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The price we eventually pay

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At some time or other, perhaps everyone asks himself or herself: Why should I conform to the rules? Why should I maintain standards and ideals? Why should the promises or threatened punishments of a remote hereafter restrict my way of life? Maybe this old adage about virtue’s being its own reward is just an old-fashioned idea. There are many answers to this line of questioning but suppose for the moment we forget about heaven and the hereafter and confine our answers to what we positively know about ourselves here and now.

It has, for example, been established as a physiological fact, that such negative emotions as worry, anger, hate, and jealousy generate within us those substances which can and do impair our physical and mental well-being. Even to the skeptic this can now be demonstrated. And it isn’t necessary for a herald from heaven to pronounce the penalty. Anyone who hates his or her neighbour, anyone who must make mental excuses for his or her own misconduct, is experiencing the relentless operation of the laws of reward and punishment, as they affect every man every day. And what is true negatively is also true positively.

So there comes forward in the train of our thoughts a much-discussed question; the question of moral force. Moral force is a thing to be reckoned with, has it always been in the affairs of men. It ‘is one of the few weapons in the world that does not become obsolete. It has led many peoples to victory after they have suffered physical defeat. Yet, without it fortresses crumble, guns become useless, and men lose heart and give up. It is one of the few things that a dictator cannot ignore and ride over.

There is something about the nature of man that makes it necessary for him to justify himself, to seem right in the eyes of others before he can effectively sustain his position. That is one reason men in public power so frequently take the trouble to explain themselves, even when seemingly they don’t have to. That is why the dictators of our day still give excuses for their infamous actions. No country has been violated, no right has been disregarded, no principle has been set aside without some attempt at justification, without some excuse of emergency or expediency without some effort to make the world think it was a right cause and a right course, because even a dictator must justify himself to exist, no matter how completely he controls the material and physical elements about him. He may force the people to goose-step, to go through the motions of loyalty, to labour long for his cause, to raise hands in salute, to cease the outward forms of their accustomed worship, to come to him for bread; he may force them to vote as he wishes, to perpetuate him in office, and to become dependent upon him for all of the physical elements of life—but he can’t prevent a man from thinking against him and praying against him, and contributing with moral force to his ultimate downfall.

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It is no small thing to face 10 people whose wills are set against you, even if you have no physical harm to fear from them. And it is cumulatively more terrifying to face a hundred. And then think what it means to contemplate that there may be a million or a 100 million or many 100 millions who are thinking and praying and hoping against you; to know that you stand convicted in the eyes of man and God. It is no imaginary thing of this power of moral force. It is a power that overrides in its own time and in its own way all of the barriers set up against it and all of those who disregard it. It is a power so real that no wise man reckons without it, and no fool can for long.

In an atmosphere of trust, of good will, of kindness, and of good conduct there is an observable tendency toward physical and mental wellbeing, which has its bearing on health and happiness. To wrestle with a gnawing, troubled conscience, devoid of peace, is a punishment which no scriptural fire and brimstone can equal, and which takes its toll physically, mentally, and spiritually. Of course, there is good authority for the fact that rewards and punishments are not confined wholly to the present. Sometimes the mills of the gods grind slowly. Sometimes it seems that justice is not done in this life. And why it should be so may have to be left for answer beyond the bounds of this world. But to those who do not care to project their thinking beyond their present life’s expectancy, to those who want to know only what a given course will do for them here and now, let it be said that, in a very real sense, every day brings its own reward and punishment. “And the work of righteousness shall be peace; and the effect of righteousness quietness and assurance forever.”

By Samuel Enos Eghan

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Korea supports preservation of Ghana’s forts and castles

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The Government of the Republic of Korea has presented a second consignment of equipment to support the study, maintenance and preservation of Ghana’s historic forts and castles under the Korea-Ghana ICT Climate Project.

At the handover ceremony in Accra, today, Abla Dzifa Gomashie, Minister for Tourism, Culture and Creative Arts, expressed appreciation for Korea’s continued support, including its US$4.5 million intervention towards heritage preservation, technical assistance and capacity building.

The equipment will strengthen the Ghana Museums and Monuments Board’s efforts to address the impact of climate change on Ghana’s historic heritage infrastructure.

The Ministry noted that they remain committed to working with international partners to safeguard Ghana’s priceless heritage for present and future generations.

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By Edem Mensah-Tsotorme

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ASOHOM hosts “Woven Currents” charity art gala for sustainable Water Futures

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The Association of Spouses of Heads of Diplomatic Missions and International Organizations (ASOHOM) brought art, diplomacy and philanthropy together for its glamorous black-tie charity gala, centred on the urgent theme of sustainable water futures.

At the heart of the evening was ‘Woven Currents’, a thought-provoking commissioned exhibition co-curated by Fang W. Linulf of LogonART and Fadila Njoya from Gallery Sankofa, showcasing five outstanding Ghanaian artists confronting water pollution, coastal decay, ancestral memory and ecological regeneration.

Housed within a versatile multi-function hall, far from a conventional white-cube gallery, the venue underwent a dramatic creative transformation.

Drawing on her professional architectural background, curator Fang W. Linulf reimagined the standard event space into a vivid, immersive exhibition environment through bold spatial storytelling.

Monumental art installations encircled gala guests, breaking traditional viewing boundaries and forging a remarkably intimate, visceral connection between viewers and the artworks.

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Guided by a powerful curatorial vision, ‘Woven Currents’ positioned art as a call to action: to honour, safeguard and collectively steward Africa’s precious shared water heritage.

Each artwork responded directly to Ghana’s pressing aquatic realities.

Emmanuel Aggrey Tieku’s towering textile installation breathed new life into discarded local second-hand ‘Oburoni Wawu’ garments, delivering a searing commentary on waste colonialism and textile-fuelled ocean contamination.

Patrick Tagoe Turkson crafted intricate assemblages from beach-salvaged flip flops and abandoned ghost fishing nets, weaving Asafo flag and Kente cloth iconography into marine debris to unite indigenous cultural wisdom with modern-day ecological crisis.

Sena Burgundy presented introspective blue-hued figurative canvases exploring inner reflection set against shifting environmental realities.

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Nana Frimpong Oduro exhibited dream-like surreal photography rooted in Akan cosmology, capturing ancestral echoes and human resilience within Ghana’s coastal waters.

Evans Torngmortey Akornor built evocative threshold-themed mixed media works from fishing shore remnants, unpacking visible and unseen layers of shoreline history.

Attendees also experienced the poignant live dance performance ‘Cry of the River’ by Vivie’s Dance.

The night featured a high-energy live auction of five signature exhibition artworks alongside a raffle draw. Every penny raised went toward vital humanitarian support for vulnerable communities across Ghana.

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Diplomatic delegates, collectors, artists and cultural leaders filled the room.

The curatorial team stressed that ‘Woven Currents’ was never mere gala decoration.

It delivered grounded, locally-centred artistic narratives that enriched formal policy conversations on water conservation, repurposing a diplomatic social gathering into a dynamic public platform for ecological dialogue and meaningful giving.

By Edem Mensah-Tsotorme

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