, the Keta Lagoon cannot boast of even a quarter of a dozen species.
Oh, how I miss those fishing trips. I loved the hook-and-line fishing since my grandparents did not permit me to go with the professionals for fear I might impede their work, according to them, was my precocious disposition.
I was also fascinated with drag-line fishing. Two people would drag a twine 20 or 30 metres between them on the bed of shallow water. Others waded in behind the twine and, as the fish ducked flat under the twine and embedded in the sand, sunlight exposed their shiny bodies and were quickly picked up. Today, it is no fun trying to fish in this once life-sustaining environment.
The Volta River Authority (VRA) cannot be bothered by the silting of the Volta River. I sighted a letter written by Hon. Ken Dzirasah, a former Member of Parliament for South Tongu and Deputy Speaker to the VRA to address the issue and the effect on the economy of the area. Nothing seems to be done about this.
Lake Bosumtwi is also losing its fish stock. It seems the Ministry of Fisheries is only interested in revenue from licensing fishing companies operating in the oceanic maritime zones. What about inland fishing? Is the Ministry following the provisions in the Fisheries Act to the letter?
Meanwhile, fish constitutes the greatest source of Ghanaians’ protein needs, yet we have leaders over the years who have not taken the fishery sector seriously. Prized fishes are spawned and carried by the Benguela currents along the Gulf of Guinea all the way to the West and North Atlantic. Why we do not take advantage to maximize our harvest of these fishes beats my mind.
State intervention with the supply of what is known as pre-mixed fuel is even undermined by state officials who take bribes in the supply chain or divert the fuel to other areas.
The fight against pollution of our water bodies must be relentless and offenders severely punished. Not only do we need fish for consumption, we need water for our very existence as a people.
We must be worried when the very people whose duty it is to ensure our lives are assured are the ones alleged to be involved in mining activities that pollute the environment and water bodies. Only God knows what future we bequeath to our children and their children.
Post Script: I take this opportunity to wish my dear readers Merry Christmas and Happy 2023. I appreciate the mails you send.
Writer’s email address:
akofa45@yahoo.com
By Dr. Akofa K. Segbefia
I have often been saddened by the condition of Sikaman musicians. Of course, some are not musicians. They are jokers who think anybody who can sing a hymn is a musician. And why wouldn’t they think so when people think that every man wearing a rasta hair is a reggae musician?
Well, these days, almost everybody is dreaming of becoming a musician, even some ministers and parliamentarians. And it is never too late for them to begin learning the solfas and composing songs like “If You Do Good You Do For Yourself,” after all, life begins at 60 these days. If you die three years later, that’s your luck.
For the jobless, becoming a musical star is an everyday dream. They think when you are a music maker, you automatically break alliance with poverty. They are often mistaken.
I know people who claim they are musicians but are always fasting not because they are devout moslems or are on a hunger strike, but because even one square meal a day is a perpetual wahala. And the only drink they can afford is the poor man’s holy whisky which has a thousand names including ‘Nyame Bekyere’.
Even most of the popular musicians we see in town claiming they are foreign-based stars are more of hustlers than musicians. When they tell you they are going on tour abroad, it is a careful way of saying they are going overseas to scrub the whiteman’s toilet or pick tomato or apples to save their neck from musical poverty.
When they are back to Sikaman, they appear quite flamboyant with chains hanging all over them. They change the few dollars they have scraped, spread it around and promptly get broke. Then they can organise another ‘tour’. In between tours, they struggle to release an album and that levels them up a bit on the financial balance.
It all points to the fact that the life of the average musician isn’t quite organised. He has no calendar, no programme and no concentration on the job. He has to wash plates, become a waiter, janitor and toilet scrubber while finding time to make music. No musician succeeds in life that way.
One musician I’ll always respect, who thinks deeper than the ordinary Sikaman musicians is Carlos Sakyi. He is not like the Kokoase guitar musicians who see the world just in terms of bitters, a willing girlfriend, constant supply of kokonte and jot.
Carlos, often loved for his percussive overtones in gospel music, and once a gospel-rock star, has studied the life of Sikaman musicians and has evolved a blue-print for a great improvement in their lives work, finances and comfort.
In short, he has simulated a Motown-style environment for musicians and his formula is working with accuracy with the five musicians he has started with. The blue-print is what has brought MEGASTAR into being. It was launched on September 15, 1995 at the National Theatre.
When it got launched, many probably thought Carlos was “too know or was dreaming more than he should and won’t think about himself. Anyhow, the MEGASTAR is now an institution musicians can look up to, a big phenomenon with lots of promise for struggling musicians.
Music business in the developed world is not the way we regard it cheaply here. A musician is never distracted by how his finances go; his contracts are entered, his engagements made, his interviews arranged, his personal security guaranteed.
Music is his business and that is where his mind is and his attention focuses. Other aspects of his life are programmed for him by his managers. They hire who has to light his cigarettes, massage him, drive his car and the one who will say “Good Luck” when he sneezes.
A bodyguard whose face is exactly like that of the devil is hired to scare off muggers, psychopaths and criminals in general. Sometimes his girls are organised for him.
So the only thing the musician does apart from sleeping and snoring is to concentrate on making music, and true to it, no one can succeed in any venture when he is distracted.
This is how the Michael Jacksons, Lionel Richies, Dolly Patons and Whitney Houstons have made it with dollars packed and over-flowing. They aren’t any better than Sikaman musicians. The only difference is that they know how to organise their lives.
I managed to corner Carlos Sakyi and asked him to tell me how MEGASTAR was doing. He is the Managing Director of Megastar Limited, a music company that has a board of directors and a chairman. Carlos Sakyi shares the proprietorship with a partner. Carlos himself was one great musician who played for a band that beat Eddy Grant on the charts.
“Megastar is in fact a concept born out of the idea that the future security of the Ghanaian musician which has always been in jeopardy can now be guaranteed. Artistes spend too much of their time doing things on their own, chasing money and not concentrating on music. So their full potential is never realised. Some are in fact producing at quarter-rate. That is why they aren’t making much headway,” he told me.
“Megastar is now giving them the chance of the lives. We handle the interviews of Megastar artiste, their press releases, costume, engagements and everything they hitherto used to do themselves. We get them exposed on M-Net and we have contacted BB to get on their programmes. We handle their finances pay them salaries and bonuses, so they only have to concentrate on music
“Most importantly,” he continued, “we do not make all the decisions. Management always meet with the musicians to take the decisions that affect them.”
But who are the Megastar musicians? One is the great Amakye Dede, a star from birth delivered onto the earth with music on his lips; he is the man who feeds hungry ears with musical salad and harmonic sausages. He is the recipient of many national awards.
Next is Naana Frimpong, a latter-day Carlos-groomed songbird with the voice of an angel. She sings to kill. Her beauty has charmed her audience and they stare and stare at her.
The sensational and fantalising Tagoe Sisters are the next. The twin music machine is one that has produced the cream, arguably the very best, of gospel music all these years. I hear they are inseparable; not even their better-halves can keep them apart. Are they Siamese? They dance, and when on stage, they move the crowd.
Then comes Reverend Yawson who is a known songwriter. He is imbued with the Holy Spirit, speaks in tongues and of course sings in tongues. He is God’s representative on the group.
What about my good friend and super-heavyweight, Jewel Ackah? He is a star figure. His appearance is awe-inspiring, his voice golden. A great delight to be-hold when at his best in stage-craftsmanship, he has beaten his contemporaries to it both on land and on sea.
They are the pioneers of the Motown idea. They are all releasing new albums this year. Let’s see how it all goes.
In recent years, the term “female rage” has gained significant traction, symbolising a collective shift in how women’s emotions are perceived and addressed.
This phenomenon is not merely a fleeting trend but a profound movement rooted in centuries of systemic injustices, personal betrayals, and societal expectations.
As women increasingly reclaim their anger, it is imperative to understand the multifaceted nature of female rage, its causes, and its implications for individuals and society at large.
The historical context of female anger
Historically, women’s emotions have been subject to dismissal, ridicule, and pathologisation. The term “hysteria,” originating from the Greek word for uterus, was used to describe women’s emotional states as irrational and uncontrollable.
This legacy of silencing and shaming has contributed to a culture where women’s anger is often suppressed or stigmatised.
However, with the rise of feminist movements, women are challenging these narratives, asserting their right to express anger and demand change.
The anatomy of female rage
Female rage is not a monolith; it is a complex and multifaceted emotion driven by various factors, including:
1. Societal expectations: The pressure to conform to traditional roles of passivity, politeness, and emotional labour.
2. Gender inequality and pay gaps: Frustration stemming from systemic discrimination in the workplace and beyond.
3. Sexual harassment and abuse: Trauma and anger resulting from pervasive violence and objectification.
4. Emotional labour and burnout: The unsustainable burden of managing emotions and responsibilities in personal and professional spheres.
5. Hormonal fluctuations: The impact of hormonal changes on emotional states, often overlooked or dismissed.
The power of anger: Reclaiming female rage
Far from being a destructive force, female rage can be a catalyst for change. When acknowledged and channelled constructively, anger can drive advocacy, policy reform, and resistance against inequality.
The #MeToo movement, women’s marches, and increased representation in politics are testaments to the power of collective female anger.
Addressing the Stigma: Towards a more inclusive dialogue
To fully harness the potential of female rage, society must address the stigma surrounding women’s anger. This involves:
1. Validation and recognition: Acknowledging women’s emotions as legitimate and worthy of attention.
2. Creating safe spaces: Providing platforms for women to express anger without fear of backlash.
3. Education and awareness: Challenging stereotypes and promoting understanding of women’s experiences.
4. Support systems: Offering resources and support for women dealing with trauma and systemic injustices.
Conclusion
The age of female rage is a moment of profound transformation, where women’s anger is no longer silenced but celebrated as a force for justice.
By understanding the roots of female rage and addressing the societal structures that fuel it, we can move towards a more equitable and compassionate world.
The journey is complex, but the destination-a society where women’s emotions are respected and their voices are heard is worth the struggle.
References:
[1] Chemudupati, P. (2022). _The Rage of Women: A Historical Perspective_.
[2] Traister, R. (2018). _Good and Mad:
By Robert Ekow Grimond-Thompson
