Features
Waakye Girl –Part 1
As usual, David dropped his sister Adwoa at the junction of Africa road, and was rejoining the road for the drive to the office when he saw her dishing out waakye to a customer a few metres away.
What a drop-dead beauty, he told himself the following morning, he stopped to buy some waakye, and greeted her rather nicely.
The waakye was very tasty, so he stopped by the next day, and the next. Her two sisters noticed his interest so after the third day, one of them walked over to his car as he was about to drive off, and gave her some unfriendly advice.
“Sir, my sister has been betrothed to a young man, a graduate like you, so please leave her alone. Maybe you don’t mean any harm, but I just want to let you know, just in case.” “Okay, madam,” David said. “She is certainly very beautiful, and I admired her, but I would never have meant her any harm, still, thanks for advising me. The young man who got her is very lucky.” She walked away, unimpressed with his long talk.
He continued to buy from her for about six months. She was always polite and friendly. Mostly when he bought several packs for his colleagues, she carried them to his car.
He never got over thinking that whoever had won the girl was indeed very fortunate. Perhaps he was well known to the family, or even from the same town.
The fact that her sister had come over to drop a ‘friendly warning’ showed that the connection was very close, and they were not going to allow any nonsense to happen to it.
One day, when her sisters were not available she asked him his name, and he followed it up by giving her his number. “I’m sure you can remember it easily. 0244 244 240. You can just call once in a while to say hello. Please don’t be afraid of me. I don’t mean any harm.” She flashed a bigger smile and assured him that she would call. She said her name was Stella.
One afternoon she called him, sounding a little distraught. “David, please, I need some advice. Can I meet you anywhere near our joint? It can be very early in the morning, say by 6:30 a.m., or in the afternoon at about 3:00 p.m.” “Six thirty in the morning is fine, but I can come over this afternoon, if it’s okay. I can stop at about 50 metres from your joint, in front of the bank.” “Yes, that would be fine. Thank you very much.”
She was waiting, and she joined him in the car. He moved some metres forward, to avoid prying eyes. She thanked him for making time to see him, and went straight to the point.
“David, I have no one to help me that is why I am talking to you. You see, my parents agreed with a young man from our home town that he would marry me. He appeared to like me, but I soon realised that he was more interested in having sex with me than marrying me.
My sisters and parents kept pushing me into the relationship, saying that he is one of the few people from our town who has been to university, so this is one chance to get a good marriage and have children who would have a good future.
Due to their pressure I went into it, even though he had only promised to marry me. It is obvious that he does not love me, and I have realised that he and his friends call me ‘waakye girl’.
He goes out and comes late, and on two occasions when I complained about this he slapped me. I told my people but they are adamant that such problems are normal in every relationship, so I should have patience.
You see, the truth is that I don’t love him, and since he is only interested in a sexual relationship with me, sooner or later he will drop me. I have tried to explain this but my parents just don’t agree.”
“Okay, Stella I see the problem, clearly now, here’s my advice you must never allow him to lay his hands on you, not even if he is married to you. So, next time he tries to assault you, warn him that you will report him to the police.
Maybe he already knows that your parents will not pursue charges against him, so he does not fear that.
In any case, resist him whenever he makes an attempt, or leave the house. Your parents should not allow this. Please, let me know how things develop, things might change.
He may realise how lucky he is to get a girl like you and please, always delete all call records and messages you make to me.”
She called him three weeks later. “David, I’m afraid things have not improved, a few days after we spoke, I went to him when he was preparing for bed, and told him that I had problems with his late hours, with his manner of speaking with me, and with the beatings.
He gave me a very nasty reply, he asked me to go and ask my father if he does not beat my mother when she misbehaves, and reminded me that in our town beating is the accepted means of disciplining your wife.
If I did not want him to beat me, then I should behave myself, and he concluded that many girls from my hometown would be happy to be living with a graduate like him.
The next day, he slapped me because I asked about a girl who had come to the house to ask of him. I went and complained to my parents, and they came to the house. He was drunk, and he was very rude to them.
He asked my father if he never beat his wife, and advised him to take me away if he did not agree to the discipline he is enforcing in his home. He started raining insults, and my dad warned him that if he spoke one more word of insult, he would rather discipline him, and he kept quiet.”
“Ah, so he fears something, great. Let’s see if the fear of your dad will get him to behave himself. But Stella, allow me to say this, you are a very beautiful girl, and I believe you have a great future ahead of you.
If your man has made it so clear what he would do to you in future, perhaps it would be a good idea to leave the relationship and get a good education. You already have a good WASSCE certificate, there are university courses for working people, even if you continue the relationship, I suggest that you pursue education as a priority.
I will share some information on university courses with you, and encourage you to follow up.” “Thank God I spoke with you, David, I will take this up very seriously. I have always been interested in the accounting profession. Next time we talk, the story will be much different.”
Features
Musicians, the Whiteman’s toilet and MEGASTAR

I have often been saddened by the condition of Sikaman musicians. Of course, some are not musicians. They are jokers who think anybody who can sing a hymn is a musician. And why wouldn’t they think so when people think that every man wearing a rasta hair is a reggae musician?
Well, these days, almost everybody is dreaming of becoming a musician, even some ministers and parliamentarians. And it is never too late for them to begin learning the solfas and composing songs like “If You Do Good You Do For Yourself,” after all, life begins at 60 these days. If you die three years later, that’s your luck.
For the jobless, becoming a musical star is an everyday dream. They think when you are a music maker, you automatically break alliance with poverty. They are often mistaken.
I know people who claim they are musicians but are always fasting not because they are devout moslems or are on a hunger strike, but because even one square meal a day is a perpetual wahala. And the only drink they can afford is the poor man’s holy whisky which has a thousand names including ‘Nyame Bekyere’.
Even most of the popular musicians we see in town claiming they are foreign-based stars are more of hustlers than musicians. When they tell you they are going on tour abroad, it is a careful way of saying they are going overseas to scrub the whiteman’s toilet or pick tomato or apples to save their neck from musical poverty.
When they are back to Sikaman, they appear quite flamboyant with chains hanging all over them. They change the few dollars they have scraped, spread it around and promptly get broke. Then they can organise another ‘tour’. In between tours, they struggle to release an album and that levels them up a bit on the financial balance.
It all points to the fact that the life of the average musician isn’t quite organised. He has no calendar, no programme and no concentration on the job. He has to wash plates, become a waiter, janitor and toilet scrubber while finding time to make music. No musician succeeds in life that way.
One musician I’ll always respect, who thinks deeper than the ordinary Sikaman musicians is Carlos Sakyi. He is not like the Kokoase guitar musicians who see the world just in terms of bitters, a willing girlfriend, constant supply of kokonte and jot.
Carlos, often loved for his percussive overtones in gospel music, and once a gospel-rock star, has studied the life of Sikaman musicians and has evolved a blue-print for a great improvement in their lives work, finances and comfort.
In short, he has simulated a Motown-style environment for musicians and his formula is working with accuracy with the five musicians he has started with. The blue-print is what has brought MEGASTAR into being. It was launched on September 15, 1995 at the National Theatre.
When it got launched, many probably thought Carlos was “too know or was dreaming more than he should and won’t think about himself. Anyhow, the MEGASTAR is now an institution musicians can look up to, a big phenomenon with lots of promise for struggling musicians.
Music business in the developed world is not the way we regard it cheaply here. A musician is never distracted by how his finances go; his contracts are entered, his engagements made, his interviews arranged, his personal security guaranteed.
Music is his business and that is where his mind is and his attention focuses. Other aspects of his life are programmed for him by his managers. They hire who has to light his cigarettes, massage him, drive his car and the one who will say “Good Luck” when he sneezes.
A bodyguard whose face is exactly like that of the devil is hired to scare off muggers, psychopaths and criminals in general. Sometimes his girls are organised for him.
So the only thing the musician does apart from sleeping and snoring is to concentrate on making music, and true to it, no one can succeed in any venture when he is distracted.
This is how the Michael Jacksons, Lionel Richies, Dolly Patons and Whitney Houstons have made it with dollars packed and over-flowing. They aren’t any better than Sikaman musicians. The only difference is that they know how to organise their lives.
I managed to corner Carlos Sakyi and asked him to tell me how MEGASTAR was doing. He is the Managing Director of Megastar Limited, a music company that has a board of directors and a chairman. Carlos Sakyi shares the proprietorship with a partner. Carlos himself was one great musician who played for a band that beat Eddy Grant on the charts.
“Megastar is in fact a concept born out of the idea that the future security of the Ghanaian musician which has always been in jeopardy can now be guaranteed. Artistes spend too much of their time doing things on their own, chasing money and not concentrating on music. So their full potential is never realised. Some are in fact producing at quarter-rate. That is why they aren’t making much headway,” he told me.
“Megastar is now giving them the chance of the lives. We handle the interviews of Megastar artiste, their press releases, costume, engagements and everything they hitherto used to do themselves. We get them exposed on M-Net and we have contacted BB to get on their programmes. We handle their finances pay them salaries and bonuses, so they only have to concentrate on music
“Most importantly,” he continued, “we do not make all the decisions. Management always meet with the musicians to take the decisions that affect them.”
But who are the Megastar musicians? One is the great Amakye Dede, a star from birth delivered onto the earth with music on his lips; he is the man who feeds hungry ears with musical salad and harmonic sausages. He is the recipient of many national awards.
Next is Naana Frimpong, a latter-day Carlos-groomed songbird with the voice of an angel. She sings to kill. Her beauty has charmed her audience and they stare and stare at her.
The sensational and fantalising Tagoe Sisters are the next. The twin music machine is one that has produced the cream, arguably the very best, of gospel music all these years. I hear they are inseparable; not even their better-halves can keep them apart. Are they Siamese? They dance, and when on stage, they move the crowd.
Then comes Reverend Yawson who is a known songwriter. He is imbued with the Holy Spirit, speaks in tongues and of course sings in tongues. He is God’s representative on the group.
What about my good friend and super-heavyweight, Jewel Ackah? He is a star figure. His appearance is awe-inspiring, his voice golden. A great delight to be-hold when at his best in stage-craftsmanship, he has beaten his contemporaries to it both on land and on sea.
They are the pioneers of the Motown idea. They are all releasing new albums this year. Let’s see how it all goes.
Features
The rise of female rage: Unpacking the complexity of women’s anger
In recent years, the term “female rage” has gained significant traction, symbolising a collective shift in how women’s emotions are perceived and addressed.
This phenomenon is not merely a fleeting trend but a profound movement rooted in centuries of systemic injustices, personal betrayals, and societal expectations.
As women increasingly reclaim their anger, it is imperative to understand the multifaceted nature of female rage, its causes, and its implications for individuals and society at large.
The historical context of female anger
Historically, women’s emotions have been subject to dismissal, ridicule, and pathologisation. The term “hysteria,” originating from the Greek word for uterus, was used to describe women’s emotional states as irrational and uncontrollable.
This legacy of silencing and shaming has contributed to a culture where women’s anger is often suppressed or stigmatised.
However, with the rise of feminist movements, women are challenging these narratives, asserting their right to express anger and demand change.
The anatomy of female rage
Female rage is not a monolith; it is a complex and multifaceted emotion driven by various factors, including:
1. Societal expectations: The pressure to conform to traditional roles of passivity, politeness, and emotional labour.
2. Gender inequality and pay gaps: Frustration stemming from systemic discrimination in the workplace and beyond.
3. Sexual harassment and abuse: Trauma and anger resulting from pervasive violence and objectification.
4. Emotional labour and burnout: The unsustainable burden of managing emotions and responsibilities in personal and professional spheres.
5. Hormonal fluctuations: The impact of hormonal changes on emotional states, often overlooked or dismissed.
The power of anger: Reclaiming female rage
Far from being a destructive force, female rage can be a catalyst for change. When acknowledged and channelled constructively, anger can drive advocacy, policy reform, and resistance against inequality.
The #MeToo movement, women’s marches, and increased representation in politics are testaments to the power of collective female anger.
Addressing the Stigma: Towards a more inclusive dialogue
To fully harness the potential of female rage, society must address the stigma surrounding women’s anger. This involves:
1. Validation and recognition: Acknowledging women’s emotions as legitimate and worthy of attention.
2. Creating safe spaces: Providing platforms for women to express anger without fear of backlash.
3. Education and awareness: Challenging stereotypes and promoting understanding of women’s experiences.
4. Support systems: Offering resources and support for women dealing with trauma and systemic injustices.
Conclusion
The age of female rage is a moment of profound transformation, where women’s anger is no longer silenced but celebrated as a force for justice.
By understanding the roots of female rage and addressing the societal structures that fuel it, we can move towards a more equitable and compassionate world.
The journey is complex, but the destination-a society where women’s emotions are respected and their voices are heard is worth the struggle.
References:
[1] Chemudupati, P. (2022). _The Rage of Women: A Historical Perspective_.
[2] Traister, R. (2018). _Good and Mad:
By Robert Ekow Grimond-Thompson




